The Very Big Carla Bley Band | ||||
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Studio album by | ||||
Released | August 13, 1991 | |||
Recorded | October 29–30, 1990 | |||
Studio | Bauer Studios, Ludwigsburg, Germany | |||
Genre | Jazz | |||
Length | 52:41 | |||
Label | Watt/ECM | |||
Producer | Carla Bley | |||
Carla Bley chronology | ||||
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The Very Big Carla Bley Band is an album by American composer, bandleader and keyboardist Carla Bley released on the Watt/ECM label in 1991. [1] [2]
The Allmusic review by Brian Olewnick awarded the album 2+1⁄2 stars and stated "The result is a fairly solid, if slightly bland, date that may cause the listener to pine for her earlier "excesses"... in the end, Bley's themes and structures tend more toward the competent than the stirring or memorable, leaving one desirous of the richer fare that she has served in the past". [3] The Penguin Guide to Jazz awarded it 3 stars, stating "A stirring live outfit the Very Big Band translates well to record, with plenty of emphasis on straightforward blowing from featured soloists". [4]
Review scores | |
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Source | Rating |
Allmusic | [3] |
Penguin Guide to Jazz | [4] |
All compositions by Carla Bley.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, that was recorded in 1982 and released in 1983. The album was voted jazz album of the year in Down Beat magazine's 1984 critic's poll. Haden and Carla Bley placed first in that 1984 poll's Acoustic Bass and Composer categories, respectively.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Witchi-Tai-To is an album by the Jan Garbarek-Bobo Stenson Quartet released on the ECM label and performed by Garbarek, Stenson, Palle Danielsson, and Jon Christensen.
European Tour 1977 is an album by American composer, bandleader and keyboardist Carla Bley. Recorded in 1977 in Munich, Germany, it was released on the Watt/ECM label in 1978.
Dinner Music is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1976 and released on the Watt/ECM label in 1977.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
Social Studies is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1980 and released on the Watt/ECM label in 1981.
Live! is a live album by American composer, bandleader and keyboardist Carla Bley recorded at the Great American Music Hall in 1981 and released on the Watt/ECM label in 1982.
I Hate to Sing is a live album by American composer, bandleader and keyboardist Carla Bley recorded at the Great American Music Hall in 1981 combined with three tracks recorded at Grog Kill Studios in 1983 and released on the Watt/ECM label in 1984.
Heavy Heart is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1983 and released on the Watt/ECM label in 1984.
Night-Glo is an album by American composer, bandleader and keyboardist Carla Bley with bassist Steve Swallow recorded and released on the Watt/ECM label in 1985.
Fleur Carnivore is a live album by American composer, bandleader and keyboardist Carla Bley recorded at the Jazzhus Montmartre in 1988 and released on the Watt/ECM label in 1989.
Big Band Theory is an album by the American composer, bandleader and keyboardist Carla Bley, recorded and released on the Watt/ECM label in 1993.
The Carla Bley Big Band Goes to Church is a live album by American composer, bandleader and keyboardist Carla Bley recorded in Perugia, Italy as part of the Umbria Jazz Festival and released on the Watt/ECM label in 1996.
4 x 4 is an album by American composer, bandleader and keyboardist Carla Bley with a chamber ensemble recorded in Oslo in 1999 and released on the Watt/ECM label in 2000.
Looking for America is an album by American composer, bandleader and keyboardist Carla Bley recorded in 2002 and released on the Watt/ECM label in 2003.
Appearing Nightly is a live album by American composer, bandleader and keyboardist Carla Bley, recorded in Paris in 2006 and released on the Watt/ECM label in 2008. Bley's compositions and arrangements incorporate many references to big bands and jazz standards from the swing era. The album contains two compositions commissioned by the Jazz Orchestra of Sardinia, and a suite inspired by nightclubs and big bands of the 1950s commissioned for the Monterey Jazz Festival.
Lumi is an album by Finnish avant-garde jazz composer, bandleader and drummer Edward Vesala recorded in 1986 and released on the ECM label in 1987.
Ode to the Death of Jazz is an album by Finnish avant-garde jazz composer, bandleader and drummer Edward Vesala recorded in 1989 and released on the ECM label in 1990.
Berlin Contemporary Jazz Orchestra is the debut album by the ensemble of the same name. It was recorded in May 1989 at RIAS Studio 10 in Berlin, and was released in 1990 by ECM Records. The music was conducted by the group's founder, Alexander von Schlippenbach.