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Events from the year 1932 in art.
Events from the year 1904 in art.
Events from the year 1955 in art.
Events from the year 1946 in art.
Events from the year 1928 in art.
Events from the year 1981 in art.
Events from the year 1917 in art.
Events from the year 1923 in art.
Events from the year 1929 in art.
Events from the year 1970 in art
Events from the year 1930 in art.
Events from the year 1953 in art.
Events from the year 1936 in art.
Events from the year 1935 in art.
Events from the year 1901 in art.
Events from the year 1927 in art.
Events from the year 1934 in art.
Events from the year 1945 in art.
Illustrated handscrolls, emakimono, or emaki (絵巻) is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese emakimono developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls.
The Kibi Daijin Nittō Emaki is an emakimono or emaki from the end of the 12th century, in either the Heian or Kamakura periods of Japanese history. An illuminated manuscript, it was originally made up of a long paper scroll decorated with paint and calligraphy, and is now separated into four parts, all of which are held by the Museum of Fine Arts, Boston. It recounts the legend associated with the voyage of the Japanese Minister Kibi no Makibi to Imperial China of the Tang dynasty in the 8th century.
The Kokawa-dera Engi Emaki, is an emakimono or emaki from the 12th century, in either the Heian or Kamakura periods of Japanese history. An illuminated manuscript composed of a single scroll of paper, it illustrates the foundation of, and the miracles associated with, the Kokawa-dera Buddhist temple in the former Kii Province. The long paintings in the work were executed in a simple, uncluttered, Yamato-e style typical of Japanese paintings of the time.