Three Weeks poster
|Directed by||Alan Crosland|
|Produced by||Samuel Goldwyn|
|Written by|| Carey Wilson |
|Based on|| Three Weeks |
by Elinor Glyn
|Cinematography||John J. Mescall|
|Distributed by||Goldwyn Pictures|
|Language||Silent (English intertitles)|
Three Weeks is a 1924 American drama film directed by Alan Crosland. The movie is based on the novel of the same name by Elinor Glyn. Formerly a lost film, FIAF database indicates a print is preserved by Russia's Gosfilmofond.
The novel had previously been made into the American film in 1914, directed by Perry N. Vekroff and starring Madlaine Traverse and George C. Pearce, and in a 1917 Hungarian film titled Három hét that was directed by Márton Garas. The 1924 production was the first to be authorized and supervised by Glyn, which was noted in advertising for the film.
The Queen of Sardalia is in a bad marriage with the brutal King Constantine II. She decides to get away from her normal life for a period and goes on vacation to Switzerland. There, she meets Paul Verdayne. They have an affair, which lasts for three weeks.
For a well known scene from the novel involving the Queen and a tiger skin, Glyn's script states that, rather than describing it, she would enact it for director Crosland on the set.In the film, the Queen is lying on a tiger skin provided by Paul when he comes into the room. She tells him to sit in a chair and then, shown from Paul's point of view, the Queen spreads herself on the tiger skin, runs her hands through the fur, arches her back, and closes her eyes, signifying her agreement to their affair.
According to contemporary records, the film made a profit of $162,825.23. Glyn was entitled to 40% of the profits and earned $65,130.
Three Weeks survives with a copy in the Gosfilmofond archive in Moscow.
Elinor Glyn was a British novelist and scriptwriter who specialised in romantic fiction, which was considered scandalous for its time, although her works are relatively tame by modern standards. She popularized the concept of the It-girl, and had tremendous influence on early 20th-century popular culture and, possibly, on the careers of notable Hollywood stars such as Rudolph Valentino, Gloria Swanson and, especially, Clara Bow.
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