Tombs of the Blind Dead | |
---|---|
Directed by | Amando de Ossorio |
Written by | Amando de Ossorio |
Produced by |
|
Starring |
|
Cinematography | Pablo Ripoll |
Edited by | José Antonio Rojo |
Music by | Antón García Abril |
Distributed by | Hispamex |
Release date |
|
Running time | 101 minutes |
Country | Spain/Portugal |
Language | Spanish |
Tombs of the Blind Dead is a 1972 Spanish-Portuguese horror film written and directed by Amando de Ossorio. [1] Its original Spanish title is La noche del terror ciego (lit. English: The Night of the Blind Terror).
The film was the first in Ossorio's "Blind Dead" series, spawning three official sequels: Return of the Blind Dead (1973), The Ghost Galleon (1974) and Night of the Seagulls (1975). Its success helped kickstart the Spanish horror film boom of the early 1970s. [2] [3]
Ossorio has stated that Gustavo Adolfo Bécquer's Gothic horror legend El monte de las ánimas (1862) and George A. Romero's Night of the Living Dead (1968) both influenced the creation of his film.
Legend has it that in the abandoned medieval town of Berzano, at the border between Spain and Portugal, the Knights Templar (a fictionalized version of the real-life order that was dissolved in the 14th century following charges of witchcraft and heresy) leave their tombs at night and come back from the dead as revenants. The reanimated corpses are blind, because their eyes were pecked out by birds while their hanged bodies rotted on the gallows.
While on vacation nearby with her friend Roger Whelan, Virginia White reconnects with her dear college friend Betty "Bet" Turner, who relocated in the area and now runs a mannequin factory. Roger immediately takes a liking to Betty and invites her along for a train journey, provoking Virginia's jealousy, as the two women had a romantic relationship years prior. Angry at both, Virginia jumps off the train. Wandering through the country, she comes upon the ruins of Berzano, where she decides to camp overnight. The knights rise from their tombs and attack her, ultimately biting and ripping her flesh. Her corpse is found in a field the following morning by the returning train conductor.
The next morning, Betty and Roger retrace Virginia's steps, trying to find out what happened to her. They hear about the legend from some locals and meet two police investigators who inform them about Virginia's horrible fate. Later at the morgue, next to Betty's laboratory, Virginia's corpse comes back to life and kills a custodian, then flees to the lab and is only stopped by Betty's assistant, who manages to set Virginia on fire inside the mannequin factory.
In the meantime, Betty and Roger are investigating the legend with the help of Professor Pedro Candal, who indirectly send them to find his son Pedro, who lives near Berzano as a small-time smuggler and is suspected by the police to be the one who killed Virginia as a way to instill fear in the locals. Once they have located Pedro and convinced him to help them prove the knights are real, Betty and Roger return with Pedro and his lover Maria to Berzano, to confront the knights once and for all.
Upon their arrival, they are confronted by the knights, who kill Roger, Pedro and Maria. The knights find Betty through her heartbeat, and she flees from Berzano with the knights in pursuit. She boards a passing train, hiding in a cargo of coal. The knights take charge of the train, killing the conductor and cannibalizing passengers on board. The train arrives at the station shortly thereafter, and Betty, speechless, is helped by a station attendant. As several passengers go to board the train, they scream in horror at the sight inside.
This section needs expansion. You can help by adding to it. (October 2024) |
Although the Knights are identifiable by their uniforms, they are only once called "Templars" in the film; they are referred to as "Knights from the East". Ossorio objected to the description of the revenant Templars as "zombies", insisting that they more resembled mummies who feed like vampires and that, unlike zombies, the Templars were not mindless corpses. [4]
Exterior scenes in the film were shot in Portugal and Spain. In Portugal, locations included Lisbon and surrounding areas (Palmela, Setúbal, Sesimbra and Estoril). In Spain, film credits mention the monastery at El Cercón, Madrid, but the scenes with the impressive sinister ruins were filmed at the Santa María la Real de Valdeiglesias monastery in Pelayos de la Presa.[ citation needed ]
The film was originally released in the United States in 1973 as "The Blind Dead." Hallmark Releasing advertised it as rated "V" for violence, as they did with "Mark of the Devil" one year earlier. As with that film, "stomach distress bags" were offered to patrons coming to see "The Blind Dead." The film was very successful.
