Thomas Heberer (born September 24, 1965, in Schleswig, Germany [1] ) is a trumpeter, quarter-tone trumpeter, cornetist, keyboardist and composer, primarily focused on creative improvised music, jazz, and contemporary chamber music. Based in New York City, he currently works as a leader and sideman in a variety of bands in Europe and the US. [2]
Heberer began playing trumpet at the age of 11. [1] From 1984 to 1987, he studied at conservatory with Manfred Schoof [3] at the Cologne University of Music.
Heberer leads several projects, including past and present:
He has recorded and performed solo. Notable recordings include: The Heroic Millipede [12] in 1988 (ITM); "Kill Yr Darlins" [13] in 1997 (Poise); two albums on the Poise label under the pseudonym T.O.M.: Stella [14] in 2001 and Mouth [15] in 2003; and a vinyl-only release called One [16] on NoBusiness Records in 2011. The Other Side of the Spoon [17] , released on Bandcamp in 2023, is a set of solo trumpet improvisations, dedicated to the memory of Tristan Honsinger, one of Thomas' longtime musical partners in the ICP Orchestra.
His solo work has been used for films and dance performances, including for two choreographies by Pina Bausch. Choreographer Bausch's Für die Kinder von gestern, heute and morgen [18] (2002) uses a track from "Stella" called German Measles; Bausch's Ten Chi [19] (2004), uses a track called Blue from the album Mouth.
Wim Wenders used Blue in "Pina," [20] which was nominated for an Academy Award in 2011 for Best Documentary Feature. [21]
Blue and German Measles were both used in "Pina Bausch," [22] a documentary directed by Anne Linsel (WDR/Arte) in 2006 and re-released by the Goethe-Institut in 2012 (IN2998).
He has been a member of the ICP Orchestra [23] from 1993 [24] to present. Founded by Misha Mengelberg, Han Bennink and Willem Breuker, ICP currently comprises Ab Baars, Han Bennink, Joost Buis, Tobias Delius, Ernst Glerum, Guus Janssen, Michael Moore, and Mary Oliver. [25]
During Heberer's involvement, the band has recorded numerous albums for hatOLOGY [26] and ICP, [27] and performed extensively around the world, including tours in Argentina, Australia, Brazil, Canada, China, Colombia, Europe, Japan and the US. [28] Notable US performances with ICP include the Library of Congress, [29] Harvard University, and the Great American Music Hall in San Francisco.
From 1987 to 2000, Heberer was a member of Alexander von Schlippenbach's Berlin Contemporary Jazz Orchestra, [30] which at the time included Evan Parker, Kenny Wheeler, Aki Takase, Paul Lovens and others. During his involvement, the Orchestra recorded three albums for ECM, [31] FMP [32] and DIW, [33] and performed in Europe and Japan.
Heberer was a member of Tome XX [34] with saxophonist Dirk Raulf, bassist Tim Wells (1987-1989), bassist, Dieter Manderscheid (1990-1996), and drummer Fritz Wittek. From 1987 to 1996, the band recorded four albums under the JazzHausMusik label, touring across Europe, Africa and South America.
From 1988 to 1996, Heberer was a member of the European Jazz Ensemble, [35] along with Joachim Kühn, Gerd Dudek, Konrad Bauer, Charlie Mariano, Tony Levin and others. In addition to performing across Europe, he is included on two recordings from the time: "Meets the Khan Family" (MA Music) and "20th Anniversary Tour" (Konnex).
Heberer received significant attention [1] in 1990 with his release of the album Chicago Breakdown: The Music of Jelly Roll Morton, recorded with bassist Dieter Manderscheid. [36] The Penguin Guide to Jazz gave Chicago Breakdown four stars, the publication's highest rating, citing it "highly recommended." [37] Heberer and Manderscheid went on to record two more duo albums: What a Wonderful World (2002), in recognition for the centenary of Louis Armstrong, and Wanderlust (2007), a reflection on American blues music. What a Wonderful World was critically acclaimed and received four out of five stars in Down Beat. [38] As a duo, Heberer and Manderscheid have performed across Europe, Asia and the US.
