Ben Quilty | |
---|---|
Born | 1973 (age 49–50) Sydney, New South Wales, Australia |
Nationality | Australian |
Known for | Painting, contemporary art |
Awards | 2014 Prudential Eye Award 2011 Archibald Prize 2009 Doug Moran National Portrait Prize |
Ben Quilty (born 1973) is an Australian artist and social commentator, who has won a series of painting prizes: the 2014 Prudential Eye Award, 2011 Archibald Prize, and 2009 Doug Moran National Portrait Prize. He has been described as one of Australia's most famous living artists.
Quilty was born in Sydney in 1973, [1] [2] [3] and grew up in Kenthurst in Sydney's north-west. [4]
He was educated at Kenthurst Public School and Oakhill College,[ citation needed ] where he exhibited his HSC artwork in ARTEXPRESS in 1991 (or 1992 [5] ). Subsequently, Quilty was selected as the recipient of the Julian Ashton Summer School Scholarship. [3] [6]
After high school, Quilty followed his interest in art and obtained a Bachelor of Visual Arts in Painting from Sydney College of the Arts at the University of Sydney, graduating in 1994. He earned a Certificate in Aboriginal Culture and History in 1996, and went on to study visual communication, design and women's studies at Western Sydney University, graduating with a Bachelor of Arts in 2001. [6]
In 2002 Quilty won the Brett Whiteley Travelling Art Scholarship, which increased his exposure to the public, [1] and he has been working full-time as an artist since then. [3]
He has been described as one of Australia's most famous living artists. [7]
From 11 October until 3 November 2011, Quilty was attached to the Australian Defence Force observing their activities in Kabul, Kandahar and Tarin Kowt. His task was to record and interpret the experiences of Australian service personnel who are deployed as part of Operation Slipper. After his return, Quilty spent six months producing work for the Australian War Memorial's National Collection. Such work is in the tradition of war artists that began in World War I with artists Arthur Streeton and George Lambert. [8] [9] Quilty's experiences as a war artist and the work he produced as a result of it was explored in the ABC TV's Australian Story program "War Paint" screened on 3 September 2012. [10]
Quilty's work has been influenced by a number of life experiences, including the drug and drinking culture of his youth, later political activism, and his experience as a war artist (see below). [1]
In 2002 he exhibited a series of paintings featuring his beloved Torana car, signifying the rituals of mateship among his cohort. A few years later, Van Rorschach (2005) represented a white minivan, a more practical vehicle. While, despite the name, this painting did not use the Rorschach technique (aka inkblot technique, used for psychological evaluation), he started using this technique in his later work, to explore the often violent colonial history of Australia. [1]
Quilty is known for his distinctive style of oil painting and a range of topics which includes portraits (he won the Archibald Prize for his portrait of artist and friend Margaret Olley), examination of masculine culture, expression of psychological interiors, and others which show his engagement with a range of social issues, such as the death penalty, asylum seekers, and massacres of Indigenous Australians. [11] [7]
He lives and works in the Southern Highlands of New South Wales. [1]
Quilty was a driving force in the establishment of a new gallery, the first in the Southern Highlands, situated in the grounds of historic Retford Park at Bowral. Called Ngununggula (meaning "belonging" in the local Gundungurra language), the gallery was created out of an old dairy, after Quilty led a major fundraising campaign and A$7.6 million was spent on its restoration and conversion. [12] [13] It opened in October 2021, [14] and in mid-2022 featured a major exhibition of the work of brothers Abdul and Abdul-Rahman Abdullah, along with video works by Tracey Moffatt. [12]
Quilty's works have been exhibited at many locations, both solo and group exhibitions.
In 2019 Quilty, a major touring survey exhibition, the first in a decade, curated by Lisa Slade of the Art Gallery of South Australia (AGSA), was hosted first at AGSA (March 2019), [7] then at the Queensland Gallery of Modern Art [19] and the Art Gallery of New South Wales (October 2019 [20] ). The exhibition included works from his time in Afghanistan, Greece, Serbia and Lebanon, and celebrated his connection to artist Margaret Olley [21] as well as including new Rorschach-based works documenting the Myall Creek massacre and an hitherto unrecorded massacre in the Anangu Pitjantjatjara Yankunytjatjara (APY lands) in South Australia, titled Irin Irinji. [7] The run at the Art Gallery of New South Wales coincided with the release of the documentary Quilty – Painting the Shadows, made by Catherine Hunter, on ABC Television on 19 November 2019. A book, Quilty, was published to accompany the exhibition, which includes essays Slade, Quilty's close friend, author Richard Flanagan, and head curator of International Art at the Art Gallery [22] of NSW, Justin Paton. [20] [11]
Other solo exhibitions include:
Group exhibitions include:
In December 2018, a Christmas tree created by Quilty and artist Mirra Whale out of refugees' discarded lifevests was displayed in St Paul's Cathedral, Melbourne. [38]
As well as being held in private collections in Australia and around the world, examples of Quilty's work are held in a number of public collections in Australia, [1] including:
The Archibald Prize is an Australian portraiture art prize for painting, generally seen as the most prestigious portrait prize in Australia. It was first awarded in 1921 after the receipt of a bequest from J. F. Archibald, the editor of The Bulletin who died in 1919. It is administered by the trustees of the Art Gallery of New South Wales and awarded for "the best portrait, preferentially of some man or woman distinguished in Art, Letters, Science or Politics, painted by an artist resident in Australia during the twelve months preceding the date fixed by the trustees for sending in the pictures". The Archibald Prize has been awarded annually since 1921 and since July 2015 the prize has been AU$100,000.
