Not in Our Name | ||||
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Studio album by | ||||
Released | August 2005 | |||
Recorded | July 19–22, 2004 | |||
Studio | Studio Forum Music Village, Rome | |||
Genre | Jazz | |||
Length | 68:57 | |||
Label | Verve | |||
Producer | Charlie Haden, Carla Bley, Ruth Cameron | |||
Charlie Haden chronology | ||||
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Liberation Music Orchestra chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Penguin Guide to Jazz | [2] |
Not in Our Name is a jazz album by bassist Charlie Haden, recorded in 2004 and released by Verve Records in 2005.
The album is the fourth by Haden's Liberation Music Orchestra, the follow-up to Dream Keeper (1990).
The Penguin Guide to Jazz wrote that "It's respectful but with a certain impatience over the routine sentimentalization of these lovely tunes, particularly at a time when the country is again at war." [2]
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than fifty years. Haden helped to revolutionize the harmonic concept of bass playing in jazz, evolving a style that sometimes complemented the soloist, and other times moved independently, liberating bassists from a strictly accompanying role.
Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley. It was recorded in November 1982 and released on ECM October the following year.
Dream Keeper is an album by bassist Charlie Haden that was recorded in 1990 and released by Blue Note Records. The album was nominated for a Grammy Award for Best Large Jazz Ensemble Performance and was voted "Jazz album of the year" in Down Beat magazine's 1991 critics' poll. Haden, Carla Bley and Ray Anderson also placed first in that year's Acoustic Bass, Composer and Trombone poll categories, respectively.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Soapsuds, Soapsuds is an album of duets by saxophonist/trumpeter Ornette Coleman and bassist Charlie Haden, recorded in 1977 and released on the Artists House label.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
The Lost Chords find Paolo Fresu is an album by American composer, bandleader and keyboardist Carla Bley with Andy Sheppard, Steve Swallow, and Billy Drummond and Paolo Fresu recorded in Europe in 2007 and released on the Watt/ECM label.
Land of the Sun is an album by American jazz musician Charlie Haden with Cuban pianist Gonzalo Rubalcaba. It presents orchestral Latin dance music from 1940s Mexico, mainly composed by José Sabre Marroquín, which Rubalcaba arranged for an ensemble of ten featuring among others Joe Lovano and Miguel Zenon on saxophone. In 2005, the album won Haden the Grammy Award for Best Latin Jazz Album.
Old and New Dreams is the self-titled second album by jazz quartet Old and New Dreams, recorded in 1979 and released on ECM later that year. The quartet features trumpeter Don Cherry, saxophonist Dewey Redman, and rhythm section of Charlie Haden and Ed Blackwell—their debut, released on Black Saint, was also self titled.
A Tribute to Blackwell is a live album by jazz quartet Old and New Dreams. Recorded in 1987, it features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell. It was released on the Italian Black Saint label.
A Genuine Tong Funeral is an album by vibraphonist Gary Burton featuring compositions by Carla Bley recorded in 1967 and released on the RCA label in 1968. It features Burton with Bley herself on keyboards and conducting an expanded ensemble consisting of trumpeter Michael Mantler, trombonist Jimmy Knepper, tenor saxophonist Gato Barbieri, soprano saxophonist Steve Lacy, baritone saxophonist Howard Johnson, guitarist Larry Coryell, bassist Steve Swallow and drummer Bob Moses.
The Art of the Improvisers is an album credited to jazz composer and saxophonist Ornette Coleman, released by Atlantic Records in 1970. The album was assembled without Coleman's input, comprising outtakes from recording sessions of 1959 to 1961 for The Shape of Jazz to Come, Change of the Century, This Is Our Music, Ornette!, and Ornette on Tenor. Recording sessions in 1959 took place at Radio Recorders in Hollywood, California; those in 1960 and 1961 at Atlantic Studios in New York City.
Beauty Is a Rare Thing: The Complete Atlantic Recordings is a box set by American jazz saxophonist and composer Ornette Coleman compiling his master recordings made for Atlantic between 1959 and 1961, released on Rhino Records on November 16, 1993.
The Golden Number is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label in 1977. Haden’s duet partners are trumpeter Don Cherry, tenor saxophonist Archie Shepp, pianist Hampton Hawes and alto saxophonist Ornette Coleman. Hawes died shortly before the album’s release, and Haden dedicated the work to him in the liner notes.
Quartet West is an album by the American jazz bassist Charlie Haden, recorded in 1986 and released on the Verve label.
American Dreams is an album by bassist Charlie Haden with saxophonist Michael Brecker recorded in 2002 and released on the Verve label.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).