The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation. Egyptologists Bob Brier and A. Hoyt Hobbs have referred to the Narmer Palette as "The oldest Egyption historical record".
Nekhen, also known as Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period.
The Early Dynastic Period, also known as Archaic Period or the Thinite Period, is the era of ancient Egypt that immediately follows the unification of Upper and Lower Egypt in c. 3150 BC. It is generally taken to include the First Dynasty and the Second Dynasty, lasting from the end of the archaeological culture of Naqada III until c. 2686 BC, or the beginning of the Old Kingdom. With the First Dynasty, the Egyptian capital moved from Thinis to Memphis, with the unified land being ruled by an Egyptian god-king. In the south, Abydos remained the major centre of ancient Egyptian religion; the hallmarks of ancient Egyptian civilization, such as Egyptian art, Egyptian architecture, and many aspects of Egyptian religion, took shape during the Early Dynastic Period.
Scorpion II, also known as King Scorpion, was a ruler during the Protodynastic Period of Upper Egypt.
Deshret was the Red Crown of Lower Egypt. When combined with the Hedjet of Upper Egypt, it forms the Pschent, in ancient Egyptian called the sekhemti.
This is a glossary of ancient Egypt artifacts.
The ancient Egyptian Harpoon,, is one of the oldest language hieroglyphs from ancient Egypt. It is used on the famous Narmer Palette of Pharaoh Narmer from the 31st century BC, in an archaic hieroglyphic form.
The ancient Egyptian Man-prisoner is one of the oldest hieroglyphs from Ancient Egypt. An iconographic portrayal from predynastic Egypt eventually led to its incorporation into the writing system of the Egyptian language. Not only rebels from towns or districts, but foreigners from battle were being portrayed.
In ancient Egyptian hieroglyphs, the hand symbol represented the phoneme /d/, and was also used as a determinative for actions performed as if with the hands.
The ancient Egyptian Dua hieroglyph is one of a series of language and visual hieroglyphs used from the earliest dynasties of Ancient Egypt, and that portrays men, women, ideology, and some occupations.
The Battlefield Palette may be the earliest battle scene representation of the dozen or more ceremonial or ornamental cosmetic palettes of ancient Egypt. Along with the others in this series of palettes, including the Narmer Palette, it includes some of the first representations of the figures, or glyphs, that became Egyptian hieroglyphs. Most notable on the Battlefield Palette is the standard, and Man-prisoner hieroglyph, probably the forerunner that gave rise to the concept of the Nine bows.
The ancient Egyptian Papyrus stem hieroglyph is one of the oldest language hieroglyphs from Ancient Egypt. The papyrus stalk, was incorporated into designs of columns on buildings, also facades, and is also in the iconographic art portrayed in ancient Egyptian decorated scenes.
The Hunters Palette or Lion Hunt Palette is a c. 3100 BCE cosmetic palette from the Naqada III period of late prehistoric Egypt. The palette is broken: part is held by the British Museum and part is in the collection of the Louvre.
The Bull Palette is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic Period). It is in the collection of the Louvre, inventory no. E11255.
The Egyptian hieroglyph representing gold, phonetic value nb, is important due to its use in the Horus-of-Gold name, one of the Fivefold Titulary names of the Egyptian pharaoh.
The ancient Egyptian Branch hieroglyph, also called a Stick, is a member of the trees and plants hieroglyphs.
The Egyptian hieroglyph Townsite-city-region is Gardiner sign listed no. O49 for the intersection of a town's streets. In some Egyptian hieroglyph books it is called a city plan.
In ancient Egyptian art, the Set animal, or sha, is the totemic animal of the god Set. Because Set was identified with the Greek monster Typhon, the animal is also commonly known as the Typhonian animal or Typhonic beast.
Wash was possibly a pharaoh from the Predynastic Period in Ancient Egypt, approximately 5,000 years ago. As Wash is known only through his appearance as a captive of the pharaoh Narmer on the eponymous palette, his existence is contested.
