Bleach is the debut studio album by American rock band Nirvana, released on June 15, 1989, by Sub Pop. After the release of their debut single "Love Buzz" on Sub Pop in November 1988, Nirvana rehearsed for two to three weeks in preparation for recording a full-length album. The main recording sessions for Bleach took place at Reciprocal Recording in Seattle, Washington between December 1988 and January 1989. It is the only Nirvana album released on the Sub Pop label and their only studio album to feature drummer Chad Channing.
American Thighs is the 1994 debut studio album by American alternative rock band Veruca Salt. The album features the single "Seether".
Fun House is the second studio album by American rock band the Stooges. It was released on July 7, 1970, by Elektra Records. Though initially commercially unsuccessful, Fun House has since developed a strong cult following. Like its predecessor and successor, it is considered an integral work in the development of punk rock.
The Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who formed in 1963 on the Lower East Side of New York City. Although they achieved only limited commercial and critical success in the 1960s and 1970s, they quickly earned a dedicated cult following and have been retrospectively praised for their groundbreaking reworking of early 20th century folk music as well as their pioneering innovation in several genres, including freak folk and psychedelic folk. With a career spanning 40 years, the Holy Modal Rounders proved to be influential both in the New York scene where they began and to generations of underground musicians.
Let It Be is the third studio album by American rock band the Replacements. It was released on October 2, 1984, by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a little more sincere."
Dig Me Out is the third studio album by the American rock band Sleater-Kinney, released on April 8, 1997, by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who would become the band's longest-serving drummer. The music on the record was influenced by traditional rock and roll bands, while the lyrics deal with issues of heartbreak and survival. The album cover is an homage to the Kinks' 1965 album The Kink Kontroversy.
The Hot Rock is the fourth studio album by the American rock band Sleater-Kinney, released on February 23, 1999, by Kill Rock Stars. It was produced by Roger Moutenot and recorded at the Avast! recording studio in Seattle, Washington in July 1998. The Hot Rock marks a considerable change in the band's sound, veering into a more relaxed and gloomy direction than the raucous punk rock style of its predecessors. The lyrical themes of the album explore issues of failed relationships and personal uncertainty.
I Can Hear the Heart Beating as One is the eighth studio album by the American indie rock band Yo La Tengo, released on April 22, 1997, by Matador Records. It was produced by Roger Moutenot and recorded at House of David in Nashville, Tennessee. The album expands the guitar-based pop of its predecessor Electr-O-Pura to encompass a variety of other music genres, including bossa nova, krautrock, and electronic music. Most of the songs on the album deal with melancholy emotions and range from short and fragile ballads to long and open-ended dissonance.
We Care is the debut album by Swedish alternative rock group Whale. The album was produced by Whale; several tracks were produced in cooperation with Falcon or Tricky.
Peter Stampfel is an American fiddle player, old-time musician, and singer-songwriter.
The Blow-Up is a live album by the American band Television, released as The Blow Up on cassette in 1982. It was reissued in 1990 and again in 1999. The songs first appeared on a bootleg titled Arrow.
Indian War Whoop is the third studio album by the Holy Modal Rounders, released in 1967 through ESP-Disk. The album is the band's first with contributions outside of the original members Peter Stampfel and Steve Weber. The title track is a cover of an obscure song featured on Harry Smith's Anthology of American Folk Music.
The Moray Eels Eat the Holy Modal Rounders is the fourth studio album by the New York psychedelic folk band the Holy Modal Rounders, released in 1968 through Elektra Records. Although Peter Stampfel does not regard the album highly, it has received positive reviews and its opener, "Bird Song," was notably included in the 1969 film Easy Rider.
Good Taste Is Timeless is the fifth studio album by the psychedelic folk band the Holy Modal Rounders, released in 1971 through Metromedia Records.
Alleged in Their Own Time is the sixth studio album by the psychedelic folk band The Holy Modal Rounders, released in 1975 through Rounder Records.
Last Round is a studio album by the American musical group the Holy Modal Rounders. It was released in 1978 through Adelphi Records.
Going Nowhere Fast is a studio album by the American band the Holy Modal Rounders, released in 1981 through Rounder Records. It was recorded as a duo and credited as Stampfel & Weber.
I Make a Wish for a Potato is a compilation album by psychedelic folk band The Holy Modal Rounders, released on April 10, 2001 through Rounder Records. The album draws from the band's three releases on Rounder Records and also includes songs by associated acts such as Michael Hurley as well as the Clamtones.
Bird Song: Live 1971 is a live album by the psychedelic folk band The Holy Modal Rounders, released on April 20, 2004, through Water Records.
Steven P. Weber was an American folk singer-songwriter and guitarist.
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