Thou Swell is a ballet created by New York City Ballet's balletmaster-in-chief Peter Martins to the songs of Richard Rodgers in an arrangement by Glen Kelly with orchestrations Don Sebesky.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Peter Martins is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet.
Richard Charles Rodgers was an American composer of music, with over 900 songs and 43 Broadway musicals, leaving a legacy as one of the most significant composers of 20th-century American music. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His compositions have had a significant impact on popular music.
The music is performed by an on stage trio and two singers. During the course of the ballet one of the male dancers (Nilas Martins in the original cast) "sits in" at the piano. The premiere took place on 22 January 2003 at the New York State Theater, Lincoln Center, with scenery by Robin Wagner, costumes by Julius Lumsden, supervised by Holly Hynes, and lighting by Mark Stanley.
In music, a trio is a method of instrumentation or vocalization by three different sounds or voices to make a melodious music or song.
Lincoln Center for the Performing Arts is a 16.3-acre (6.6-hectare) complex of buildings in the Lincoln Square neighborhood of Manhattan in New York City. It hosts many notable performing arts organizations, which are nationally and internationally renowned, including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet and the New York City Opera.
Robin Samuel Anton Wagner is an American scenic designer.
(Song used and date of composition):
"Where or When" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. It also appeared in the film version of Babes in Arms two years later.
"Manhattan" is a popular song and part of the Great American Songbook. It has been performed by the Supremes, Lee Wiley, Oscar Peterson, Blossom Dearie, Tony Martin, Dinah Washington, Ella Fitzgerald and Mel Torme, among many others. It is often known as "We'll Take Manhattan" based on the opening line. The music was written by Richard Rodgers and the words by Lorenz Hart for the 1925 revue "Garrick Gaieties". It was introduced by Sterling Holloway and June Cochran.
"Mountain Greenery" is a popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the musical The Garrick Gaieties (1926).
"Bewitched, Bothered and Bewildered" is a show tune and popular song from the 1940 Rodgers and Hart musical Pal Joey. It is part of the Great American Songbook. The song was introduced by Vivienne Segal on December 25, 1940, in the Broadway production during Act I, Scene 6, and again in Act II, Scene 4, as a reprise. Segal also sang the song on both the 1950 hit record and in the 1952 Broadway revival. It was performed by Carol Bruce in the 1954 London production.
"The Lady Is a Tramp" is a show tune from the 1937 Rodgers and Hart musical Babes in Arms, in which it was introduced by former child star Mitzi Green. This song is a spoof of New York high society and its strict etiquette and phony social pretensions. It has become a popular music standard.
"Getting to Know You" is a show tune from the 1951 Rodgers and Hammerstein musical The King and I. It was first sung by Gertrude Lawrence in the original Broadway production and later by Marni Nixon who dubbed for Deborah Kerr in the 1956 film adaptation. In the show, Anna, a British schoolteacher who has been hired as a governess, sings the song as she strikes up a warm and affectionate relationship with the children and the wives of the King of Siam.
"The Most Beautiful Girl In The World" is a show tune from the 1935 Rodgers and Hart musical Jumbo.
"With a Song in My Heart" is a show tune from the 1929 Rodgers and Hart musical Spring Is Here.
Maria Kowroski is a principal ballerina at the New York City Ballet.
Yvonne Borree is a former principal dancer at New York City Ballet. She was raised in Norfolk, Virginia, where she began her dance studies with the Tidewater Ballet Association at four years of age.
Rachel Rutherford was a soloist with New York City Ballet.
The Nightingale and the Rose is a ballet choreographed by Christopher Wheeldon to music by Bright Sheng commissioned by the New York City Ballet. The premiere took place on Friday, June 8, 2007, at the New York State Theater, Lincoln Center, the orchestra conducted by the composer. Its libretto is based on the short story of the same name by Oscar Wilde.
Symphony in C, originally titled Le Palais de Cristal, is a ballet made by New York City Ballet co-founder and balletmaster George Balanchine to Georges Bizet's Symphony in C (1855). The music of the ballet, which Bizet wrote at the age of 17 while studying with Charles Gounod at the Paris Conservatory, was lost and only rediscovered and published in 1933.
Zakouski is a ballet made by New York City Ballet ballet master in chief Peter Martins to:
Oltremare is a ballet by Mauro Bigonzetti to Bruno Moretti's eponymous music commissioned by New York City Ballet. The premiere took place Wednesday, January 23, 2008, at the New York State Theater, Lincoln Center, with costumes by the choreographer and Marc Happel and lighting by Mark Stanley. Oltremare is the third of three Bigonzetti / Moretti ballets commissioned by City Ballet, the others being Vespro and In Vento.
Valse Triste is a ballet choreographed by Peter Martins when he was balletmaster at the New York City Ballet to Sibelius's eponymous waltz as well as the music called Scene with Cranes from his incidental music for the play Kuolema (Death). The crane is a symbol of death in Finnish literature. The premiere took place on May 23, 1985, at the New York State Theater, Lincoln Center, with original lighting by Ronald Bates and current lighting by Mark Stanley.
West Side Story Suite is a ballet made by New York City Ballet balletmaster Jerome Robbins to the 1957 music by Leonard Bernstein and lyrics of Stephen Sondheim and extracted from the eponymous musical which he had choreographed, with scenery by Oliver Smith, costumes by Irene Sharaff and lighting by Jennifer Tipton. The premiere took place at New York State Theater on Thursday, May 18, 1995. Nikolaj Hübbe and Jock Soto, both members of the original cast, as well as Peter Boal all chose to include West Side Story Suite in their farewell performances at City Ballet.
