Tom Atwood (born 1971) is an American fine art, portrait, and celebrity photographer, best known for his 2005 book Kings in Their Castles. [1] [2] The New Yorker has praised the "refreshing clarity and modesty" of his work. [3]
Born and raised in Vermont, [4] [5] [6] Atwood is a graduate of Harvard University, where he studied economics. [5] [6] He later earned an MPhil from Cambridge University. [5] [6] Atwood has lived in Paris, Boston, San Francisco, Los Angeles, [4] and currently resides in New York City.
Atwood worked several years as an advertising executive [4] before turning full-time to commercial and fine art photography. As a photographer, Atwood is largely self-taught, [6] developing many of his techniques through trial and error. [5] According to Atwood, various cultural influences—including theater, painting, architecture, and psychology—have informed his photographic style. [5]
Atwood is particularly known for combining and balancing the genres of portraiture and architectural photography, so that neither the subject nor his or her surroundings predominate in the final image. [7] Memorable early portraits include astronaut Buzz Aldrin and actresses Hilary Swank and Julie Newmar. [2] [8] Atwood and his work have won many awards: in 2009 he was named Photographer of the Year at the Worldwide Photography Gala Awards, earning first place in the portraiture category. [8]
Atwood was widely acclaimed for Kings in Their Castles (University of Wisconsin Press, 2005), a collection of 71 photographs which featured gay urban American men, mainly New Yorkers, photographed in their domestic environments. [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] Atwood worked for four years on the project, relying on word-of-mouth among New York friends to help find compelling subjects and to convince prominent cultural figures to participate. [9] "I like photos chock-full of visual information," Atwood has said, adding that he prefers to capture individuals doing everyday activities and "in spaces that are built up over time, where everything has meaning to the person." [11] [14] [20] Subjects included the playwright Edward Albee, photographed in his New York City living room playing a miniature piano, [14] filmmaker John Waters, photographed packing plastic food into a suitcase, [21] [22] [23] [24] fashion designer Todd Oldham in his Pennsylvania treehouse, [1] [14] and drag queen Mother Flawless Sabrina (Jack Doroshow) using duct tape to give herself a facelift. [14] [25] Artists Ross Bleckner, Thomas Lanigan-Schmidt and Tobi Wong, [21] [26] [27] choreographer Tommy Tune, [23] [24] creative director Simon Doonan, [26] [27] composers David del Tredici and Ned Rorem, [27] club DJ Junior Vasquez, [27] director Joel Schumacher, [24] [27] drag queen Hedda Lettuce (Steven Polito), [23] U.S. Representative Sean Patrick Maloney, and writers John Ashbery, Michael Cunningham, Richard Howard, Andrew Solomon and Edmund White also figure in the collection. [10] [21] [22] [27] Charles Kaiser contributed the book's introductory essay. [7]
"The art books I had seen about gay men were all nudes on the beach or romping through the forest," Atwood told The Los Angeles Times. "I wanted this to be more about people as human beings, their idiosyncrasies, their daily lives." [28]
Atwood's forthcoming book, Kings & Queens in Their Castles, will be published in 2017 by art book publisher Damiani. Called "the most ambitious photo series ever" of LGBTQ subjects, [29] the book expands on Atwood's earlier concept to include new portraits of some 160 lesbians and gay men, as well as members of the bisexual and transgender community, of whom about 60 are well-known figures. Lesser-known individuals include baristas, lawyers, and drag queens. Subjects were photographed in 30 different U.S. states. [29] [30]
In addition, Atwood's work has been exhibited at the Museum of Modern Art in New York City, the Museum of Photographic Arts, the Center for Fine Art Photography, the Pacific Design Center, the Directors Guild of America, and the George Eastman Museum. [8]
Diane Arbus was an American photographer. Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered," Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ".
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