Torsten Fischer (born 26 April 1958) is a German assistant director and theater intendant.
The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew. The role of an assistant to the director is often confused with assistant director but the responsibilities are entirely different. The assistant to the director manages all of the directors in development, pre-production, while on set, through post-production and is often involved in both personal management as well as creative aspects of the production process.
Born in Berlin, Fischer originally wanted to become a painter, but then studied biology and chemistry for a higher teaching position at the Free University of Berlin. From 1978 to 1981, he was a teacher and supervisor for drug addicts and foreign prisoners in the juvenile detention center of the Plötzensee Prison.
The Free University of Berlin is a research university located in Berlin, Germany. One of Germany's most distinguished universities, it is known for its research in the humanities and social sciences, as well as in the field of natural and life sciences.
Plötzensee Prison is a men's prison in the Charlottenburg-Nord locality of Berlin with a capacity for 577 prisoners, operated by the State of Berlin judicial administration. The detention centre established in 1868 has a long history; it became notorious during the Nazi era as one of the main sites of capital punishment, where about 3,000 inmates were executed. Famous inmates include East Germany's last communist leader Egon Krenz.
He frequently attended theatre rehearsals and was engaged in 1981 as assistant director and dramaturg for Günter Krämer and Hansgünter Heyme at the Staatstheater Stuttgart under director Hans Peter Doll . As a guest director he was assistant director and dramaturge at the Schiller Theater in Berlin in 1984, but as Krämer moved to the Theater Bremen in 1984, Fischer followed him there. In 1986, he led to differences between General Director Tobias Richter [1] and Krämer, who succeeded in ensuring that Fischer could remain at the house as a permanent guest director.
Günter Krämer is a German stage director, especially for opera, and a theatre manager who has staged internationally.
The Staatstheater Stuttgart(Stuttgart State Theatre) are a multi-branch-theatre with the branches Oper Stuttgart, Stuttgart Ballet and Stuttgart Drama Theatre in Stuttgart, Germany. The state that its name refers to is Baden-Württemberg.
The Schiller Theater is a theatre building in Berlin, Germany. It is located in the central Charlottenburg district at Bismarckstraße No. 110 near Ernst-Reuter-Platz.
When Krämer became artistic director of the Kölner Schauspiel in 1990, he was appointed senior director of the Bühnen der Stadt Köln. For his debut he staged a Tabori project with the farce Mein Kampf . Further productions in Cologne were Die Räuber (1991), Kroetz’ Bauerntheater (1991), Hebbel's Maria Magdalena (1992), Shakespeare's Twelfth Night (1993) and Jean Racine's Phèdre (1993). He supported the playwright Marlene Streeruwitz and staged the premieres of several of her plays. As a guest director, Fischer was especially active in Vienna at several theaters there.
An artistic director is the executive of an arts organization, particularly in a theatre or dance company, who handles the organization's artistic direction. They are generally a producer and director, but not in the sense of a mogul, since the organization is generally a non-profit organization. The artistic director of a theatre company is the individual with the overarching artistic control of the theatre's production choices, directorial choices, and overall artistic vision. In smaller theatres, the artistic director may be the founder of the theatre and the primary director of its plays. In larger non-profit theatres, the artistic director may be appointed by the board of directors.
Bühnen der Stadt Köln is an umbrella term for different cultural institutions in Cologne. Schauspiel Köln and Cologne Opera are two of them.
George Tabori was a Hungarian writer and theater director.
From 1995 to 2003 he held the position of acting director in Cologne. Other productions there included Ferenc Molnár's Liliom (1996), the world premiere of Wilfried Happel's Mordslust (1996), the world premiere of Tankred Dorst's Die Geschichte der Pfeile (1996) and Eugene O’Neills Long Day's Journey into Night (1998).
Liliom is a 1909 play by the Hungarian playwright Ferenc Molnár. It was well-known in its own right during the early to mid-20th century, but is best known today as the basis for the Rodgers and Hammerstein musical Carousel.
Wilfried Happel is a German writer and theatre director.
Tankred Dorst was a German playwright and storyteller.
In 1988 and 2005 Fischer received the Karl-Skraup-Prize of the City of Vienna. At the NRW-Theatertreffen he was awarded the production prize for the best director (Mein Kampf / Kannibalen) in 1991 and the recording prize for Marlene Streeruwitz’ Waikiki-Beach. In 2013, Fischer was awarded the Austrian Music Theatre Prize Golden Schikaneder named best director of the year 2012 for Gluck's Opera Telemacco, ossia L’isola di Circè at the Theater an der Wien.
The Theater an der Wien is an historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company.
Franz von Suppé or Francesco Suppé Demelli was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire. A composer and conductor of the Romantic period, he is notable for his four dozen operettas.
