Tonto's Expanding Head Band | |
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Background information | |
Genres | |
Years active | 1970s |
Labels | |
Past members | Malcolm Cecil Robert Margouleff |
Tonto's Expanding Head Band was a British-American electronic music duo consisting of Malcolm Cecil and Robert Margouleff. Despite releasing only two albums in the early 1970s, the duo were influential in the development of electronic music and helped bring the synthesizer to the mainstream through session and production work for other musicians (most notably Stevie Wonder [1] [2] ) and extensive commercial advertising work.
TONTO is an acronym for "The Original New Timbral Orchestra", the first, and still the largest, multitimbral polyphonic analog synthesizer in the world, designed and constructed over several years by Malcolm Cecil. TONTO started as a Moog modular synthesizer Series III owned by record producer Robert Margouleff. Later a second Moog III was added, then four Oberheim SEMs, two ARP 2600s, modules from Serge with Moog-like panels, EMS, Roland, Yamaha, etc. [3] plus several custom modules designed by Serge Tcherepnin and Cecil himself - who has an electrical engineering background. [4] Later, digital sound-generation circuitry and a collection of sequencers were added, along with MIDI control. All of these are housed in a semi-circle of curving wooden cabinets, 20 feet (6.1 m) in diameter and 6 feet (1.8 m) tall.
TONTO was featured (as the "electronic room") in the 1974 Brian de Palma film Phantom of the Paradise . It was also used in the album 1980 by Gil Scott-Heron and Brian Jackson and was pictured on both the front and back covers of this album.
TONTO was owned by Malcolm Cecil since he acquired Robert Margouleff's share in 1975. In the mid-1990s TONTO was moved to Mutato Muzika studios, [6] the headquarters of Mark Mothersbaugh and Devo, leading to widespread rumors that Mothersbaugh had purchased TONTO but this was not true. TONTO eventually made its way back to Cecil's home in Saugerties, New York. In late 2013 TONTO was purchased by the National Music Centre in Calgary, Alberta. [7] [8]
The NMC had long desired to acquire TONTO and upon moving it to Calgary, placed it on exhibit. In late 2017, John Leimseider completed a multi-year restoration on TONTO, replacing worn out jacks and repairing broken connections. TONTO is now playable, and is a part of the living collection of the National Music Centre. Synth artists can once again record with TONTO in NMC's recording studios. [9]
Tonto's Expanding Head Band's first album, Zero Time , was released in 1971 on the U.S. Embryo label (distributed by Atlantic Records) and attracted much attention. Stevie Wonder in particular was impressed enough to subsequently feature TONTO in his albums starting with Music of My Mind and continuing through Talking Book , Innervisions , Fulfillingness' First Finale and Jungle Fever; all projects which listed Margouleff and Cecil as associate producers, engineers and programmers (and winning them an engineering Grammy for Innervisions ). [10] Wonder said[ citation needed ]:
Writing in Keyboard Magazine in 1984, John Diliberto asserted that:
The remainder of the 1970s and 1980s saw TONTO featured on albums from Quincy Jones, Bobby Womack, The Isley Brothers, Steve Hillage, Billy Preston, and Weather Report, as well as releases from Stephen Stills, The Doobie Brothers, Dave Mason, Little Feat, Joan Baez, and others. The TONTO synthesizer was also used in Brian De Palma's 1974 movie Phantom of the Paradise as well as appearing on-screen. A second TONTO album, It's About Time, was released in 1974.
The vocalist Gil Scott-Heron and keyboardist Brian Jackson enlisted Cecil and his T.O.N.T.O. synthesizer for the production of their collaborative album, 1980 (1980). Scott-Heron and Jackson were featured on the album cover with the synthesizer. [12]
In 1996 a compilation album, TONTO Rides Again, was released, featuring all of Zero Time plus all of the tracks from It's About Time, although the latter tracks appeared with new titles. [13] In the liner notes to the re-release, Mark Mothersbaugh wrote:
The 2017 incremental game Universal Paperclips used the track Riversong, from the album Zero Time, as a space battle threnody. [14]
Malcolm Cecil and his son, Milton aka DJ Moonpup, performed at the Big Chill Festival on 5 August 2006, a three-day event held at Eastnor Castle in Herefordshire in the UK. Due to TONTO being too large and expensive to ship for a one-hour performance, Cecil created a "Virtual TONTO" and played live over pre-recorded backing tracks and Malcolm playing an Arp 2600 live with Moonpup adding some DJ loops and samples. It was accompanied by a specially prepared visual show by Liz Searle with hundreds of pictures of TONTO and Poli Cecil's art pieces.[ citation needed ]
Stevie Wonder
The Isley Bros
Other acts [15]
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Music of My Mind is the fourteenth studio album by American singer, songwriter, and musician Stevie Wonder. It was released on March 3, 1972, by Tamla Records, and was Wonder's first to be recorded under a new contract with Motown that allowed him full artistic control over his music. For the album, Wonder recruited electronic music pioneers Malcolm Cecil and Robert Margouleff as associate producers, employing their custom TONTO synthesizer on several tracks. The album hit No. 21 in the Billboard LP charts, and critics found it representative of Wonder's artistic growth, and it is generally considered by modern critics to be the first album of Wonder's "classic period".
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Malcolm Cecil was a British jazz bassist, record producer, engineer, electronic musician and teacher. He was a founding member of a leading UK jazz quintet of the late 1950s, the Jazz Couriers, before going on to join a number of British jazz combos led by Dick Morrissey, Tony Crombie and Ronnie Scott in the late 1950s and early 1960s. He later joined Cyril Davies and Alexis Korner to form the original line-up of Blues Incorporated. Cecil subsequently collaborated with Robert Margouleff to form the duo TONTO's Expanding Head Band, a project based on a unique combination of synthesizers which led to them collaborating on and co-producing several of Stevie Wonder's Grammy-winning albums of the early 1970s. The TONTO synthesizer was described by Rolling Stone as "revolutionary".
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Zero Time is the debut album by British-American electronic music duo Tonto's Expanding Head Band, released on 15 June 1971 by Embryo Records. The album is a showcase for TONTO, a multitimbral, polyphonic synthesiser built by the two members of the band, Malcolm Cecil and Robert Margouleff, as a developed version of the Moog III synth in 1969. The duo began producing their own music together on the synth with the intention to push the machine's abilities, and their own abilities as musicians, to the limit. Recording their compositions in New York, they approached TONTO with no pre-conceived notions and intended to make music intrinsic to the synthesiser.
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It's About Time is the second and final album by British-American electronic music duo Tonto, previously known as Tonto's Expanding Head Band, released in 1974 by Polydor Records. The album is a showcase for TONTO, a multitimbral, polyphonic synthesizer built by the two members of the band, Malcolm Cecil and Robert Margouleff, as a developed version of the Moog III synth in 1969.