| Tim Hardin 1 | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | July 1966 | |||
| Recorded | May & November 1964, December 1965 | |||
| Genre | Folk rock [1] | |||
| Length | 27:21 | |||
| Label | Verve Forecast | |||
| Producer | Erik Jacobsen | |||
| Tim Hardin chronology | ||||
| ||||
Tim Hardin 1 is the debut album by folk artist Tim Hardin, released in 1966 on Verve Records.
Tim Hardin 1 contains one of his most well-known and frequently covered songs, "Reason to Believe"—a notable hit for Rod Stewart in 1971. Some of the songs were demos that ended up on the final release. After principal recording was completed, string arrangements was overdubbed onto some of the tracks without Hardin's consent. Hardin said he was so upset that he cried when he first heard the recordings. [2] [3]
The album photography was shot by Lisa Law (credited as Lisa Bachelis) in the garden of her home, which was known as "The Castle" and where Bob Dylan was staying at the time. [4] One of the outtakes of this shoot was used for the retrospective, Hang on a to a Dream: The Verve Recordings.
Tim Hardin 1 was re-released on CD in 1998 by Repertoire along with Tim Hardin 2. [5]
It was voted number 711 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). [6]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Encyclopedia of Popular Music | [7] |
Allmusic stated in their review: "Tim Hardin 1 is one of the most powerful and compelling records of its era... The result is a seminal folk-rock album, every bit as exciting and urgent as it was in 1966, and as important a creative effort as Bob Dylan's Bringing It All Back Home and Highway 61 Revisited . And this wasn't even Hardin's best album, though it set the pattern for everything he did after." [1]
All songs written by Tim Hardin; except where noted
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album.
Nashville Skyline is the ninth studio album by American singer-songwriter Bob Dylan, released on April 9, 1969, by Columbia Records as LP record, reel to reel tape and audio cassette.
James Timothy Hardin was an American folk and blues songwriter. As well as releasing his own material, several of his songs, including "If I Were a Carpenter" and "Reason to Believe", became hits for other artists.
Oh Mercy is the 26th album by American singer-songwriter Bob Dylan, released on September 12, 1989, by Columbia Records. Produced by Daniel Lanois, it was hailed by critics as a triumph for Dylan, after a string of poorly reviewed albums. Oh Mercy gave Dylan his best chart showing in years, reaching No. 30 on the Billboard charts in the United States and No. 6 in the UK.
Chelsea Girl is the debut solo album and second studio album by German singer Nico. It was released in October 1967 by Verve Records and was recorded following Nico's collaboration with the Velvet Underground on their 1967 debut studio album. It was produced by Tom Wilson, who added string and flute arrangements against the wishes of Nico. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, in which Nico starred.
Hard Rain is a live album by American singer-songwriter Bob Dylan, released on September 13, 1976 by Columbia Records. The album was recorded during the second leg of the Rolling Thunder Revue.
Ella at Duke's Place is a 1965 studio album by Ella Fitzgerald and Duke Ellington, accompanied by his Orchestra. While it was the second studio album made by Fitzgerald and Ellington, following the 1957 song book recording, a live double album Ella and Duke at the Cote D'Azur was recorded in 1966. Ella at Duke’s Place was nominated for Best Female Pop Vocal Performance at the 1967 Grammy Awards.
Clap Hands, Here Comes Charlie! is a 1961 studio album by Ella Fitzgerald, with a jazz quartet led by Lou Levy. The painting on the cover is by Jean Dubuffet. The liner notes are by Benny Green of the London Observer.
Tim Hardin 2 is the second album by folk artist Tim Hardin, released in 1967.
Sefronia is the eighth album by singer-songwriter Tim Buckley, released in September 1973.
Mixed Bag is the debut studio album by Richie Havens and was released in 1966. Although it was Havens' first album release, Douglas Records later issued two unauthorized albums of material that had been recorded prior to the Mixed Bag recording sessions—Electric Havens (1968) and Richie Havens' Record (1969). Mixed Bag was released after Havens signed on with manager Albert Grossman and was released on Verve Folkways, a new folk music imprint of Verve Records.
Before We Were So Rudely Interrupted is a 1977 reunion album by the Animals. They are billed on the cover as the Original Animals.
Nice was the third album by The Nice; it was titled Everything As Nice As Mother Makes It in the US after Immediate broke their distribution deal with Columbia. Nice had been initially released in the US with a slightly longer version of "Rondo 69" not available on the UK or on the independently distributed US versions. The first US version of Nice was briefly reissued in 1973 by Columbia Special Products.
Elegy was the final official album release by The Nice, Keith Emerson having since moved on to Emerson, Lake & Palmer, Lee Jackson to Jackson Heights and Brian Davison to Every Which Way. It consists of live versions of songs from earlier releases, a studio take of a Tchaikovsky piece ("Pathetique") that had been released live on the previous album and a previously unheard cover of Dylan's "My Back Pages". Released a year after The Nice's final show in March 1970 in an attempt to capitalize on ELP's burgeoning success, the album achieved number 5 in the UK album chart.
Erik Jacobsen is an American record producer, song publisher and artist manager. He is best known for his work in the 1960s with Tim Hardin, the Lovin' Spoonful, the Charlatans, and Sopwith Camel, and later with Norman Greenbaum, Tazmanian Devils and Chris Isaak. Though semi-retired, Jacobsen continues to manage many of his published songs and masters for various uses.
"How Can We Hang On to a Dream" is a song composed and recorded by Tim Hardin. It was Hardin's first single after his signed with Verve Folkways, released around six months before his debut album Tim Hardin 1. The single was titled "Hang On to a Dream" in some territories.
Dave Mason is a 1974 album by Dave Mason and was released on the CBS Records label. It was reissued on CD on the One Way label in 1995. This album marked a major change in Mason's sound after his blues rock sound with his Blue Thumb Records releases, blending pop rock and yacht rock.
Richard P. Havens, 1983 is a 1968 double album set by folk rock musician Richie Havens featuring a combination of studio recordings and live material recorded in concert during July 1968. The album combined original material with several of the covers for which Havens was known. Notable songs include the singles "Stop Pushing and Pulling Me" and "Indian Rope Man", the latter of which has been multiply covered under its own name and in retooled identity as "African Herbsman." The genre-bending album was critically and commercially well-received, reaching #80 on the Billboard "Pop Albums" chart. Initially released on the Verve label, it has been reissued multiple times in various formats, including by Verve subsidiary Verver Forecast/PolyGram and Australian label Raven Records. It has also been compiled with albums Mixed Bag and Something Else Again in multi-cd set Flyin' Bird: The Verve Forecast Years on the Hip-O Select/Universal label.
Hang On to a Dream: The Verve Recordings is a compilation album by folk artist Tim Hardin, released in 1994. It includes all Hardin's studio recordings for the Verve label as well as alternate takes, unreleased tracks, and demos.
Swept Away is an album by the American musician Jesse Colin Young, released in 1994. A mostly acoustic album, it followed the more rock-oriented Makin' It Real. Its cover photo depicts a naked Young and his guitar.
