Ray Anderson is an American jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument, including performing on alto trombone and slide trumpet. He is a colleague of trombonist George E. Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in DownBeat magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s.
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. In the late 1950s, he was an original member of the ground-breaking Ornette Coleman Quartet.
Time/Life is an album by Charlie Haden's Liberation Music Orchestra arranged by composer and pianist Carla Bley and released on the Impulse! label in 2016. It features two tracks from Haden's final live performance with the Orchestra along with additional studio recordings completed after his death.
Roswell Hopkins Rudd Jr. was an American jazz trombonist and composer.
Leandro "Gato" Barbieri was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat".
Michael Mantler is an Austrian avant-garde jazz trumpeter and composer of contemporary music.
Makanda Ken McIntyre was an American jazz musician, composer and educator. In addition to his primary instrument, the alto saxophone, he played flute, bass clarinet, oboe, bassoon, double bass, drums, and piano.
Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, that was recorded in 1982 and released in 1983. The album was voted jazz album of the year in Down Beat magazine's 1984 critic's poll. Haden and Carla Bley placed first in that 1984 poll's Acoustic Bass and Composer categories, respectively.
Not in Our Name is a jazz album by bassist Charlie Haden, recorded in 2004 and released by Verve Records in 2005.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
New Orleans Suite is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970. The album contains the final recordings of longtime Ellington saxophonist Johnny Hodges, who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band.
Dinner Music is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1976 and released on the Watt/ECM label in 1977.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
The Very Big Carla Bley Band is an album by American composer, bandleader and keyboardist Carla Bley released on the Watt/ECM label in 1991.
Big Band Theory is an album by the American composer, bandleader and keyboardist Carla Bley, recorded and released on the Watt/ECM label in 1993.
Appearing Nightly is a live album by American composer, bandleader and keyboardist Carla Bley, recorded in Paris in 2006 and released on the Watt/ECM label in 2008. Bley's compositions and arrangements incorporate many references to big bands and jazz standards from the swing era. The album contains two compositions commissioned by the Jazz Orchestra of Sardinia, and a suite inspired by nightclubs and big bands of the 1950s commissioned for the Monterey Jazz Festival.
The Montreal Tapes: Liberation Music Orchestra is a live album by the American jazz bassist Charlie Haden's Liberation Music Orchestra recorded in 1989 at the Montreal International Jazz Festival and released on the Verve label.
The Thompson Fields is an album by the Maria Schneider Orchestra that won the Grammy Award for Best Large Jazz Ensemble Album in 2017. Schneider was the composer, conductor, and co-producer of the autobiographical work. The title comes from the Minnesota farm where she was raised.
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