The Ballad of the Fallen | ||||
---|---|---|---|---|
Studio album by | ||||
Released | October 1983 [1] | |||
Recorded | November 1982 [2] | |||
Genre | Avant-garde jazz, experimental big band | |||
Length | 51:51 | |||
Label | ECM 1248 | |||
Producer | Manfred Eicher | |||
Charlie Haden chronology | ||||
| ||||
Liberation Music Orchestra chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, recorded in November 1982 and released on ECM October the following year.
The album is the second by Haden's Liberation Music Orchestra, the follow-up to their 1969 Liberation Music Orchestra . [2] Carla Bley, Don Cherry, Michael Mantler, Paul Motian, Dewey Redman, and Haden himself appeared in the LMO's new incarnation with six new members.
The album was voted jazz album of the year in Down Beat magazine's 1984 critic's poll. Haden and Carla Bley placed first in that 1984 poll's “Acoustic Bass” and “Composer” categories, respectively.
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. Building on the work of predecessors such as Jimmy Blanton and Charles Mingus, Haden helped to revolutionize the harmonic concept of bass playing in jazz, evolving a style that sometimes complemented the soloist, and other times moved independently, liberating bassists from a strictly accompanying role, to allow more direct participation in group improvisation.
Walter Dewey Redman was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett.
Old and New Dreams was an American jazz group that was active from 1976 to 1987. The group was composed of tenor saxophone player Dewey Redman, bassist Charlie Haden, trumpeter Don Cherry and drummer Ed Blackwell. All of the members were former sidemen of free jazz progenitor and alto saxophonist Ornette Coleman, and the group played a mix of Coleman's compositions and originals by the band members.
Michael Mantler is an Austrian avant-garde jazz trumpeter and composer of contemporary music.
Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
Eyes of The Heart is an album by American pianist Keith Jarrett featuring his "American Quartet", made up of Jarrett himself, Dewey Redman, Charlie Haden and Paul Motian. It was recorded at the Theater am Kornmarkt, Bregenz in Austria in May 1976 and was released in 1979 by ECM Records. The studio album The Survivors' Suite had been recorded one month earlier.
Dream Keeper is an album by bassist Charlie Haden that was recorded in 1990 and released by Blue Note Records. The album was nominated for a Grammy Award for Best Large Jazz Ensemble Performance and was voted "Jazz album of the year" in Down Beat magazine's 1991 critics' poll. Haden, Carla Bley and Ray Anderson also placed first in that year's Acoustic Bass, Composer and Trombone poll categories, respectively.
Not in Our Name is a jazz album by bassist Charlie Haden, recorded in 2004 and released by Verve Records in 2005.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Bop-Be is the final album on the Impulse label by jazz pianist Keith Jarrett's 'American Quartet'. Originally released in 1978, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Its tracks were recorded in October 1976, along with those that produced Byablue. These two albums document the swan song of Jarrett's American Quartet and, aside from "classical music", the last albums Jarrett released on a label other than ECM.
The Mourning of a Star is an album by Keith Jarrett recorded in 1971 with his regular working trio and released that same year by Atlantic Records. On five dates in July and August 1971 Jarrett went into the studio with Haden and Motian and, along with Dewey Redman on tenor saxophone, produced enough material for three albums, The Mourning of a Star, El Juicio and Birth. Although Dewey Redman does not appear on this album, the July and August 1971 sessions marked the metamorphosis of Jarrett's first trio into what would be his future quartet.
Relativity Suite is a free-jazz LP by Don Cherry on Jazz Composer's Orchestra Records which was released in 1973.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
Live! is a live album by American composer, bandleader and keyboardist Carla Bley recorded at the Great American Music Hall in 1981 and released on the Watt/ECM label in 1982.
Fleur Carnivore is a live album by American composer, bandleader and keyboardist Carla Bley recorded at the Jazzhus Montmartre in 1988 and released on the Watt/ECM label in 1989.
The Very Big Carla Bley Band is an album by American composer, bandleader and keyboardist Carla Bley released on the Watt/ECM label in 1991.
Big Band Theory is an album by the American composer, bandleader and keyboardist Carla Bley, recorded and released on the Watt/ECM label in 1993.
Old and New Dreams is the second album by jazz quartet Old and New Dreams. The record features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell, and was recorded in 1979 for the ECM label. It is not to be confused with their 1977 album of the same name for Black Saint.
This is a list of works by American jazz musician Carla Bley.