| There's No Place Like America Today | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | May 1975 | |||
| Studio | Curtom Studios, Chicago, Illinois | |||
| Genre | ||||
| Length | 35:23 | |||
| Label | Curtom | |||
| Producer | Curtis Mayfield | |||
| Curtis Mayfield chronology | ||||
| ||||
| Singles from There's No Place Like America Today | ||||
| ||||
There's No Place Like America Today is the seventh studio album by Curtis Mayfield, released in 1975 on Curtom Records. [1] It peaked at number 120 on the Billboard 200 chart, [2] as well as number 13 on the Top R&B/Hip-Hop Albums chart. [3]
The album cover was based on a 1937 monochrome photograph by Margaret Bourke-White, titled At the Time of the Louisville Flood, on which the advertising slogan was "There's No Way Like the American Way". [1] The original photograph was published in the February 15, 1937 edition of Life magazine. [4]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [5] |
| Christgau's Record Guide | D+ [6] |
The album was featured in 1001 Albums You Must Hear Before You Die . [7] In 2013, NME placed it at number 373 on the "500 Greatest Albums of All Time" list. [8]
All tracks are written by Curtis Mayfield
| No. | Title | Length |
|---|---|---|
| 1. | "Billy Jack" | 6:10 |
| 2. | "When Seasons Change" | 5:28 |
| 3. | "So in Love" | 5:15 |
| 4. | "Jesus" | 6:13 |
| 5. | "Blue Monday People" | 4:50 |
| 6. | "Hard Times" | 3:45 |
| 7. | "Love to the People" | 4:07 |
| Total length: | 35:23 | |
| No. | Title | Length |
|---|---|---|
| 8. | "Hard Times" (Long Version) | 3:57 |
Credits adapted from liner notes.
| Chart | Peak position |
|---|---|
| US Billboard 200 [2] | 120 |
| US Top R&B/Hip-Hop Albums ( Billboard ) [3] | 13 |
The Chronic is the debut studio album by American record producer and rapper Dr. Dre. It was released on December 15, 1992, by his record label Death Row Records along with Interscope Records and distributed by Priority Records. The recording sessions took place at Death Row Studios in Los Angeles and at Bernie Grundman Mastering in Hollywood.
Raising Hell is the third studio album by American hip hop group Run-D.M.C., released on May 15, 1986, by Profile Records. The album was produced by Russell Simmons and Rick Rubin. Raising Hell is notable for being the first Platinum and multi-Platinum hip hop record. The album was first certified Platinum on July 15, 1986, before it was certified as 3× Platinum by the Recording Industry Association of America (RIAA) on April 24, 1987. It is widely considered to be one of the greatest and most important albums in the history of hip hop music and culture.
Super Fly is the third studio album by American soul musician Curtis Mayfield, released on July 11, 1972, by Curtom Records. It was released as the soundtrack for the Blaxploitation film of the same name. Widely considered a classic of 1970s soul and funk music, Super Fly was a nearly immediate hit. Its sales were bolstered by two million-selling singles, "Freddie's Dead" and the title track. Super Fly is one of the few soundtracks to out-gross the film it accompanied.
I Never Loved a Man the Way I Love You is the tenth studio album by American singer Aretha Franklin, released on March 10, 1967, by Atlantic Records. It was Franklin's first release under her contract with the label, following her departure from Columbia Records after nine unsuccessful jazz standard albums, and marked a commercial breakthrough for her, becoming her first top 10 album in the United States, reaching number 2 on the Billboard 200. Two singles were released to promote the album: "Respect" and "I Never Loved a Man ". The former topped the Billboard Hot 100, while latter reached the top 10.
Paul's Boutique is the second studio album by the American hip hop group Beastie Boys, released on July 25, 1989, by Capitol Records. Produced by the Beastie Boys and the Dust Brothers, the album's composition makes extensive use of samples, drawn from a wide range of genres including funk, soul, rock, and jazz. It was recorded over two years at Matt Dike's apartment and the Record Plant in Los Angeles.
CrazySexyCool is the second studio album by American girl group TLC, released on November 15, 1994, by LaFace and Arista Records. Following the group's record deal, they released their debut album Ooooooohhh... On the TLC Tip in 1992 to positive reviews and commercial success. The group began working on a follow-up in 1993 but experienced an unproductive recording process due to personal issues, notably those of member Lisa "Left Eye" Lopes, who was struggling with alcoholism and her volatile relationship with football player Andre Rison. The album's recording lasted until September 1994, with Lopes' role diminished while she was in rehab.
Car Wheels on a Gravel Road is the fifth studio album by American singer-songwriter Lucinda Williams, released on June 30, 1998, by Mercury Records. The album was recorded and co-produced by Williams in Nashville, Tennessee and Canoga Park, California, and features guest appearances by Steve Earle and Emmylou Harris.