Symphony in Three Movements is a ballet made by New York City Ballet co-founder and balletmaster George Balanchine for the opening night of the New York City Ballet Stravinsky Festival, based on Igor Stravinsky's 1942–45 Symphony in Three Movements, with lighting by Mark Stanley. The premiere took place on June 18, 1972, at the New York State Theater, Lincoln Center for the Performing Arts.
Fancy Free is a ballet by Jerome Robbins, subsequently ballet master of New York City Ballet, made on Ballet Theatre, predecessor of American Ballet Theatre, to a score by Leonard Bernstein, with scenery by Oliver Smith, costumes by Kermit Love and lighting by Ronald Bates. The premiere took place on Tuesday, 18 April 1944 at the old Metropolitan Opera House, New York. The NYCB premiere took place Thursday, 31 January 1980. Fancy Free was the inspiration for a successful musical, On the Town, and a portion of the score was also used in the opening scenes of Alfred Hitchcock's Rear Window.
Andantino, originally titled Pas de Deux, is a ballet made for New York City Ballet's Tschaikovsky Festival by ballet master Jerome Robbins to the second movement of the composer's Piano Concerto No. 1 in B flat minor, Op. 23 (1875). The premiere took place on 4 June 1981 at New York State Theater, Lincoln Center, with costumes by Ben Benson and lighting by Ronald Bates.
Opus 19/The Dreamer is a ballet made by New York City Ballet balletmaster Jerome Robbins to Prokofiev's Violin Concerto No. 1, in D major with costumes by Ben Benson and lighting by Ronald Bates. The premiere took place on June 14, 1979, at the New York State Theater, Lincoln Center. Peter Boal danced it with Wendy Whelan as part of his June 2005 farewell performance at City Ballet.
Piano Pieces is a ballet made for New York City Ballet's Tschaikovsky Festival by ballet master Jerome Robbins to Tchaikovsky's music. The premiere took place on 11 June 1981 at the New York State Theater, Lincoln Center, with costumes by Ben Benson and lighting by Ronald Bates.
The Chairman Dances is a ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music from 1985. The music was originally written for Adams' opera, Nixon in China, but not used in production: the scene is that in which Mao Zedong dances with his future bride, movie star Chiang Ch'ing. The premiere took place on 14 May 1988, as part of City Ballet's American Music Festival at New York State Theater, Lincoln Center, with scenery and costumes by Rouben Ter-Arutunian, and lighting by Mark Stanley.
An American in Paris is a 21-minute ballet made by New York City Ballet's first resident choreographer, Christopher Wheeldon, to eponymous music by George Gershwin from 1928. The premiere took place on Wednesday, 4 May 2005, at New York State Theater, Lincoln Center, with scenery by Adrianne Lobel, costumes by Holly Hynes and lighting by Natasha Katz.
La sonnambula(The Sleepwalker) is a ballet by the co-founder and ballet master of New York City Ballet, George Balanchine, made to Vittorio Rieti's music using themes from the operas of Vincenzo Bellini including La Sonnambula, Norma, I Puritani and I Capuleti e i Montecchi (1830–35) and with costumes by Karinska. The premiere took place with the Ballet Russe de Monte Carlo on Wednesday, 27 February 1946, at City Center of Music and Drama, New York; the City Ballet premiere was on 6 January 1965.
Ives, Songs is a ballet made by New York City Ballet ballet master Jerome Robbins to songs of Charles Ives:
Tschaikovsky Piano Concerto No. 2, originally called Ballet Imperial, is a ballet in three movements made by New York City Ballet's co-founder and founding choreographer George Balanchine for his earlier company, American Ballet Caravan, to the version of Peter Ilyitch Tchaikovsky's Piano Concerto No. 2, originally composed in 1879–80, but later revised by Alexander Siloti. The ballet was given a preview performance on 29 May 1941 at the Little Theater of Hunter College in New York City. The premiere took place on 25 June 1941 at Teatro Municipal, Rio de Janeiro.
The Prodigal Son, or Le Fils prodigue, Op. 46 is a ballet created for Diaghilev's Ballets Russes by George Balanchine to music by Sergei Prokofiev (1928–29). The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return.
Mozartiana is a ballet by New York City Ballet co-founder and balletmaster George Balanchine which opened their Tschaikovsky Festival. It is the choreographer's third homage to Mozart and is set to Pyotr Ilyich Tchaikovsky's Suite No. 4, Mozartiana, Op. 61 (1887), consisting of:
The Unanswered Question: Some Intimations of the American Composer Charles Ives is a ballet made by Eliot Feld to Charles Ives' The Unanswered Question, Calcium Light Night, Fugue in Four Keys, Mists, From the Housatonic at Stockbridge, Sonata No. 2 for Piano and Violin, Remembrance and An Old Song Deranged. The premiere took place April 30, 1988, at the New York State Theater, Lincoln Center, as part of New York City Ballet's American Music Festival with lighting by the Feld Ballet's Allen Lee Hughes and Willa Kim's costumes. Other works to the music of Ives in the City Ballet repertory include Peter Martins' Calcium Light Night, Jerome Robbins' Ives, Songs and George Balanchine's Ivesiana.
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