Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre.
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition Prostitution, and released their debut single "United/Zyklon B Zombie" and debut album The Second Annual Report the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language.
Peter Martin Christopherson was an English musician, video director, commercial artist, designer and photographer, and former member of British design agency Hipgnosis.
Cosey Fanni Tutti is an English performance artist, musician and writer, best known for her time in the avant-garde groups Throbbing Gristle and Chris & Cosey.
Chris Carter is an English musician, best known for being a member of Throbbing Gristle and the duo Chris & Cosey, both with his longtime partner Cosey Fanni Tutti.
Chris & Cosey, sometimes known as Carter Tutti, are a musical duo formed in 1981, consisting of couple Chris Carter (electronics) and Cosey Fanni Tutti, both previously members of industrial music pioneers Throbbing Gristle. Since the release of their 1981 debut album Heartbeat, the group have expanded on the rhythmic ideas of Throbbing Gristle while adding synthesized pop elements to their sound.
20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released in December 1979 by the band's label Industrial Records. It is known for its tongue-in-cheek title and artwork, and has been hailed as the band's best work, with UK magazine Fact naming it the best album of the 1970s, and Pitchfork naming it the best industrial album of all time.
Heathen Earth is a live album by the English industrial band Throbbing Gristle, released in 1980 through Industrial Records.
TG24 is a box set by industrial music pioneers Throbbing Gristle.
TG+ is a box set by Throbbing Gristle. The 10-CD set contains Throbbing Gristle live performances, all digitally remastered by Chris Carter. The set is a follow up to TG24. These recordings represent the final ten live TG recordings that were not included in the TG24 release. Other than CDs, the set contains an inlay with five laser cut metal plates that are about the size of a business card. Each plate is a variation of the TG logo.
TG Now is an album by English industrial band Throbbing Gristle. It was released in 2004 through the band's own record label Industrial Records and was their first album of original material since 1982's Journey Through a Body.
The Second Annual Report is the debut album by English industrial music group Throbbing Gristle, released in November 1977 through Industrial Records. It is a combination of live and studio recordings made from October 1976 to September 1977. The Second Annual Report is considered to be influential within electronic music, being one of the first industrial music albums.
The following is the discography of the industrial music group Throbbing Gristle.
The First Annual Report is a bootleg album of music recorded by industrial music pioneers Throbbing Gristle in 1975. The recording originally went unreleased, and the band instead decided to release The Second Annual Report in 1977. This recording was first released unofficially in 1987 as Very Friendly through Spurt Records, before being issued prominently as The First Annual Report in 2001.
The Taste of TG is a compilation album by Throbbing Gristle. The cover art is a manipulation by Peter Christopherson of a still from the Pier Paolo Pasolini film Salò o le 120 giornate di Sodoma.
Five Albums is a box set by Throbbing Gristle, released in 1981 through record label Fetish, containing the band's three studio albums and two live albums.
"Discipline" is a song by the English electronic group Throbbing Gristle.
The Desertshore Installation is a box set that was released by Throbbing Gristle. The 12-CDr set documents the recording sessions of the cover version of Nico's third studio album, Desertshore. These recordings were made as a document of TG's Desertshore Installation. These sessions were open to the public and a short question and answer session is included in the recordings. Each session lasted for approximately two hours and there were two sessions per day, an afternoon and an evening session. The box set only had one pressing.
Dimensia in Excelsis is an album by the British industrial group Throbbing Gristle. The music was recorded live at the Veterans Auditorium in Los Angeles on 22 May 1981. The album was released in November 1998 under the German label Tesco Organisation in LP record and compact disc format. The album is actually considered to be a bootleg recording; see Throbbing Gristle bootleg discography.
The Grey Area is a Mute Records division founded in 1990 to restore and reissue the catalogue of artists who influenced Daniel Miller, head of Mute Records, and to reissue previous recordings of Mute artists. In 1983, Mute had to partner with Industrial Records for the reissue of Throbbing Gristle albums. This division was created following the partnerships signed with Can and Cabaret Voltaire.
