| Throbbing Pouch | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 20 March 1995 | |||
| Genre | ||||
| Length | 76:12 | |||
| Label | Rising High | |||
| Producer | Wagon Christ | |||
| Wagon Christ chronology | ||||
| ||||
Throbbing Pouch is a studio album by English electronic musician Luke Vibert. His second studio album under the alias Wagon Christ, it was released on 20 March 1995 by Rising High Records.
AllMusic critic Sean Cooper described Throbbing Pouch as an album of "eazy-listening instrumental hip-hop" music "scattered with dime-store samples and goofy melodies". [1]
Throbbing Pouch was released on 20 March 1995 by Rising High Records. [2] The artwork for the album was designed by Jon Black. [3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [1] |
| The Rolling Stone Album Guide |  [4] |
| Select | 4/5 [5] |
Reviewing Throbbing Pouch for Select , Gareth Grundy described the album as a "missing link" between Aphex Twin and Mo' Wax. [5] He stated that "Vibert creates beautiful, evocative slivers of contemporary electro that manage to be both soothing and engaging." [5] At the end of 1995, NME listed it as the year's 26th best album. [6]
For AllMusic, Sean Cooper said that on Throbbing Pouch, "Luke Vibert's arranging skills are in rare form, reordering elements and dropping tracks in and out with liquid, barely noticeable aplomb." [1] Cooper noted that the album "has long been regarded as one of trip-hop's most influential releases." [7] Kembrew McLeod cited it as "a classic of the trip-hop canon" in The New Rolling Stone Album Guide (2004), [4] and it was included at number 37 in Fact 's 2015 list of the best trip hop albums of all time. [8] Turk Dietrich of the American experimental music duo Belong wrote that Throbbing Pouch "may be the only LP that rivals" DJ Shadow's 1996 release Endtroducing..... "in the genre of sampledelia." [9] Similarly, critic Simon Reynolds stated in Spin that Throbbing Pouch "easily rivals" Endtroducing "as a masterpiece of emotive, down-tempo sampladelia." [10]
All tracks are written by Luke Vibert
| No. | Title | Length |
|---|---|---|
| 1. | "Intro" | 0:22 |
| 2. | "Reedin" | 4:43 |
| 3. | "Down Under" | 8:16 |
| 4. | "Phase Everyday" | 7:35 |
| 5. | "Throbbing Pouch" | 5:24 |
| 6. | "Rexcist" | 2:23 |
| 7. | "Floot" | 7:08 |
| 8. | "Intermission" | 2:47 |
| 9. | "Pull My Strings" | 5:11 |
| 10. | "Spotlight" | 5:50 |
| 11. | "Scrapes" | 8:03 |
| 12. | "Night Owls" | 2:41 |
| 13. | "E-Z Listener" | 5:19 |
| 14. | "Vibes" | 1:27 |
| 15. | "Underground Level" | 2:31 |
| 16. | "Ring Piece" | 4:26 |
| 17. | "All My Fingers" | 2:06 |
| Total length: | 76:12 | |
Trip hop is a musical genre that originated in the late 1980s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other genres, typically of electronic music, as well as sampling from movie soundtracks and other eclectic sources.
Luke Vibert is a British electronic musician and producer, also known for his work under several aliases such as Plug and Wagon Christ. Raised in Cornwall, Vibert began releasing projects in the 1990s across varied genres, including techno, drum and bass, and trip hop. He has recorded on labels such as Rephlex, Ninja Tune, Planet Mu, and Warp.
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Rising High Records was a leading British record label, established in 1991, specializing in rave, techno and ambient chillout music. Founded by Caspar Pound, who had chart success with A Homeboy, a Hippie and a Funki Dredd, the label went on to be at the forefront of dance music in the 1990s. The label was formed at F2 studios in London with studio owner Rob Mcluhan. Pound had recorded "Total Confusion" at F2 and decided to form his own label in partnership with the studio, teaming up with the in-house producer Pete Smith to form The Hypnotist. The label's first release "Rainbows in the Sky" became an instant hit, and was quickly followed by "The House Is Mine" and "Hardcore You Know the Score", three tracks that defined the sound of techno through the decade. Vocals and samples for all three were provided by Andy Higgins, who also ran the export and production of the label in the early years, according to Colin Larkin in The Guinness Who's Who of Rap, Dance and Techno.
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