Three Weeks (film)

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Three Weeks
Three Weeks - film poster.jpg
Three Weeks poster
Directed by Alan Crosland
Produced by Samuel Goldwyn
Written by Carey Wilson
Elinor Glyn
Based on Three Weeks
by Elinor Glyn
Starring
Cinematography John J. Mescall
Distributed by Goldwyn Pictures
Release date
  • February 10, 1924 (1924-02-10)
Running time
80 minutes
Country United States
Language Silent (English intertitles)
Budget$314,728.05 [1]
Box office$477,553.28 [1]

Three Weeks is a 1924 American drama film directed by Alan Crosland. The movie is based on the novel of the same name by Elinor Glyn. Formerly a lost film, FIAF database indicates a print is preserved by Russia's Gosfilmofond. [2] [3]

Contents

The novel had previously been made into the American film in 1914  [ it ], directed by Perry N. Vekroff and starring Madlaine Traverse and George C. Pearce, [4] and in a 1917 Hungarian film titled Három hét that was directed by Márton Garas. [5] The 1924 production was the first to be authorized and supervised by Glyn, which was noted in advertising for the film.

Plot

The Queen of Sardalia is in a bad marriage with the brutal King Constantine II. She decides to get away from her normal life for a period and goes on vacation to Switzerland. There, she meets Paul Verdayne. They have an affair, which lasts for three weeks. [6]

Cast

Aileen Pringle and Conrad Nagel Three Weeks (SAYRE 14475).jpg
Aileen Pringle and Conrad Nagel

Production

For a well known scene from the novel involving the Queen and a tiger skin, Glyn's script states that, rather than describing it, she would enact it for director Crosland on the set. [5] In the film, the Queen is lying on a tiger skin provided by Paul when he comes into the room. She tells him to sit in a chair and then, shown from Paul's point of view, the Queen spreads herself on the tiger skin, runs her hands through the fur, arches her back, and closes her eyes, [5] signifying her agreement to their affair.

Reception

According to contemporary records, the film made a profit of $162,825.23. Glyn was entitled to 40% of the profits and earned $65,130. [1]

Preservation status

Three Weeks survives with a copy in the Gosfilmofond archive in Moscow. [3]

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References

  1. 1 2 3 "The Novelist as Hollywood Star: Author Royalties and Studio Income in the 1920s" by Vincent L. Barnett, Film History, Vol. 20, No. 3, Studio Systems (2008), pp. 281–293
  2. Progressive Silent Film List: Three Weeks at silentera.com
  3. 1 2 The Library of Congress American Silent Feature Film Survival Catalog: Three Weeks
  4. Internet Movie Database Overview of the 1914 version
  5. 1 2 3 Horak, Laura (2010). ""Would You Like to Sin With Elinor Glyn?" Film As a Vehicle of Sensual Education" . Camera Obscura . Durham, North Carolina: Duke University Press. 25 (2): 75–117. doi:10.1215/02705346-2010-003. ISSN   1529-1510 . Retrieved September 14, 2020.
  6. New York Times Overview (plot)