From 2008 to 2013, Heberer joined drummer Joe Hertenstein's band HNH with bassist Pascal Niggenkemper. The band released two records on Clean Feed: HNH (black album) [39] and HNH (white album). [40] With the addition of clarinetist Joachim Badenhorst, the band made an album called Polylemma [41] on Red Toucan records, released in 2011. That year, Polylemma won the Happy New Ears award from the Free Jazz Collective. [42] With Pascal Niggenkemper, Thomas released Miners Pick [43] on the British FMR label (2014), a duet album, exclusively focusing on his cornet playing.
In 2013, Heberer and longtime collaborator Achim Kaufmann released their first recording [44] on Red Toucan called Knoten, [45] followed by a second recording with Ken Filiano joining Kaufmann and Heberer, called Interstices on NuScope Recordings [46] in 2015.
In 2014, Heberer replaced the late Roy Campbell in the Nu Band, which then comprised Thomas with Lou Grassi, Joe Fonda, and Mark Whitecage. Upon the passing [47] of Whitecage in 2021, the group was joined by Kenny Wessel. They toured Europe in 2014, 2016, 2017, 2019, 2023, and 2025. Four recordings were issued on Not Two Records: The Cosmological Constant [48] (2015), Live in Geneva [49] (2017), In Memory of Mark Whitecage [50] (2021), and Renual [51] (2022).
In 2016, Thomas became a founding member of the Angelica Sanchez Nonet. In addition to the leader, the ensemble includes Michaël Attias, Ben Goldberg, John Hébert, Sam Ospovat, Chris Speed, Omar Tamez, and Kenny Warren. The nonet’s debut, Nighttime Creatures [52] , was released on Pyroclastic records in 2023, and ranked among the Best Albums of the Year [53] in Downbeat.
In 2020, Heberer, bassist Joe Fonda and drummer Joe Hertenstein formed the group REMEDY. The Trio toured Europe in 2024 and has released 4 albums on the Fundacja Słuchaj! label: REMEDY [54] (2021), Vol. 2 [55] (2023), Hipp Hipp Hooray–Celebrating the Centennial of Jutta Hipp [56] (2025), REMEDY + Aki Takase [57] (2025). Their debut and Vol. 2 were both voted among the Albums of the Year [58] by the New York City Jazz Record. A recording from a performance in Germany, called Live at Jazzkammer [59] , was released in 2024 on Bandcamp.
He participates as a sideman in numerous ensembles and recordings with leaders such as Muhal Richard Abrams, Karl Berger, Peter Brötzmann, Han Bennink, Eugene Chadbourne, Dave Douglas, Joe Fonda, Frank Gratkowski, Barry Guy, Christoph Haberer, Gabriele Hasler, Guus Janssen, Maria João, Paul van Kemenade, Yoni Kretzmer, Misha Mengelberg, Butch Morris, Bob Moses, Alphonse Mouzon, David Murray, Sunny Murray, Michael Riessler, Alexander von Schlippenbach, Andreas Schmidt, Frank Schulte, Elliott Sharp, Norbert Stein, Steve Swell, Aki Takase, Attila Zoller, John Zorn. [1]
He served as a member of the regular band supporting German talk show host and entertainer Harald Schmidt from 1995 to 2007. [60] He was also featured as a guest [61] several times including for the Miles Davis episode on November 22, 2002.
From 1995 to 2003, the show aired four times a week for the German SAT1 private television channel. From 2005 to 2007, the show was performed 2 times per week for ARD, Germany's national television channel.
Die Zeit critic Konrad Heidkamp called him "the master of German trumpet," [62] The Penguin Guide to Jazz said "outstandingly gifted," [37] the Rowohlt Jazz Lexikon credits him with having "developed a unique trumpet style," [1] and colleague Alexander von Schlippenbach named him "our new trumpet genius." [63]
From 1993 to 1997, Heberer lectured at the music conservatory Hochschule für Musik und Darstellende Kunst in Frankfurt-Main, Germany.
He has conducted numerous workshops with the ICP Orchestra (among others, the 2007 Banff International Workshop in Jazz and Creative Music [64] in Alberta, Canada), as well as for the Goethe-Institut in South America, Asia and Africa.