Margaret Hannah Olley was an Australian painter. She held over ninety solo exhibitions during her lifetime.
Sir William Dobell was an Australian portrait and landscape artist of the 20th century. Dobell won the Archibald Prize, Australia's premier award for portrait artists on three occasions. The Dobell Prize is named in his honour.
John Henry Olsen AO OBE was an Australian artist and winner of the 2005 Archibald Prize. Olsen's primary subject of work was landscape.
Nicholas Harding was a British-born Australian artist, known for his paintings, in particular portraits.
Elisabeth Cummings is an Australian artist known for her large abstract paintings and printmaking. She has won numerous awards including Fleurieu Art Prize, The Portia Geach Portrait Prize, The Mosman Art Prize, and The Tattersalls Art Prize. Her work is owned in permanent collections across Australia including Artbank, The Queensland Art Gallery, The Gold Coast City Art Gallery and the Art Gallery of New South Wales. She is notable for receiving recognition later in her career, considered by the Australian Art Collector as one of the 50 most collectible Australian Artists.
Sam Leach is an Australian contemporary artist. He was born in Adelaide, South Australia. Leach worked for many years in the Australian Tax Office after completion of a degree in Economics. He also completed a Diploma of Art, Bachelor of Fine Art degree and a Master of Fine Art degree at RMIT in Melbourne, Victoria. Leach currently resides in Melbourne. Leach's work has been exhibited in several museum shows including "Optimism" at the Queensland Art Gallery and "Neo Goth" at the University of Queensland Art Museum in 2008, in 2009 "the Shilo Project" at the Ian Potter Museum of Art and "Horror Come Darkness" at the Macquarie University Art Gallery and "Still" at Hawkesbury Regional Gallery in 2010. His work is held in public collections of regional galleries of Geelong, Gold Coast, Coffs Harbour, Newcastle and Gippsland and the collections of La Trobe University and the University of Queensland.
Fiona Lowry is an Australian painter who airbrushes pale colours to portray landscapes with people in them. The landscapes are beautiful and ambiguous, provoking the dangerous side of wilderness. Lowry also paints portraits and won the 2014 Archibald Prize at the Art Gallery of New South Wales with a portrait of Penelope Seidler. She is represented in the National Gallery of Australia, as well as the state galleries of Australia and in private collections.
Michael Kmit was a Ukrainian painter who spent twenty-five years in Australia. He is notable for introducing a neo-Byzantine style of painting to Australia, and winning a number of major Australian art prizes including the Blake Prize (1952) and the Sulman Prize. In 1969 the Australian artist and art critic James Gleeson described Kmit as "one of the most sumptuous colourists of our time".
Nasturtiums is an oil painting by the Australian Impressionist painter Emanuel Phillips Fox painted in 1912 during a period of great creativity for the artist in which he produced some of his finest works. It shows a woman, Edith Susan Gerard Anderson, wearing a printed mauve dress, black hat and black gloves, reading in a garden seated in a cane chair against a background of climbing nasturtium leaves and flowers growing up a trellis.
Catherine Hunter is an Australian filmmaker, journalist, television producer and director.
Danelle Bergstrom is an Australian visual artist known for landscapes and portraits of significant Australians and International figures.
Anthony White is an Australian visual artist. A National Art School, Sydney, graduate, White has worked and lived in Paris since 2009. White has held solo exhibitions in Melbourne, Sydney, Paris, Latvia, London and Hong Kong.
Aida Tomescu is an Australian contemporary artist who is known for her abstract paintings, collages, drawings and prints. Tomescu is a winner of the Dobell Prize for Drawing, the Wynne Prize for Landscape and the Sir John Sulman Prize, by the Art Gallery of New South Wales.
Vincent Fantauzzo, is a Melbourne-based Australian portrait artist known for his award winning portraits of Heath Ledger, Brandon Walters, Matt Moran, Emma Hack, Baz Luhrmann, Asher Keddie and his son Luca. He has won the Doug Moran National Portrait Prize twice, the Archibald Packing Room Prize, and the Archibald People's Choice Award four times.
Alex Seton is an Australian artist, known for his contemporary use of marble carving. He also works in sculpture, photography, video and installation.
Normana Wight is an Australian artist, best known as a painter and printmaker.
Sally Robinson is an English-born Australian artist. She has had a long career as a portrait artist and designer, painter and printmaker, teacher and lecturer. Her work is represented in private and public collections around Australia.
Ann Thomson is an Australian painter and sculptor. She is best known for her large-scale public commissions Ebb Tide (1987) for the Sydney Convention and Exhibition Centre and Australia Felix (1992) for the Seville World Expo. In 1998 she won the [Art Gallery of New South Wales' Wynne Prize. Her work is held in national and international collections, including: the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney, Newcastle Art Gallery, Newcastle, Thyssen-Bornemisza Collection, Madrid and Villa Haiss Museum, Germany.
Joan Ross is an Australian artist based in Sydney who works across a range of mediums including drawing, painting, installations, sculpture and video. Her work investigates the legacy of colonialism in Australia, particularly the effects colonialism has had on Indigenous Australians.
{{cite web}}
: CS1 maint: unfit URL (link)Ben Quilty is the first Australian artist to hold a solo show at the Saatchi Gallery in London.
Almost escaping his own mannerism as a painter, Ben Quilty at Tolarno Galleries has taken an amazing turn into cultural significance, and with a similarly baroque sensibility, through the medium of ceramics.