To Paris with Love | |
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Directed by | Robert Hamer |
Screenplay by | Robert Buckner |
Story by | Sterling Noel |
Produced by | Antony Darnborough |
Starring | Alec Guinness |
Cinematography | Reginald H. Wyer |
Edited by | Anne V. Coates |
Music by | Edwin Astley |
Production company | |
Distributed by | General Film Distributors (UK) |
Release date |
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Running time | 78 min. |
Country | United Kingdom |
Language | English |
To Paris with Love is a 1955 British comedy film directed by Robert Hamer and starring Alec Guinness, Odile Versois and Vernon Gray. [1] [2]
A father and son play matchmaker for each other during a trip to Paris. [1]
Though the release prints received the credit 'Color by Technicolor', the production was filmed on location in Eastmancolor and at Pinewood Studios in 3-strip Technicolor. This was at a time when the photographing of British films in colour was moving from 3-strip Technicolor to Eastmancolor. Such films are considered hybrids, another being The Purple Plain , made by the same production company the previous year. [3] [4]
In a contemporary review, The New York Times wrote, "the screen play by Robert Buckner about a Scottish gentleman and his son who visit Paris and have mild infatuations, the son with an older woman and the father with a girl, is an obvious and strained stab at humor, almost empty of wit or irony. And the performance of Mr. Guinness in it is perhaps the most pallid and listless he has ever turned in. These are hard words to utter about Mr. Guinness and one of his films, but the lack of his customary vigor is so evident that the words cannot be withheld. Except for occasional moments, when Mr. Guinness takes sudden spurts at farce—such as getting his suspenders caught in a hotel-room door or finding himself entangled in a badminton net—he walks through his slight romantic pretense as though he were either ill or bored. His director, Robert Hamer, must share the responsibility, too, for the pace and invention in creation are conspicuously slow and undefined". [5]
More recently, the Radio Times applauded the film as "An amiable, light-hearted exercise in postwar "naughtiness"...enlivened by Guinness's engaging performance, reunited as he is with his Kind Hearts and Coronets director Robert Hamer, and a screenplay of sweet charm from Warner Bros veteran Robert Buckner. Both the leading lady, lovely Odile Versois, and Paris itself are delightful in mid-1950s Technicolor, and this movie, though slight, is often shamefully underrated." [6]
Walter Reade paid Rank a guarantee of $400,000 for the film which was considered high. [7]
The film earned $700,000 in the US, a strong figure for a British movie at the time. [8]
Joan Mary Waller Greenwood was an English actress. Her husky voice, coupled with her slow, precise elocution, was her trademark. She played Sibella in the 1949 film Kind Hearts and Coronets, and also appeared in The Man in the White Suit (1951), Young Wives' Tale (1951), The Importance of Being Earnest (1952), Stage Struck (1958), Tom Jones (1963) and Little Dorrit (1987).
The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy.
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Robert Hamer was a British film director and screenwriter best known for the 1949 black comedy Kind Hearts and Coronets and the now acknowledged 1947 classic It Always Rains on Sunday.
Robert Buckner was an American film screenwriter, producer and short story writer.
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Sir Alec Guinness was an English actor. After an early career on the stage, Guinness was featured in several of the Ealing comedies, including Kind Hearts and Coronets (1949), in which he played nine different characters, The Lavender Hill Mob (1951), for which he received his first Academy Award nomination, and The Ladykillers (1955). He collaborated six times with director David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won both the Academy Award for Best Actor and the BAFTA Award for Best Actor, Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984). In 1970, he played Jacob Marley's ghost in Ronald Neame's Scrooge. He also portrayed Obi-Wan Kenobi in George Lucas's original Star Wars trilogy; for the original 1977 film, he was nominated for Best Supporting Actor at the 50th Academy Awards.
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