He compiled a summary on trumpet techniques called Trumpet Mechanics.
Other teaching positions include the jazz workshop at Akademie Remscheid in Germany [65] and the Maine Jazz Camp [66] at the University of Maine in Farmington.
In addition to using regular staff paper for his compositions, Heberer has developed a notation code that he calls "Cookbook." [67] It is an instant composition method, which allows for a high amount of freedom on the musicians' side while allowing significant structural tools on the composer's side as well. It does so by implementing the idea of instant memory shaped according to a specific set of rules.
| Ensemble/Artist | Title | Year | Label |
|---|---|---|---|
| Norbert Stein | Die Fünf Tage | 1987 | JazzHausMusik (JHM 31) |
| Thomas Heberer | The Heroic Millipede | 1988 | ITM Records (ITM 1443) |
| Tome XX | Natura Morta | 1988 | JazzHausMusik (JHM 32) |
| Berlin Contemporary Jazz Orchestra | Berlin Contemporary Jazz Orchestra | 1989 | ECM (ECM 1409) |
| Thomas Heberer, Dieter Manderscheid | Chicago Breakdown: The Music of Jelly Roll Morton | 1990 | JazzHausMusik (JHM 38) |
| Norbert Stein | Die Wilden Pferde Der Armen Leute | 1990 | JazzHausMusik (JHM 39) |
| Tome XX | The Red Snapper | 1991 | JazzHausMusik (JHM 47) |
| European Jazz Ensemble | Meets the Kahn Family | 1992 | MA Music (A 807-2) |
| Sotto in Su | Südamerika Sept. 90 | 1992 | JazzHausMusik (JHM 51) |
| David Murray | Baltic Suite | 1993 | GOWI (CDG 05) |
| Berlin Contemporary Jazz Orchestra | The Morlocks and Other Pieces | 1994 | FMP (FMP 61) |
| Tome XX | Third Degree | 1994 | JazzHausMusik (JHM 63) |
| Christoph Haberer | Pulsation | 1994 | JazzHausMusik (JHM 66) |
| European Trumpet Summit | European Trumpet Summit | 1994 | Konnex (KCD 5064) |
| Frank Schulte | Switchbox | 1994 | No Man's Land (NML 9421) |
| Jazzensemble des Hessischen Rundfunks | Atmospheric Conditions Permitting | 1995 | ECM (ECM 1549) |
| Gabriele Hasler | Rosenstücke | 1996 | Foolish Music (211 096) |
| Berlin Contemporary Jazz Orchestra | Live in Japan '96 | 1996 | DIW Records (DIW-922) |
| Sotto in Su featuring Sussan Deyhim | Vanitas | 1997 | Poise (Poise 4) |
| Thomas Heberer | Kill Yr Darlins | 1997 | Poise (Poise 5) |
| European Jazz Ensemble | 20th Anniversary Tour | 1997 | Konnex (KCD 5078) |
| Misha Mengelberg | The Root of the Problem | 1997 | hatOLOGY (hatOLOGY 504) |
| Michael Riessler | Honig und Asche | 1998 | ENJA (ENJ-9303) |
| ICP Orchestra | Jubilee Varia | 1999, 2010 | hatOLOGY (hatOLOGY 528, 667) |
| Thomas Heberer's T.O.M. | Stella | 2001 | Poise (Poise 8) |
| ICP Orchestra | Oh, My Dog! | 2001 | ICP (ICP 040) |
| Thomas Heberer, Dieter Manderscheid | What a Wonderful World | 2002 | JazzHausMusik (JHM 118) |
| Thomas Heberer's T.O.M. | Mouth | 2003 | Poise (Poise 9) |
| ICP Orchestra | Aan & Uit | 2004 | ICP (ICP 042) |
| Aki Takase | Plays Fats Waller | 2004 | ENJA (ENJA 9152-2) |
| Norbert Scholly, Frank Schulte, Thomas Heberer | SSH Plays Shhh | 2005 | Konnex (KCD 5134) |
