Liberation Music Orchestra | ||||
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Studio album by Charlie Haden | ||||
Released | January 1970 [1] | |||
Recorded | April 27–29, 1969 Judson Hall, New York City | |||
Genre | Avant-garde jazz | |||
Length | 51:16 | |||
Label | Impulse! AS-9183 | |||
Producer | Bob Thiele | |||
Charlie Haden chronology | ||||
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Liberation Music Orchestra chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Village Voice | C+ [4] |
The Penguin Guide to Jazz Recordings | [5] |
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
The inspiration for the album came when Haden heard songs from the Spanish Civil War. He included three of those songs on the album (the trilogy "El Quinto Regimiento", "Los Cuatro Generales", and "Viva la Quince Brigada", which are old Spanish folk songs given new words during the war, in that order "El Vito", previously adapted by John Coltrane as “Olé", "Los Cuatro Muleros", for which Federico García Lorca also wrote lyrics, and "Ay Carmela").
Other tracks on the album include Ornette Coleman's "War Orphans", which Haden had played with Coleman in 1967, three pieces by Carla Bley, who also contributed much of the arranging, two of Haden's own compositions, one dedicated to Che Guevara and one inspired by the 1968 National Convention of the U.S. Democratic Party:
In "Circus '68 '69" the musicians are thus divided into two bands in recreation of the events on the convention floor.
The Liberation Music Orchestra's next album, The Ballad of the Fallen , didn't appear until 1983.
Lester Bangs' Rolling Stone review stated, "The arrangements by Carla Bley are miracles of dynamics, rising and falling in volume and velocity and the awe-inspiring balance of collective ensembles improvising freely through swellings and contractions of individual voices entering and leaving the mysterious swirling circle of simultaneous songs as diverse as the number of performers yet never lacking in the kind of transporting telepathic unity that makes this multiplicity of musical lines such a far cry from the chaos of the charlatans in other sections of the avant-garde hiding under the mantle of these geniuses. An extremely tight, moving substantial record." [6] Robert Christgau was less impressed in The Village Voice , regarding the album as merely "competent Jazz Composer’s Orchestra style ensemble jazz, full of nice dissonances and not much more". [4]
LP side B:
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than 50 years. Building on the work of his predecessor bassists Jimmy Blanton and Charles Mingus, Haden revolutionized the harmonic concept of bass playing in jazz, evolving a way of playing that sometimes complemented the soloist, and sometimes moved independently, to help liberate bass players from a strictly accompanying role, to becoming more direct participants in group improvisation.
Time/Life (subtitled (Song for the Whales and Other Beings)) is an album by Charlie Haden's Liberation Music Orchestra arranged by composer and pianist Carla Bley and released on the Impulse! label in 2016. It features two tracks from Haden's final live performance with the Orchestra along with additional studio recordings completed after his death.
In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.
Michael Mantler is an Austrian avant-garde jazz trumpeter and composer of contemporary music.
Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, that was recorded in 1982 and released in 1983. The album was voted jazz album of the year in Down Beat magazine's 1984 critic's poll. Haden and Carla Bley placed first in that 1984 poll's Acoustic Bass and Composer categories, respectively.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in June 1986 by Geffen Records.
Skies of America is the 17th album by jazz saxophonist Ornette Coleman, released on Columbia Records in 1972. It consists of one long composition by Coleman taking up both sides of the album, played by the London Symphony Orchestra and conducted by David Measham. Coleman himself only plays on a few segments, and there is no other jazz instrumentation.
Dream Keeper is an album by bassist Charlie Haden that was recorded in 1990 and released by Blue Note Records. The album was nominated for a Grammy Award for Best Large Jazz Ensemble Performance and was voted "Jazz album of the year" in Down Beat magazine's 1991 critics' poll. Haden, Carla Bley and Ray Anderson also placed first in that year's Acoustic Bass, Composer and Trombone poll categories, respectively.
Not in Our Name is a jazz album by bassist Charlie Haden, recorded in 2004 and released by Verve Records in 2005.
Sam Brown was an American jazz guitarist.
Something Else!!!! is the debut album by jazz saxophonist Ornette Coleman. It was released by Contemporary Records in September 1958. According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music". It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation ; after this album, Coleman would omit the piano, creating a starker and more fluid sound.
Fort Yawuh is a jazz album by American pianist and composer Keith Jarrett. Originally released in 1973 by Impulse! Records, it marks the beginning of the label’s relationship with Jarrett. Recorded live at the Village Vanguard on February 24, 1973 by Jarrett's "American Quartet": Dewey Redman on tenor saxophone, Charlie Haden on acoustic bass, Paul Motian on drums, plus percussionist Danny Johnson. The title of the album is an anagram of "Fourth Way," a reference to George Gurdjieff's fourth path of self-awareness.
Soapsuds, Soapsuds is an album by Ornette Coleman and Charlie Haden recorded in 1977 and released on the Artists House label.
Musique Mecanique is an album by American composer, bandleader and keyboardist Carla Bley recorded in 1978 and released on the Watt/ECM label in 1979.
Crisis is a live album by the American jazz saxophonist and composer Ornette Coleman recorded at New York University in 1969 and released on the Impulse! label.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
Coleman Classics Volume 1 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released Bley's on the Improvising Artists label in 1977. The album is an early live recording of Ornette Coleman, made shortly after his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).