The Second Annual Report | ||||
---|---|---|---|---|
Studio album / live album by | ||||
Released | November 1977 | |||
Recorded | 18 October 1976 – 3 September 1977 | |||
Genre | Industrial | |||
Length | 39:32 | |||
Label | Industrial | |||
Throbbing Gristle chronology | ||||
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The Second Annual Report is the debut album by English industrial music group Throbbing Gristle, released in November 1977 through Industrial Records. It contains live and studio recordings made from October 1976 to September 1977. The Second Annual Report is considered one of the first industrial albums. [1]
The original vinyl edition went through several pressings. Industrial Records's original pressing totaled 785 copies, while Fetish Records pressed 2,000 copies. Fetish would press the album twice more after the original Industrial Records master plates were destroyed. The third edition was included in the five-album Throbbing Gristle box set; the album was recut to play backwards and included a chamber orchestra on the track "After Cease to Exist". The Fetish plates were reused to cut pressings for Mute Records and Celluloid Records, the latter of which is known for its poor sound quality and was supposedly released without the band's permission. [2]
A portion of "Down on the Street" by the Stooges can be heard at the end of "Maggot Death (Live at Brighton)".[ citation needed ]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Austin Chronicle | [4] |
Pitchfork | 8.6/10 [1] |
The Rolling Stone Album Guide | [5] |
Spin Alternative Record Guide | 6/10 [6] |
Uncut | 8/10 [7] |
Michael Bonner of Uncut described the album as "a dystopian churn of smoke and asbestos dust" and "queerly hypnotic". [7] The Vinyl Factory's Anton Spice acknowledged the role of the album with its provocative subject matter in establishing Throbbing Gristle's reputation as transgressive figures in underground electronic music. [8]
In 2008, a limited-edition album titled Thirty-Second Annual Report, or The Thirty-Second Annual Report of Throbbing Gristle, was released in commemoration of the thirtieth anniversary of The Second Annual Report and the re-activation of Industrial Records. [9]
The 12" 180gm vinyl LP comprises a recording of Throbbing Gristle's live performance at La Villette in Paris on 6 June 2008, which was a reinterpretation of their original album, and is limited to 777 copies. This album is pre-framed in bespoke, high-quality white gloss acrylic with an easy access clear window for removal of the record/sleeve so that the buyer can play the album and then reseal it in the frame. Accompanying the packaged vinyl is a special "black" extended CD version, which includes extra tracks that would not fit on the LP format. There is a version of the recording available for download, but the track lengths are different from the vinyl edition.
All tracks are written by Throbbing Gristle
No. | Title | Length |
---|---|---|
1. | "Industrial Introduction" | 1:03 |
2. | "Slug Bait" (Live at the Institute of Contemporary Arts, London) | 4:18 |
3. | "Slug Bait" (Live at Southampton) | 2:43 |
4. | "Slug Bait" (Live at Brighton) | 1:17 |
5. | "Maggot Death" (Studio Recording) | 2:47 |
6. | "Maggot Death" (Live at Rat Club) | 4:32 |
7. | "Maggot Death" (Live at Southampton) | 1:34 |
8. | "Maggot Death" (Live at Brighton) | 0:57 |
No. | Title | Length |
---|---|---|
1. | "After Cease to Exist – The Original Soundtrack of the COUM Transmissions Film" | 20:16 |
Total length: | 39:32 |
No. | Title | Length |
---|---|---|
10. | "Zyklon B Zombie" | 3:52 |
11. | "United" | 4:04 |
No. | Title | Length |
---|---|---|
10. | "No Two Ways" (Live at the Winchester Hat Fair 1976) | 4:03 |
11. | "Last Exit" (Live at Polytechnic, Brighton 1977) | 6:12 |
12. | "Forced Entry" (Live at Nuffield Theatre, Southampton 1977) | 5:01 |
13. | "Tesco Disco" (Live at Rat Club, London 1977) | 5:18 |
14. | "Feeling Critical" (Live at the Winchester School of Art 1977) | 6:29 |
15. | "National Affront" (Live at Nuffield Theatre, Southampton 1977) | 4:30 |
16. | "Urge to Kill" (Live at Rat Club, London 1977) | 7:25 |
17. | "Zyklon B Zombie" | 3:53 |
18. | "United" | 4:03 |
Total length: | 46:54 |
Note
According to AllMusic:
Industrial music is a genre of music that draws on harsh, mechanical, transgressive, or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation." The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre.