| Norbert Stein | Code Carnival | 2005 | Pata Music (Pata 17) |
| ICP Orchestra | Weer Is een Dag Voorbij | 2006 | ICP (ICP 043) |
| Thomas Heberer, Dieter Manderscheid | Wanderlust | 2006 | JazzHausMusik (JHM 151) |
| Thomas Heberer's Lip Lab | Lex Luna | 2007 | JazzHausMusik (JHM 162) |
| James Choice Orchestra | Live at Moers | 2007 | Moers Music (03020) |
| ICP Orchestra | Live at the Bimhuis | 2008 | ICP (ICP 046) |
| Andreas Schmidt, Samuel Rohrer, Thomas Heberer | Pieces for a Husky Puzzle | 2009 | JazzWerkstatt (JW 075) |
| Joe Hertenstein, Pascal Niggenkemper, Thomas Heberer | HNH | 2010 | Clean Feed (CF205) |
| ICP Orchestra | Orchestra | 2010 | ICP (ICP 049) |
| ICP Orchestra | !ICP! 50 | 2010 | ICP (ICP 50) |
| Thomas Heberer's Clarino | Klippe | 2011 | Clean Feed (CF226) |
| Thomas Heberer | Klippe/One | 2011 | NoBusiness Records (NBLP32/33) |
| Joe Hertenstein Quartet | Polylemma | 2011 | Red Toucan (RT 9342) |
| Peter Brötzmann's Full Blast and Friends | Sketches and Ballads | 2011 | Trost (TR107) |
| Getatchew Mekuria & the Ex & Friends | Y'Anbessaw Tezeta | 2012 | Terp Records (AS 21/22) |
| Thomas Heberer's Clarino | Cookbook | 2012 | Red Toucan (RT 9345) |
| ICP Orchestra | ICP Complete Boxed Catalogue | 2012 | Challenge Records (Buzz 1275) |
| Thomas Heberer, Achim Kaufmann | Knoten | 2013 | Red Toucan (RT 9347) |
| Aki Takase | Plays Fats Waller in Berlin | 2013 | Jazzwerkstatt (JW 029) |
| Datenverarbeiter | Fleur Noire Joue Les Images | 2014 | Fuego (2274-2) |
| Thomas Heberer, Pascal Niggenkemper | Miner's Pick | 2014 | FMR (FMR 383-0714) |
| ICP Orchestra | East of the Sun | 2014 | ICP (ICP 051) |
| Thomas Heberer, Achim Kaufmann, Ken Filiano | Interstices | 2015 | NuScope Recordings (CD 1029) |
| The Nu Band | The Cosmological Constant | 2015 | Not Two (MW 923-2) |
| ICP Orchestra | Live at the Vortex London | 2015 | ICP (ICP 053) |
| Joe Hertenstein, Pascal Niggenkemper, Thomas Heberer | HNH 2 | 2015 | Clean Feed (CF332) |
| ICP Orchestra | Restless in Pieces | 2016 | ICP (ICP 054) |
| Yoni Kretzmer Five | Five | 2016 | OutNow Recordings (ONR 026) |
| The Nu Band | Live in Geneva | 2017 | Not Two (MW 948-2) |
| Thomas Heberer, Yoni Kretzmer, Christian Weber | BIG | 2018 | OutNow Recordings (ONR 031) |
| Thomas Heberer | X Marks the Spot | 2019 | OutNow Recordings (ONR 037) |
| ICP Orchestra & Nieuw Amsterdams Peil | De Hondemepper | 2020 | ICP (ICP 062) |
| Enrique Haneine | Unaltered | 2020 | Elegant Walk Records (003) |
| REMEDY (Thomas Heberer, Joe Fonda, Joe Hertenstein) | REMEDY | 2021 | Fundacja Słuchaj! (FSR 08 2021) |
| Thomas Heberer | The Day That Is | 2021 | Sunnyside Records (SSC 1638) |
| The Nu Band | In Memory of Mark Whitecage | 2021 | Not Two Records (MW 1019-2) |
| ICP Orchestra | 30 Year Jubileum—Day 1, 2, 3 | 2022 | Bandcamp (ICP205-1, ICP205-2, ICP205-3) |
| Thomas Heberer’s Garden | Push Play | 2022 | CIMP (423) |