Tical is the debut studio album by American rapper and Wu-Tang Clan member Method Man. It was released November 15, 1994, by Def Jam Recordings. It was the first Wu-Tang solo album released after the group's debut, Enter the Wu-Tang . Similar to all first generation solo Wu-Tang projects, Tical was mainly produced by group member RZA, who provided a dark, murky and rugged sound. The album features guest appearances from RZA, Raekwon, Inspectah Deck, as well as several affiliates, who would later appear on future group projects. On October 5, 2017, Method Man revealed on the Viceland talk show Desus & Mero that the album's title is an acronym for "taking into consideration all lives."
Apocalypse 91… The Enemy Strikes Black is the fourth studio album by American hip hop group Public Enemy, released on October 1, 1991, by Def Jam Recordings and Columbia Records. The album received critical acclaim, ranking at No. 2 in The Village Voice's 1991 Pazz & Jop critics' poll.
Ill Communication is the fourth studio album by the American hip hop group Beastie Boys, released on May 31, 1994, by Grand Royal and Capitol Records. Co-produced by Beastie Boys and Mario Caldato, Jr., it is among the band's most varied releases, drawing from hip hop, punk rock, jazz, and funk, and continues their trend away from sampling and towards live instruments, which began with their previous release, Check Your Head (1992). The album features musical contributions from Money Mark, Eric Bobo and Amery "AWOL" Smith, and vocal contributions from Q-Tip and Biz Markie. Beastie Boys were influenced by Miles Davis's jazz rock albums On the Corner (1972) and Agharta (1975) while recording Ill Communication.
Endtroducing..... is the debut studio album by American music producer DJ Shadow, released on September 16, 1996, by Mo' Wax. It is an instrumental hip hop work composed almost entirely of samples from vinyl records. DJ Shadow produced Endtroducing over two years, using an Akai MPC60 sampler and little other equipment. He edited and layered samples to create new tracks of varying moods and tempos.
Run-D.M.C. is the debut studio album by American hip hop group Run-D.M.C., released on March 27, 1984, by Profile Records, and re-issued by Arista Records. The album was primarily produced by Russell Simmons and Larry Smith.
Be is the sixth studio album by American rapper Common. It was released on May 24, 2005, by Geffen Records and GOOD Music. The album is Common's first album under Geffen, following the mediocre performance of 2002's Electric Circus and the July 2003 merger of preceding label MCA Records, which, like Geffen and its sister label Interscope Records, was a division of Universal Music Group.
King of Rock is the second studio album by American hip hop group Run-D.M.C., released on January 21, 1985, by Profile Records. The album was produced by Russell Simmons and Larry Smith. King of Rock became the first rap album to be released on CD, and was the third rap album to be certified Platinum by the Recording Industry Association of America (RIAA). The album saw the group adopting a more rock-influenced sound, with several tracks prominently featuring heavy guitar riffs. The song "Roots, Rap, Reggae" features Yellowman, and was one of the first hybrids of rap and dancehall.
My Life is the second album by American R&B recording artist Mary J. Blige, released on November 29, 1994, by Uptown Records and MCA Records. Many of the topics on My Life deal with clinical depression, Blige's battling with both drugs and alcohol, as well as being in an abusive relationship. Unlike her debut, What's the 411? (1992), Blige contributed lyrics to fourteen of the album's tracks, making it her most introspective and personal album at the time. Similar to her debut album, My Life features extensive production from Sean "Puffy" Combs for his newly founded label, Bad Boy Entertainment, which was at the time backed by Arista Records.
Back to the World is the fourth studio album by Curtis Mayfield, released in 1973 under Curtom Records. It peaked at number 16 on the Billboard 200 chart, as well as number 1 on the Top R&B Albums chart.
Got to Find a Way is the sixth studio album by Curtis Mayfield, released in 1974 under Curtom Records. It peaked at number 76 on the Billboard 200 chart, as well as number 17 on the Top R&B/Hip-Hop Albums chart.
Sweet Exorcist is the fifth studio album by Curtis Mayfield, released in May 1974. It peaked at number 39 on the Billboard 200 chart, as well as number 2 on the Top R&B/Hip-Hop Albums chart.
The Renaissance is the second studio album by American hip hop artist Q-Tip, released November 4, 2008, on Universal Motown Records. The follow-up to his solo debut album, Amplified (1999), it was recorded after Q-Tip's Kamaal the Abstract (2009) was initially shelved in 2002 by his former label Arista Records and his proposed effort Open was shelved by Universal Motown, both deemed commercially inadequate by the labels. The Renaissance was produced primarily by Q-Tip and features guest contributions by D'Angelo, Norah Jones, Amanda Diva, and Raphael Saadiq.
Pleasures U Like is the third studio album by American singer Jon B. Released on March 20, 2001 in the United States, it marked his first album under Tracey Edmonds' label Edmonds Record Group which was formed after Jon's previous label home Yab Yum Records had folded. On Pleasures U Like, Jon reunites with past producers Babyface and Tim Kelley and Bob Robinson, who each produced one song. Also present on the album is the team of musician Joshua P. Thompson and Quincy Patrick.
 | This 1970s R&B/soul album-related article is a stub. You can help Wikipedia by expanding it. |