Throbbing Gristle were an English music and visual arts group formed in Kingston upon Hull by Genesis P-Orridge and Cosey Fanni Tutti, later joined by Peter "Sleazy" Christopherson and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 in the COUM exhibition Prostitution, and released their debut single "United/Zyklon B Zombie" and debut album The Second Annual Report the following year. P-Orridge's lyrics mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language inspired by the techniques of William S. Burroughs.
Peter Martin Christopherson was an English musician, video director, commercial artist, designer and photographer, who was at one time a member of British design agency Hipgnosis.
23 Skidoo are a British band playing a fusion of industrial, post-punk, funk, and world music.
Clock DVA are a musical group from Sheffield, England, whose style has touched on industrial, post-punk, and EBM. They formed in 1978 by Adi Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat language of Anthony Burgess's novel A Clockwork Orange. Dva is Russian for "two".
Chris Carter is an English musician, best known for being a member of Throbbing Gristle and the duo Chris & Cosey, both with his longtime partner Cosey Fanni Tutti.
Chris & Cosey, sometimes known as Carter Tutti, are a musical duo formed in 1981, consisting of couple Chris Carter (electronics) and Cosey Fanni Tutti, both previously members of industrial music pioneers Throbbing Gristle. Since the release of their 1981 debut album Heartbeat, the group have expanded on the rhythmic ideas of Throbbing Gristle while adding synthesized pop elements to their sound.
20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released in December 1979 by the band's Industrial Records label. Known for its tongue-in-cheek title and artwork, it has been hailed as the band's best work, with Fact naming it the best album of the 1970s and Pitchfork naming it the best industrial album of all time.
The Bongos are a power pop band from Hoboken, New Jersey, that emerged from the New York City arts scene, primarily active in the 1980s, led by Richard Barone. With their unique musical style, they were major progenitors of the Hoboken indie-pop community, college radio favorites, and made the leap to national recognition with the advent of MTV. Their breakthrough song "Numbers with Wings" garnered the group a major cult following and was nominated at the first MTV Video Music Awards. Along with a handful of others, the Bongos were instrumental in the advancement of the alternative rock movement.
The Pork Dukes are an English punk rock band, formed 1976 during the first wave of British punk in London.
Heathen Earth is a live album by the English industrial band Throbbing Gristle, released in 1980 through Industrial Records.
"United/Zyklon B Zombie" is the debut single by industrial band Throbbing Gristle. It was released in 7" vinyl format in May 1978, through the band's own Industrial Records.
TG Now is an album by English industrial band Throbbing Gristle. It was released in 2004 through the band's own record label Industrial Records and was their first album of original material since 1982's Journey Through a Body.
D.o.A: The Third and Final Report of Throbbing Gristle is the second studio album by English industrial band Throbbing Gristle. It was released in 1978 by their Industrial Records label.
The following is the discography of the industrial music group Throbbing Gristle.
The First Annual Report is a bootleg album of music recorded by industrial music pioneers Throbbing Gristle in 1975. The recording originally went unreleased, and the band instead decided to release The Second Annual Report in 1977. This recording was first released unofficially in 1987 as Very Friendly through Spurt Records, before being issued prominently as The First Annual Report in 2001.
Five Albums is a box set by Throbbing Gristle, released in 1981 through record label Fetish, containing the band's three studio albums and two live albums.
Disconnected is the debut album by experimental music act Greymachine, featuring Justin Broadrick, Aaron Turner, Dave Cochrane and Diarmuid Dalton. Produced by Broadrick, it was released on 4 August 2009 via Turner's own record label, Hydra Head Records. In February 2018, Disconnected was reissued as a limited 2xLP with unique artwork and clear vinyl.
Fetish Records was a British independent record label. Its artist roster consisted of largely early industrial, experimental, and post-punk groups. It was also a home to the early works of graphic designer Neville Brody, who created artwork for releases as art director for the label.