Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records.
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre.
Throbbing Gristle were an English music and visual arts group formed in 1975 in Kingston upon Hull by Genesis P-Orridge, Cosey Fanni Tutti, Peter Christopherson, and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 on COUM exhibition Prostitution, and released their debut single "United/Zyklon B Zombie" and debut album The Second Annual Report the following year. Lyrical themes mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language.
Peter Martin Christopherson was an English musician, video director, commercial artist, designer and photographer, and former member of British design agency Hipgnosis.
Dark ambient is a genre of post-industrial music that features an ominous, dark droning and often gloomy, monumental or catacombal atmosphere, partially with discordant overtones. It shows similarities with ambient music, a genre that has been cited as a main influence by many dark ambient artists, both conceptually and compositionally. Although mostly electronically generated, dark ambient also includes the sampling of hand-played instruments and semi-acoustic recording procedures.
10 Ton Pressure is the debut EP of the industrial rock band Chemlab, released in 1990 by Fifth Colvmn Records. The duo of Dylan Thomas Moore and Joe Frank on synthesizers later teamed up with Jared Hendrickson to create this EP. It was financed by Zalman Fishman, a nightclub owner who founded the now defunct Fifth Colvmn Records. Zalman became involved when he was introduced to Joe Frank through a mutual friend.
Chris Carter is an English musician, best known for being a member of Throbbing Gristle and the duo Chris & Cosey, both with his longtime partner Cosey Fanni Tutti.
Chris & Cosey, sometimes known as Carter Tutti, are a musical duo formed in 1981, consisting of couple Chris Carter (electronics) and Cosey Fanni Tutti, both previously members of industrial music pioneers Throbbing Gristle. Since the release of their 1981 debut album Heartbeat, the group have expanded on the rhythmic ideas of Throbbing Gristle while adding synthesized pop elements to their sound.
Part Two is an album by English industrial band Throbbing Gristle, released in 2007 through record label Mute Records.
20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released in December 1979 by the band's label Industrial Records. It is known for its tongue-in-cheek title and artwork, and has been hailed as the band's best work, with UK magazine Fact naming it the best album of the 1970s, and Pitchfork naming it the best industrial album of all time.
Heathen Earth is a live album by the English industrial band Throbbing Gristle, released in 1980 through Industrial Records.
TG Now is an album by English industrial band Throbbing Gristle. It was released in 2004 through the band's own record label Industrial Records and was their first album of original material since 1982's Journey Through a Body.
The Second Annual Report is the debut album by English industrial music group Throbbing Gristle, released in November 1977 through Industrial Records. It is a combination of live and studio recordings made from October 1976 to September 1977. The Second Annual Report is considered to be influential within electronic music, being one of the first industrial music albums.
D.o.A: The Third and Final Report is the second studio album by industrial music pioneers Throbbing Gristle, released in December 1978 by record label Industrial.
The following is the discography of the industrial music group Throbbing Gristle.
The Taste of TG is a compilation album by Throbbing Gristle. The cover art is a manipulation by Peter Christopherson of a still from the Pier Paolo Pasolini film Salò o le 120 giornate di Sodoma.
Robert Donnachie (1952–2000), known under the stage name of Robert Rental, was a British pioneer of the post-punk DIY industrial electronic music scene in the United Kingdom.
Dimensia in Excelsis is an album by the British industrial group Throbbing Gristle. The music was recorded live at the Veterans Auditorium in Los Angeles on 22 May 1981. The album was released in November 1998 under the German label Tesco Organisation in LP record and compact disc format. The album is actually considered to be a bootleg recording; see Throbbing Gristle bootleg discography.
Fetish Records was a British independent record label. Its artist roster consisted of largely early industrial, experimental, and post-punk groups. It was also a home to the early works of graphic designer Neville Brody, who created artwork for releases as art director for the label.