Jürgen Flimm is a German theater and opera director, and theater manager. After establishing himself as one of the exponents of Regietheater, Flimm was called to manage renowned theaters and festivals. His operatic productions in Germany led to an international career, with operas staged in the Netherlands, Austria, Switzerland, England, Italy, and the United States.
Harry Kupfer is a German opera director and academic. A long-time director at the Komische Oper Berlin, he has worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he has worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's Der fliegende Holländer in 1978, and Der Ring des Nibelungen in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's Die schwarze Maske in 1986, and Der Rosenkavalier by Richard Strauss in 2014.
Martin Fischer-Dieskau is a German conductor.
Iván Fischer is a Hungarian conductor and composer.
Bibiana Beglau is a German actress.
Edith Mathis is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's Der junge Lord.
Jens-Daniel Herzog is a German stage director for play and opera, and a theater manager.
Schauspiel Köln is a theatre in Cologne, North Rhine-Westphalia, Germany. It forms together with the Cologne Opera and other houses the stages of the city Cologne. The listed building has 830 seats in the Grand House, 120 in the locksmith and 60 in the refreshment room. In addition, the listed 'Halle Kalk' has 200 seats, it was used until closing in the summer of 2015 because of the danger of collapse. Since the 2013/14 season Depot 1 and Depot 2 have been used as interim venues during the extensive renovation of the Schauspielhaus on the site of the former Carlswerk in Schanzenstraße in Cologne-Mülheim.
Henryk Baranowski was a Polish theatre, opera and film director, actor, stage designer, playwright, screenwriter, and poet. He is best known for his starring role in the film Dekalog: One directed by Krzysztof Kieślowski, and also appeared as Rosa's brother Josef in Rosa Luxemburg directed by Margarethe von Trotta and as Napoleon in Pan Tadeusz directed by Andrzej Wajda. He directed over 60 theater and opera productions in Europe, Russia and the USA and was the Artistic Director of the Teatr Śląski in Katowice in the mid 2000s. He also directed four "television theatre" productions: ...yes I will Yes, For Phaedra (1998), Saint Witch (2003), and Night is the Mother of Day (2004).
The Theater des Westens is one of the most famous theatres for musicals and operettas in Berlin, Germany, located at Kantstraße 10–12 in Charlottenburg. It was founded in 1895 for plays. The present house was opened in 1896 and dedicated to opera and operetta. Enrico Caruso made his debut in Berlin here, and the Ballets Russes appeared with Anna Pavlova. In the 1930s it was run as the Volkstheater Berlin. After World War II it served as the temporary opera house of Berlin, the Städtische Oper. In 1961 it became the first theatre in Germany to show musicals. Since then it has become the "German equivalent of Broadway extravaganzas", putting on plays and musical comedies.
Gerd Nienstedt was a German and Austrian opera singer, bass and bass-baritone. After an international career at major opera houses and the Bayreuth Festival, he was also a theatre director, stage director and academic voice teacher.
Angela Richter is a German theatre director.
Noëmi Nadelmann is a Swiss soprano with a wide repertoire, ranging from Baroque opera to contemporary works.
Marlene Streeruwitz is an Austrian playwright, novelist, poet and short story writer.
Stephan Müller is a Swiss theatre and opera director, dramaturge and a teacher of multimedia Aesthetics.
Mathilde Danegger was an Austrian stage and movie actress. Sources may also identify her by the pseudonym, Mathilde Leusch.
Rudolf Sellner, born Gustav Rudolf Sellner, was a German actor, dramaturge, stage director and intendant. He represented in the 1950s a radical Instrumentales Theater. After decades of acting and directing plays, he turned to staging operas, and was a long-time intendant of the Deutsche Oper Berlin from 1961, when the Berlin Wall was built. He staged notable world premieres, including Ernst Barlach's play Der Graf von Ratzeburg in 1951, Ionesco's Mörder ohne Bezahlung in 1958, Giselher Klebe's Alkmene in 1961 for the opening of the Deutsche Oper, and Aribert Reimanns opera Melusine in 1971.
Ignaz Kirchner was a German actor who made a career on German-speaking stages, especially at Vienna's Burgtheater where he played for 30 years. A character actor, he worked with leading stage directors. He often played opposite Gert Voss, both in classical drama such as Shakespeare's Antonio, with Voss as Shylock, and as Jago, with Voss as Othello, and especially in black comedies, such as Goldberg in Tabori's Die Goldberg-Variationen, and in Neil Simon's The Sunshine Boys, Beckett's Endspiel and Genet's Die Zofen. Kirchner and Voss were named Schauspielerpaar des Jahres twice, in 1992 and 1998.