| Tim Hardin 2 | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | April 1967 | |||
| Recorded | November 1964 – August 1966 | |||
| Genre | Folk | |||
| Length | 22:38 | |||
| Label | Verve Forecast | |||
| Producer | Charles Koppelman, Don Rubin | |||
| Tim Hardin chronology | ||||
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Tim Hardin 2 is the second album by folk artist Tim Hardin, released in 1967.
The original LP release has a long poem on the back cover by Hardin titled "A Question of Birth..."
Tim Hardin 2 contains Hardin's most popular and much-covered composition "If I Were a Carpenter", most notably Bobby Darin, whose version peaked at No. 8 in the US and No. 9 in the UK in 1966.
Tim Hardin 2 was re-released on CD in 1998 by Repertoire along with Tim Hardin 1. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| Encyclopedia of Popular Music | [3] |
In his review for AllMusic, music critic Richie Unterberger wrote "Tim Hardin 2 is probably his best single album, on which he eschewed blues nearly entirely and forged a distinctive folk-rock voice..." [2]
It was voted number 430 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). [4]
All songs written by Tim Hardin.
Buffalo Springfield Again is the second album by Buffalo Springfield, released on Atco Records in November 1967. It peaked at #44 on the Billboard 200. In 2003, the album was ranked number 188 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. The album was included in Robert Christgau's "Basic Record Library" of 1950s and 1960s recordings—published in Christgau's Record Guide: Rock Albums of the Seventies (1981)—and in Robert Dimery's 1001 Albums You Must Hear Before You Die. It was voted number 165 in Colin Larkin's All Time Top 1000 Albums in 2000.
James Timothy Hardin was an American folk and blues musician and composer. As well as releasing his own material, several of his songs, including "If I Were a Carpenter" and "Reason to Believe", became hits for other artists.
Feats Don't Fail Me Now is the fourth studio album by the American rock band Little Feat, released in 1974, on the Warner Bros. label. The cover was designed by Neon Park.
What We Did on Our Holidays is the second album by British band Fairport Convention, released in 1969. It was their first album to feature singer-songwriter Sandy Denny. The album also showed a move towards the folk rock for which the band became noted, including tracks later to become perennial favourites such as "Fotheringay" and the song traditionally used to close live concerts, "Meet on the Ledge".
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds and was released on June 21, 1965, by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs, primarily composed by Bob Dylan, and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name, Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
A Hard Road is the third album recorded by John Mayall & the Bluesbreakers, released in 1967. It features Peter Green on lead guitar, John McVie on bass, Aynsley Dunbar on drums and John Almond on saxophone. Tracks 5, 7 and 13 feature the horn section of Alan Skidmore and Ray Warleigh. Peter Green sings lead vocals on "You Don't Love Me" and "The Same Way".
Unhalfbricking is the third album by the British folk rock band Fairport Convention and their second album released in 1969. It is seen as a transitional album in their history and marked a further musical move away from American influences towards more traditional English folk songs that had begun on their previous album, What We Did on Our Holidays and reached its peak on the follow-up, Liege & Lief, released later the same year.
Tim Hardin 1 is the debut album by folk artist Tim Hardin, released in 1966 on Verve Records.
Both Sides Of An Evening is the fifth studio album and released in 1961 by The Everly Brothers. Though it was released at the peak of their career, it failed to make any of the record charts.
Happy Sad is the third album by American singer-songwriter Tim Buckley, released in April 1969. It was recorded at Elektra Sound Recorders in Los Angeles, California and was produced by former Lovin' Spoonful members Zal Yanovsky and, coincidentally, his subsequent replacement Jerry Yester. It marked the beginning of Buckley's experimental period, as it incorporated elements of jazz that he had never used before. Many of the songs here represent a departure from the binary form that dominated much of his previous work. The sound of the album is characterized by David Friedman's vibraphone, an instrument which gives the album a more relaxed tone than Buckley's earlier work. The songs are much longer than on previous releases and this style continued through to later works. The vocals on the album are more drawn out than earlier performances and this represents the beginning of Buckley using his voice like an instrument. The lyrics on Happy Sad represent a change as Buckley stopped working with Larry Beckett, his lyricist on the two previous albums Tim Buckley and Goodbye and Hello, and began writing the lyrics himself. Buckley's self-penned efforts stand in contrast to Beckett's occasionally political and literary-style work. Buckley would also go on to author all his own material on the following two albums.
Erik Jacobsen is an American record producer, song publisher and artist manager. He is best known for his work in the 1960s with Tim Hardin, the Lovin' Spoonful, the Charlatans, and Sopwith Camel, and later with Norman Greenbaum, Tazmanian Devils and Chris Isaak. Though semi-retired, Jacobsen continues to manage many of his published songs and masters for various uses.
Tim Hardin 3 Live in Concert is a live album by folk artist Tim Hardin, released in 1968. It was re-issued on CD in 1995 by Polydor, and in 2006 by Lilith Record with four bonus tracks.
A Date with the Everly Brothers is the fourth studio album by American singing duo the Everly Brothers, released in 1960. It peaked at No. 9 on the Billboard Pop albums charts and reached No. 3 in the UK.
Gone, Gone, Gone is an album by the Everly Brothers, originally released in 1964. It was re-released on CD in 2005 on the Collectors' Choice Music label.
The Everly Brothers Show is a live album by the Everly Brothers, released in 1970.
If I Were a Carpenter is an album by American singer Bobby Darin, released in 1966. It was a significant change in direction for Darin considering his previous album was a collection of show tunes.
Hang On to a Dream: The Verve Recordings is a compilation album by folk artist Tim Hardin, released in 1994. It includes all Hardin's studio recordings for the Verve label as well as alternate takes, unreleased tracks, and demos.
Restoration Ruin is an album by Keith Jarrett on which he performs multiple instruments, and sings his own lyrics. Recorded and released on the Atlantic Records subsidiary Vortex in 1968, the album remains unique in Jarrett’s catalogue, displaying a sound largely influenced by folk and progressive rock. It can be seen as the first part of an experimental period which explored neither traditional jazz nor classical music. Here Jarrett overdubs himself on various instruments, similar to the tribal Spirits (1985) or especially the free funk No End. "Sioux City Sue New" was released as a 45 rpm single, backed with "You're Fortunate." In 1999, Collectables Records reissued the album paired with the Art Ensemble of Chicago's Bap-Tizum.
Inside Out is a 1967 album by Bobby Darin. This album found Darin continuing to explore the folk genre, as he had on his previous release, If I Were a Carpenter. Like its predecessor, Inside Out contains songs by Tim Hardin and John Sebastian, as well as Randy Newman and The Rolling Stones.
Moondog is an album by the American composer and musician Moondog, released by Prestige Records in 1956. Moondog had released the same music on his own label earlier that year as Snaketime Series. Moondog was at the time a street musician in New York City who had attained some recognition as a composer. He was signed by Prestige Record, where Moondog became the first of three Moondog albums produced by Bob Weinstock. It contains eclectic works from Moondog's first decade as a composer.