The Spanish version, La noche del terror ciego, differed from the retitled English version. In the latter, a flashback of the living Knights Templar torturing and drinking the blood of a female victim was moved to the beginning of the film, and most of the sex and gore (for instance, the scene depicting the lesbian relationship between Betty and Virginia, a scene in which Pedro rapes Betty and the sequence on a train in which the Knights kill a woman in front of her child) were removed. [5]
Later, American distributors decided to severely re-edit the film for an English-language re-release and add a new opening scene to cash in on the success of the Planet of the Apes film series. The plan was to replace the film's original setting with a post-apocalyptic future in which the undead were deceased intelligent apes, similar to the ones seen in Planet of the Apes. Rather than reshooting, location footage from the film was edited together, the Templar flashback sequence was removed, and a narration track explaining the premise was produced as an introduction. The revised film was retitled Revenge from Planet Ape. [6] Apparently first released in 1976, this version played at various theaters in the United States and even Guam between 1976 and 1984. [7] [8] [9]
Elite Entertainment released the Uncensored Widescreen Director's Cut as an Extended Play Laserdisc on March 12, 1997. It features the original uncut Spanish version, in Spanish with English subtitles. The film begins with a computer-generated title dedicating the film to the memory of Armando DeOssorio; the title was however an error, as the distributors thought that DeOssorio was dead at the time of the release, but he actually died in 2001. [10]
The film was released on DVD on 20 October 1998 by Anchor Bay Entertainment as a double feature with Return of the Blind Dead . [11] This was released on DVD on 17 November 2002 by Shriek Show as from a double feature with Return of the Blind Dead . It was released again on DVD on 27 September 2005 as a five-disc limited edition by Blue Underground featuring the film and its three sequels; [12] the DVD of the film in this release contained both the original Spanish version (subtitled but not dubbed) and the Revenge from Planet Ape opening sequence. [5] It was reissued again by Blue Underground on 26 September 2006 as a stand-alone release. [13] [14]
On 1 July 2016, the film was again reissued in a four-disc set by Blue Underground featuring the film and its three sequels. [15]
In 2022, Synapse Films released the film on DVD, and for the first time on Blu-ray, containing new restorations of both the Spanish and US versions. [16]
Writing in The Zombie Movie Encyclopedia, academic Peter Dendle said, "Spanish filmmaker de Ossorio earned international fame with this widely popular tale of blind zombie monks, creating a fresh mythology and unforgettable zombies, all set against imposing scenic backgrounds". [17] Allmovie gave the film a positive review, praising the film's make-up effects, chilling atmosphere, and soundtrack. [18] TV Guide awarded the film two out of four stars and called it "a slow and lackadaisically plotted thirsty-corpse movie distinguished by terrific music and locations, and genuinely eerie zombies". [19] Brett H. from Oh the Horror! gave the film a positive review, stating, "Tombs of the Blind Dead is a slow moving Spanish classic that is a must see for all fans of creature features with ample amounts of all the things that make horror great. It's not perfect and it does have some small inconsistencies (why in the world are the Templars so powerful, yet sometimes swing their swords like goofy puppets?), but you'll be too engulfed in the atmosphere and monsters to worry too much about it". [20]
Jeremy Zoss from Film Threat gave the film a negative review, stating, "Like many old works of entertainment from Mexico [ sic ], Tombs of the Blind Dead is not without its charms. It would be a great film to watch while drunk with a group of friends. However, when looking for a real horror film, the Blind Dead are definitely not worth seeing". [21] Film critic John Kenneth Muir gave the film a mostly positive review, writing that the film lost momentum after the first act but praised the film's suspense, unsettling imagery and the effectiveness of the Templar revenants as "genuinely scary". [22] Adam Tyner of DVD Talk wrote, "Although Tombs of the Blind Dead isn't a particularly gory film, several of its sequences are deeply unsettling". [5]
The film has an approval rating of 75% on film review aggregate Rotten Tomatoes and an average rating of 5.9 out of 10 based on seven reviews. [23]
The Blind Dead (Knights Templar) villains were unofficially resurrected in the 1975 entry La cruz del diablo , directed by John Gilling. [24]
The film was an influence on Mansion of the Living Dead , a 1982 film directed by Jesús Franco. [12]
More recently, the Templar appeared in the unofficial, shot-on-video sequel Graveyard of the Dead, also known as El retorno de los templarios (2009). [25] and in supporting roles in Don't Wake the Dead (2008) and Unrated: The Movie (2009), two films by German director Andreas Schnaas. [26]
The short comic story "Ascension of the Blind Dead" appeared in the 2010 Asylum Press graphic novel Zombie Terrors Volume 1, [27] written by David Zuzelo with artwork by William Skaar.
