Types
In their most basic form, tone control circuits attenuate the high or low frequencies of the signal. This is called treble or bass "cut". The simplest tone control circuits are passive circuits which utilize only resistors and capacitors or inductors. They rely on the property of capacitive reactance or inductive reactance to inhibit or enhance an AC signal, in a frequency-dependent manner. Active tone controls may also amplify or "boost" certain frequencies. More elaborate tone control circuits can boost or attenuate the middle range of frequencies.
The simplest tone control is a single knob that when turned in one direction enhances treble frequencies and the other direction enhances bass frequencies. This was the first type of tone control, typically found on radios and record players from the 1930s to the 1970s.
Graphic equalizers used for tone control provide independent elevation or attenuation of individual bands of frequencies. Wide frequency range graphic equalizers of high resolution can provide elevation or attenuation in 1/3 octave bands spanning from approximately 30 Hz to 18 kHz. Parametric equalizers can control not only the amount of boost and cut but also the specific frequency at which the boost and cut takes place and the range of frequencies (bandwidth) affected.
Elaborate circuits may also use amplifiers. The most modern analog units use operational amplifiers, resistors and capacitors, abandoning inductors because of their size and sensitivity to ubiquitous electromagnetic interference.
Historically, tone control was achieved via analog electronics, and most tone control circuits produced today still use the analog process. Nonetheless, digital approaches are increasingly being implemented through the use of digital signal processing.
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded.
A guitar amplifier is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance.
A DI unit is an electronic device typically used in recording studios and in sound reinforcement systems to connect a high output impedance unbalanced output signal to a low-impedance, microphone level, balanced input, usually via an XLR connector and XLR cable. DIs are frequently used to connect an electric guitar or electric bass to a mixing console's microphone input jack. The DI performs level matching, balancing, and either active buffering or passive impedance matching/impedance bridging. DI units are typically metal boxes with input and output jacks and, for more expensive units, “ground lift” and attenuator switches.
An audio filter is a frequency dependent circuit, working in the audio frequency range, 0 Hz to 20 kHz. Audio filters can amplify (boost), pass or attenuate (cut) some frequency ranges. Many types of filters exist for different audio applications including hi-fi stereo systems, musical synthesizers, effects units, sound reinforcement systems, instrument amplifiers and virtual reality systems.
An active filter is a type of analog circuit implementing an electronic filter using active components, typically an amplifier. Amplifiers included in a filter design can be used to improve the cost, performance and predictability of a filter.
A sound reinforcement system is the combination of microphones, signal processors, amplifiers, and loudspeakers in enclosures all controlled by a mixing console that makes live or pre-recorded sounds louder and may also distribute those sounds to a larger or more distant audience. In many situations, a sound reinforcement system is also used to enhance or alter the sound of the sources on the stage, typically by using electronic effects, such as reverb, as opposed to simply amplifying the sources unaltered.
In electrical engineering, a function generator is usually a piece of electronic test equipment or software used to generate different types of electrical waveforms over a wide range of frequencies. Some of the most common waveforms produced by the function generator are the sine wave, square wave, triangular wave and sawtooth shapes. These waveforms can be either repetitive or single-shot. Another feature included on many function generators is the ability to add a DC offset. Integrated circuits used to generate waveforms may also be described as function generator ICs.
Electronic filters are a type of signal processing filter in the form of electrical circuits. This article covers those filters consisting of lumped electronic components, as opposed to distributed-element filters. That is, using components and interconnections that, in analysis, can be considered to exist at a single point. These components can be in discrete packages or part of an integrated circuit.
RIAA equalization is a specification for the recording and playback of phonograph records, established by the Recording Industry Association of America (RIAA). The purposes of the equalization are to permit greater recording times, to improve sound quality, and to reduce the groove damage that would otherwise arise during playback.
A bass amplifier is a musical instrument electronic device that uses electrical power to make lower-pitched instruments such as the bass guitar or double bass loud enough to be heard by the performers and audience. Bass amps typically consist of a preamplifier, tone controls, a power amplifier and one or more loudspeakers ("drivers") in a cabinet.
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, and heavy metal music, while the use of distorted bass has been essential in a genre of hip hop music and alternative hip hop known as "SoundCloud rap".
Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones and pre-recorded material, such as songs on CD or a digital audio player. Individual sources are typically equalised to adjust the bass and treble response and routed to effect processors to ultimately be amplified and reproduced via a loudspeaker system. The live sound engineer listens and balances the various audio sources in a way that best suits the needs of the event.
A smiley face curve or mid scoop in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power. This curve is often attained by users employing a graphic equalizer, which shows a graphic representation of a "smile" using its frequency band faders to form a curve that sweeps upwards at each end of the frequency spectrum. Smiley face curves have been popular with some car audio enthusiasts, disc jockeys, electric bass players, home stereo owners and sound reinforcement operators. Though the graphic equalizer was intended to tailor a system's response to compensate for venue and performance conditions, the smiley face curve is sometimes applied as a purely stylistic effect.
Capacitors have many uses in electronic and electrical systems. They are so ubiquitous that it is rare that an electrical product does not include at least one for some purpose. Capacitors allow only AC signals to pass when they are charged blocking DC signals. The main components of filters are capacitors. Capacitors have the ability to connect one circuit segment to another. Capacitors are used by Dynamic Random Access Memory (DRAM) devices to represent binary information as bits.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.
Guitar wiring refers to the electrical components, and interconnections thereof, inside an electric guitar. It most commonly consists of pickups, potentiometers to adjust volume and tone, a switch to select between different pickups, and the output socket. There may be additional controls for specific functions; the most common of these are described below.
Peter J. Baxandall was an English audio engineer and electronics engineer and a pioneer of the use of analog electronics in audio. He is probably best known for what is now called the Baxandall tone control circuit, first published in a paper in Wireless World.
Jim Kelley Amplifiers is the trademark for the vacuum tube guitar amplifiers designed by Jim Kelley and manufactured by his company Active Guitar Electronics of Tustin, California between the years of 1978 and 1985. Approximately 600 of these amps were built during that time. The single-channel version of the amplifier employed modest gain in the preamp stages, Baxandall type bass and treble controls, a split load phase inverter, and four 6V6GT output tubes. The amplifiers produce 60 watts RMS at full power, and include a half power (30/60) switch.
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer.
