Bailed Up | |
---|---|
Artist | Tom Roberts |
Year | 1895 |
Medium | oil on canvas |
Dimensions | 134.5 cm× 182.8 cm(53.0 in× 72.0 in) |
Location | Art Gallery of New South Wales, Sydney |
Bailed Up is a 1895 painting by Australian artist Tom Roberts. The painting depicts a stage coach being held up by bushrangers in an isolated, forested section of a back road. The painting is part of the collection of the Art Gallery of New South Wales. [1] and has been described by one former Senior Curator as "the greatest Australian landscape ever painted". [2]
Roberts painted the work while staying at Newstead sheep station —near Inverell, New South Wales —owned by his friend Duncan Anderson. He had earlier painted The Golden Fleece , his second painting depicting sheep shearing, while at Newstead. [1] The notorious bushranger Captain Thunderbolt had been active in the Inverell area more than twenty five years earlier and Roberts conceived an idea of painting a bushranging scene. [1]
Roberts found his location for the painting along the road between Newstead and Paradise, a neighbouring station. The location was remote, on a flat bend on an uphill stretch of the road, surrounded by "grass trees and a forest of tall gums." [1] At this spot Roberts, with assistance from the Anderson family, constructed a viewing platform in a tree growing on the slope below the road, thus setting himself up at road level. Roberts painted the Cobb and Co coach in Inverell and modelled the characters in the painting on people in Inverell and station hands at Newstead. Before starting on the main canvas Roberts "made tiny drawings and an oil sketch of how he wanted the scene to look." [1]
Once complete, Roberts exhibited Bailed Up in Sydney and Melbourne. Critical reception to the work was mixed; with comment in the press about "the way the legs of the men, or the skin of the horses had been depicted" among other things. Pearce considered that "[p]erhaps unsatisfactory pictorial resolution was sensed" by collectors. Regardless, for a thirty-year period the painting failed to find a buyer. [1] Roberts reduced his asking price from £275 to 75 guineas in 1900 but still no buyer could be found. [1]
In 1927, Roberts reworked the painting and the extent of this rework has been difficult to ascertain. [1] Using X-ray photography, art historians now think that Roberts simplified the work considerably, making it flatter and more abstract, in the modernist style that had come into vogue at that time. [3] The painting was finally sold for 500 guineas in 1928, purchased by a Sydney solicitor, J. W. Maund. Maund was also a trustee of the Art Gallery of New South Wales and he immediately lent the painting to the gallery—selling it to them five years later. [1]
En route to an exhibition in Melbourne in 1956—part of the cultural program of the 1956 Summer Olympics — the painting fell off the back of a truck. The painting was damaged but successfully restored. [3]
Australian artist Ben Quilty reworked Bailed Up in his 2004 painting Gold Soil Wealth for Toil. It was acquired by the Art Gallery of New South Wales. [4]
Bushrangers were armed robbers and outlaws who resided in the Australian bush between the 1780s and the early 1900s. The original use of the term dates back to the early years of the British colonisation of Australia, and applied to transported convicts who had escaped into the bush to hide from the authorities. By the 1820s, the term had evolved to refer to those who took up "robbery under arms" as a way of life, using the bush as their base.
The Heidelberg School was an Australian art movement of the late 19th century. It has been described as Australian impressionism.
Frederick Wordsworth Ward, better known by the self-styled pseudonym of Captain Thunderbolt, was an Australian bushranger renowned for escaping from Cockatoo Island, and also for his reputation as the "gentleman bushranger" and his lengthy survival, being the longest-roaming bushranger in Australian history.
Inverell is a large town in northern New South Wales, Australia, situated on the Macintyre River, close to the Queensland border. It is also the centre of Inverell Shire. Inverell is located on the Gwydir Highway on the western slopes of the Northern Tablelands. It has a temperate climate. In the 2021 census, the population of Inverell was 12,057 and the Inverell Shire population was 17,853.
Thomas William Roberts was an English-born Australian artist and a key member of the Heidelberg School art movement, also known as Australian impressionism.
Charles Edward Conder was an English-born painter, lithographer and designer. He emigrated to Australia and was a key figure in the Heidelberg School, arguably the beginning of a distinctively Australian tradition in Western art.
Sir Arthur Ernest Streeton was an Australian landscape painter and a leading member of the Heidelberg School, also known as Australian Impressionism.
Sir William Dobell was an Australian portrait and landscape artist of the 20th century. Dobell won the Archibald Prize, Australia's premier award for portrait artists on three occasions. The Dobell Prize is named in his honour.
Nora Heysen, was an Australian artist, the first woman to win the Archibald Prize in 1938 for portraiture and the first Australian woman appointed as an official war artist.
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Shearing the Rams is an 1890 painting by Australian artist Tom Roberts. It depicts sheep shearers plying their trade in a timber shearing shed. Distinctly Australian in character, the painting is a celebration of pastoral life and work, especially "strong, masculine labour", and recognises the role that the wool industry played in the development of the country.
The 9 by 5 Impression Exhibition was an art exhibition held in Melbourne, Victoria, Australia. It opened on 17 August 1889 at Buxton's Rooms on Swanston Street and featured 183 "impressions", the majority of which were painted by Charles Conder, Tom Roberts and Arthur Streeton, three leading members of the Heidelberg School art movement, also known as Australian impressionism. Two other members, Frederick McCubbin and Charles Douglas Richardson, made smaller contributions.
The Golden Fleece, originally known as Shearing at Newstead, is an 1894 painting by the Australian artist Tom Roberts. The painting depicts sheep shearers plying their trade in a timber shearing shed at Newstead North, a sheep station near Inverell on the Northern Tablelands of New South Wales. The same shed is depicted in another of Roberts' works, Shearing Shed, Newstead (1894).
A Break Away! is an 1891 painting by Australian artist Tom Roberts.
Patrick William Marony, known professionally as P. W. Marony, was an Australian painter, political cartoonist, photographer and writer. Marony's practice as an artist and a writer spanned the period of cultural transition from the popularity of history painting to the emergence of cinematic versions of history. He painted a series of bushranger-themed works which were exhibited in the mid-1890s. Marony wrote several film scripts for the Australian Life Biograph Company. Twenty-six of his oil paintings, mostly of bushrangers, are a part of the collection of the National Library of Australia.
Footballer is a 1946 painting by Australian artist Sidney Nolan. It depicts an Australian rules footballer standing before a crowd of spectators at a football match. For many years the painting was thought to be a generic image of a footballer, however Nolan later revealed that the painting is based on Bill Mohr, a star player for the St Kilda Football Club during the 1930s.
James Ranalph Jackson (1882-1975) was an Australian painter, perhaps best known for painting views of Sydney harbour. Today, his work hangs in public galleries in both Australia and New Zealand. The Art Gallery of New South Wales has 16 of his paintings, however none are currently on display.
Sir Sidney Robert Nolan was one of Australia's leading artists of the 20th century. Working in a wide variety of media, his oeuvre is among the most diverse and prolific in all of modern art. He is best known for his series of paintings on legends from Australian history, most famously Ned Kelly, the bushranger and outlaw. Nolan's stylised depiction of Kelly's armour has become an icon of Australian art.
In a Corner on the Macintyre (Thunderbolt in an encounter with police at Paradise Creek) is a 1895 painting by the Australian artist Tom Roberts. The painting is thought to depict the bushranger Captain Thunderbolt in a shootout with police.
The New House is a 1953 painting by Australian artist John Brack. The painting depicts a man and a woman standing in front of their fireplace in a room.