In 2015, Emma Dark and Merlyn Roberts co-directed an unofficial short film sequel in the form of a fake film trailer for a non-existing fifth Blind Dead movie, Island of the Blind Dead. [28] [29]
The film has also been an inspiration to metal bands worldwide with over 50 bands having songs titled tombs of the blind dead or some other iteration, all of which pay tribute to the movie series.
In 2021, Curse of the Blind Dead from director Raffaele Ricchio was released. [30] The film was poorly received. [31] [32]
Full Moon Features released director Chris Alexander’s Scream of the Blind Dead in 2021. The film is said to be an impressionistic variation on the first half hour of Tombs of the Blind Dead, this time with a female blind knight. Original star Lone Fleming provided the voice over narration. It has received some critical acclaim, with Film Threat calling it “a gorgeous art piece that has much to offer the nightmare choir.”[ citation needed ]
In 2020 publisher St. Rooster Books released an anthology of stories based on the Blind Dead Series entitled "The Blind Dead Ride Out of Hell" [33]
Jacinto Molina Álvarez known by his stage name Paul Naschy, was a Spanish film actor, screenwriter, and director working primarily in horror films. His portrayals of numerous classic horror figures—The Wolfman, Frankenstein's monster, Count Dracula, Quasimodo, Fu Manchu and a mummy—earned him recognition as the Spanish Lon Chaney. Naschy also starred in dozens of action films, historical dramas, crime films, TV shows and documentaries. He also wrote the screenplays for most of his films and directed a number of them as well, signing many of them "Jacinto Molina". Naschy was bestowed Spain's Gold Medal of Merit in the Fine Arts in 2001.
Oasis of the Zombies is a 1982 horror film written, scored, edited and directed by Jesús Franco. A co-production of France and Spain, two different versions of the film were made, each featuring different actors.
Burial Ground is an Italian exploitation zombie movie directed by Andrea Bianchi. It is one of several films released under the alternative title of Zombie 3.
The Video Dead is a 1987 American horror film written and directed by Robert Scott and starring Roxanna Augesen. The plot concerns a paranormal television that causes zombies from a never-ending film to enter the real world. The film was released direct-to-video.
The Ghost Galleon also known as El buque maldito, is a 1974 Spanish horror film written and directed by Amando de Ossorio and starring Jack Taylor. It has numerous alternate titles, including The Blind Dead 3, Horror of the Zombies and Ship of Zombies. In Germany it was released as The Ghost Ship of the Swimming Corpses, though the German theatrical poster also has the title The Ghost Ship of the Blind Dead on it.
Return of the Blind Dead, also known as The Return of the Evil Dead and El ataque de los muertos sin ojos, is a 1973 Spanish horror film written and directed by Amando de Ossorio.
Night of the Seagulls is a 1975 Spanish horror film written and directed by Amando de Ossorio. The film is the fourth and final in the Blind Dead series, being the sequel to The Ghost Galleon (1974).
Sugar Hill is a 1974 American blaxploitation horror film, directed by Paul Maslansky and starring Marki Bey as the title character who uses voodoo to get revenge on the people responsible for her boyfriend's death. It was released by American International Pictures. According to the film, the zombies are the preserved bodies of slaves brought to the United States from Guinea. AIP had previously combined the horror and blaxploitation genres with Blacula (1972) and its sequel Scream Blacula Scream (1973).
