A Genuine Tong Funeral

A Genuine Tong Funeral
Studio album by Gary Burton
Released	1968
Recorded	July 1967
Genre	Jazz
Length	43:35
Label	RCA
Producer	Brad McCuen
Gary Burton chronology
Lofty Fake Anagram (1967) A Genuine Tong Funeral (1968) Gary Burton Quartet in Concert (1968)

Professional ratings

Review scores
Source	Rating
The Penguin Guide to Jazz Recordings	[1]

A Genuine Tong Funeral is an album by vibraphonist Gary Burton featuring compositions by Carla Bley recorded in 1967 and released on the RCA label. ^[2]

Reception

The Allmusic review by Scott Yanow awarded the album 4½ stars, stating: "One of vibraphonist Gary Burton's most intriguing recordings... The music is dramatic, occasionally a little humorous, and a superb showcase for Gary Burton's vibes". ^[3]

Track listing

All compositions by Carla Bley.

1. "The Opening / Interlude : Shovels / The Survivors / Grave Train" - 6:37
2. "Death Rolls" - 1:36
3. "Morning (Part 1)" - 1:43
4. "Interlude : Lament / Intermission Music" - 4:28
5. "Silent Spring" - 7:58
6. "Fanfare / Mother of the Dead Man" - 2:51
7. "Some Dirge" - 7:47
8. "Morning (Part 2)" - 1:17
9. "The New Funeral March" - 2:40
10. "The New National Anthem / The Survivors" - 6:34

• Recorded in New York City in July 1967.

Personnel

• Gary Burton – vibraphone
• Michael Mantler – trumpet
• Jimmy Knepper – trombone, bass trombone
• Howard Johnson – tuba, baritone saxophone
• Steve Lacy – soprano saxophone
• Gato Barbieri – tenor saxophone
• Carla Bley – piano, organ, conductor
• Larry Coryell – guitar
• Steve Swallow – double bass
• Bob Moses – drums ^[4]

References

1. Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 203. ISBN   978-0-141-03401-0.
2. Gary Burton discography Archived 2012-01-19 at the Wayback Machine accessed November 21, 2011
3. Yanow, S. Allmusic Review accessed November 21, 2011
4. On the album's original release Moses was credited as "Lonesome Dragon" at his request due to creative disagreements with Bley; they later reconciled and Moses became a vocal supporter of her music. See Ethan Iverson, A Lifetime of Carla Bley, The New Yorker, May 13, 2018

Further reading

• Burks, John (January 4, 1969). "A Genuine Tong Funeral". Rolling Stone . San Francisco: Straight Arrow Publishers, Inc.