| The Nu Band | Renual | 2022 | Not Two Records (MW 1028-2) |
| Thomas Heberer, Ken Filiano, Phil Haynes | Spontaneous Composition | 2022 | CornerStoreJazz (CSJ-0129) |
| Thomas Heberer & Christof Knoche | The In Side | 2023 | Bandcamp (420 CPW 01) |
| Thomas Heberer | The Other Side of the Spoon | 2023 | Bandcamp (420 CPW 02) |
| REMEDY (Thomas Heberer, Joe Fonda, Joe Hertenstein) | Vol. 2 | 2023 | Fundacja Słuchaj! (FSR 12 2023) |
| Steve Swell & Thomas Heberer | 12 Paradoxes | 2023 | Bandcamp (420 CPW 03) |
| The Angelica Sanchez Nonet | Nighttime Creatures | 2023 | Pyroclastic Records (PR30) |
| REMEDY (Thomas Heberer, Joe Fonda, Joe Hertenstein) | Live at Jazzkammer | 2024 | Bandcamp (420 CPW 05) |
| Yoni Kretzmer & Juan Pablo Carletti’s BIGGISH | Live at Scholes Street Studio | 2024 | Bandcamp (gaucimusic) |
| REMEDY (Thomas Heberer, Joe Fonda, Joe Hertenstein) | Hipp Hipp Hooray–Celebrating the Centennial of Jutta Hipp | 2025 | Fundacja Słuchaj! (FSR 02 2025) |
| Joe Fonda & Thomas Heberer | West of the Moon | 2025 | Bandcamp (420 CPW 06) |
| ICP Orchestra | Happy Birthday -> Naar Zee Z.O.Z. | 2025 | Bandcamp (ICP213) |
| Enrique Haneine | Conceivable Directions | 2025 | Elegant Walk Records (004) |
| REMEDY (Thomas Heberer, Joe Fonda, Joe Hertenstein) | REMEDY + Aki Takase | 2025 | Fundacja Słuchaj! (FSR 26 2025) |
| Ensemble/Artist | Title | Director | Year | Producer/Distributor |
|---|---|---|---|---|
| New Jazz Meeting | New Jazz Meeting 89 | H. Werner Wunderlich | 1989 | SWF |
| Tome XX | D.C. | Reiner Michalke | 1992 | RTL |
| Aki Takase | Plays Fats Waller | Stephane Jourdain | 2005 | La Huit |
| Pina Bausch | Pina Bausch | Anne Linsel | 2006 | WDR/Arte |
| ICP Orchestra | ICP Orchestra | Guy Girard | 2006 | La Huit |
| Misha Mengelberg | Afijn | Jellie Dekker | 2006 | Data Images/ICP |
| Eugene Chadbourne | The Jack & Jim Show | Robert O'Haire | 2007 | Modern Alchemy |
| The Ex | Convoy Tour: 25 Years of the Ex | The Ex | 2009 | EX Records |
| Han Bennink | Hazentijd | Jellie Dekker | 2010 | Data Images/ICP |
| ICP Orchestra | Steigerpijp | Barbara Hin, Martin van der Veen | 2010 | Sushi Film |
| Pina Bausch | Pina | Wim Wenders | 2011 | Neue Road Movies |
| ICP Orchestra | Misha enzovoort | Cherry Duyns | 2013 | ICP |
| Fleur noire | Dix-Neuf | Werner Kiera | 2015 | Datenverarbeiter |
| Lance Gries Dancers + Thomas Heberer | Vision Festival No. 20 | Lance Gries | 2015 | Arts for Arts |
| Thomas Heberer | Catch You on the Flip Side | Thomas Heberer | 2016 | 420 CPW |
| Thomas Heberer | Peel | Thomas Heberer | 2016 | 420 CPW |
| Thomas Heberer, Christof Knoche | Sequoia | Thomas Heberer | 2016 | 420 CPW |
| Robert Dick, Thomas Heberer, Ken Filiano, Lukas Ligeti | Live at the Stone NYC | Don Mount | 2022 | Don Mount |
| Dr. Jazz Talks | Thomas Heberer Interview | Samo Šalamon | 2023 | Samo Šalamon |
| REMEDY | Live in Rochester | Dan Gross | 2025 | Bop Shop Records |
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