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Discography for industrial music group Throbbing Gristle.
Industrial Records is a record label established in 1976 by industrial music group and performance artists Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre.
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition Prostitution, and released their debut single "United/Zyklon B Zombie" and debut album The Second Annual Report the following year.
23 Skidoo are a British electric music band.
Cosey Fanni Tutti is an English performance artist, musician, and writer, best known for her time in the avant-garde groups Throbbing Gristle and Chris & Cosey.
Monte Cazazza is an American artist and composer best known for his seminal role in helping shape industrial music through recordings with the London-based Industrial Records in the mid-1970s.
Chris Carter is an English musician, best known for being a synthesist and member of Throbbing Gristle and the duo Chris & Cosey, both with his longtime partner Cosey Fanni Tutti.
Chris & Cosey, sometimes known as Carter Tutti, are a musical duo formed in 1981, consisting of couple Chris Carter (electronics) and Cosey Fanni Tutti, both previously members of industrial music pioneers Throbbing Gristle. Since the release of their 1981 debut album Heartbeat, the group have expanded on the rhythmic ideas of Throbbing Gristle while adding synthesized pop elements to their sound.
20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released in December 1979 by the band's label Industrial Records. It is known for its tongue-in-cheek title and artwork, and has been hailed as the band's best work, with UK magazine Fact naming it the best album of the 1970s, and Pitchfork naming it the best industrial album of all time.
Heathen Earth is a live album by the English industrial band Throbbing Gristle, released in 1980 through Industrial Records.
TG24 is a box set by industrial music pioneers Throbbing Gristle.
TG+ is a box set by Throbbing Gristle. The 10-CD set contains Throbbing Gristle live performances, all digitally remastered by Chris Carter. The set is a follow up to TG24. These recordings represent the final 10 live TG recordings that were not included in the TG24 release. Other than CDs, the set contains an inlay with 5 laser cut metal plates that are about the size of a business card. Each plate is a variation of the TG logo.
The Second Annual Report is the debut album by English industrial music pioneers Throbbing Gristle, released in November 1977 through Industrial Records. It is a combination of live and studio recordings made from October 1976 to September 1977.
The Taste of TG is a compilation album by Throbbing Gristle. The cover art is a manipulation by Peter Christopherson of a still from the Pier Paolo Pasolini film Salò o le 120 giornate di Sodoma.
Five Albums is a box set by Throbbing Gristle, released in 1981 through record label Fetish, containing the band's three studio albums and two live albums.
Music from the Death Factory is a set of two box sets by Throbbing Gristle.
Mission of Dead Souls is a recording of the final performance of Throbbing Gristle before their initial breakup. The concert took place in San Francisco on 29 May 1981.
Discipline is a song by the English electronic group Throbbing Gristle.
Robert Donnachie (1952–2000), known under the stage name of Robert Rental, was a British pioneer of the post-punk DIY industrial electronic music scene in the United Kingdom.
TGV is a limited edition 7 DVD set of archival footage of the English industrial band Throbbing Gristle. Included in this set were some of Throbbing Gristle's live performances, as well as rehearsals and short films. The release was limited to 2000 copies and was initially only available direct from the band's website, but later some sellers were offering it online.
The Grey Area is a Mute Records division founded in 1990 to restore and reissue the catalogue of artists who influenced Daniel Miller, head of Mute Records, and to reissue previous recordings of Mute artists. In 1983, Mute had to partner with Industrial Records for the reissue of Throbbing Gristle albums. This division was created following the partnerships signed with Can and Cabaret Voltaire.