Amando de Ossorio was one of the foremost Spanish horror film directors during the European horror film surge in the 1970s, known especially for his "Blind Dead" tetralogy.
Vengeance of the Zombies is a 1972 Spanish horror film directed by León Klimovsky and starring Paul Naschy, Mirta Miller, Vic Winner and Aurora de Alba. The film was shot in July 1972, but was only theatrically released in Spain in June 1973. It was shown in Italy as La Vendetta dei Morti Viventi. The film was shown in Germany over the years under three different titles....Rebellion of the Living Dead, Invocation of the Devil and Blood Lust of the Zombies.
La orgía de los muertos a.k.a. The Hanging Woman, Beyond the Living Dead, Return of the Zombies and Bracula: Terror of the Living Dead, is a 1972 Spanish/ Italian horror film directed by José Luis Merino, starring Paul Naschy and Dyanik Zurakowska. The film was shot in March 1972, but wasn't shown in Spanish theaters until September 3, 1973. It was shown theatrically in the U.S. in 1974 as The Hanging Woman, and then was later re-released there as Beyond the Living Dead. It was released in Germany on April 6, 1976 as Der Totenchor der Knochenmanner/ Death Chorus of the Skeletons, and re-released in Germany on March 1, 1977 as Die Bestie aus dem Totenreich/ The Beast from the Death Realm. It was shown in the U.K. as Zombies - Terror of the Living Dead, in France as Les Orgies Macabres, and in Australia as Bracula, Terror of the Living Dead.
Garden of the Dead is a 1972 horror film directed by low-budget film director John Hayes and stars Phil Kenneally, Duncan McLeod, Lee Frost and Susan Charney.
Horror Rises from the Tomb, is a 1973 Spanish horror film starring Paul Naschy and directed by Carlos Aured. Leon Klimovsky was Naschy's first choice for director, but he was busy on another film so his assistant director Carlos Aured took the job. Naschy was mercilessly rushed into writing the screenplay for the producers in 36 hours, yet after the film was completed, it took more than a year to get it released in theaters. The film was shot in February 1972, and was only released in Spain and Mexico on April 27, 1973 as El espanto surge de la tumba. The film was released in Germany on October 4, 1974 as Blutmesse fur der Teufel/ Blood Mass for the Devil. They re-released the film in Germany on Sept. 2, 1980 as Blood Mass of the Zombies in an attempt to cash in on George Romero's hit film Dawn of the Dead. In France, the film was retitled L'amour parmi les monstres.
La cruz del diablo is a 1975 Spanish horror film directed by John Gilling and starring Carmen Sevilla, Adolfo Marsillach, Ramiro Oliveros and Emma Cohen. Its plot concerns a hashish-smoking British writer who travels to Spain to visit his sister, only to discover she has been murdered by a satanic cult.
Zombies of Mora Tau is a 1957 black-and-white zombie horror film directed by Edward L. Cahn and starring Gregg Palmer, Allison Hayes and Autumn Russel. Distributed by Columbia Pictures, it was produced by Sam Katzman. The screenplay was written by George H. Plympton and Bernard Gordon. Zombies of Mora Tau was released on a double bill with another Katzman-produced film, The Man Who Turned to Stone (1957).
Mansion of the Living Dead is a 1982 erotic horror film written and directed by Jesús Franco, said to be based on his own novel. It stars Franco's most often used actress, Lina Romay, who is credited here as Candy Coster. Franco also edited the film, and dubbed the voice of actor Albino Graziani. The make-up on the zombie monks was extremely low budget, consisting mostly of dried shaving cream lather rubbed on the actor's faces.
María Elena Arpón is a Spanish actress.
Prison of the Dead is a 2000 supernatural horror film with elements of a zombie film and a slasher directed by David DeCoteau under the pseudonym Victoria Sloane and produced by Charles Band. It follows a group of friends who unwittingly resurrect a trio of zombie prison executioners that systematically hunt them down.