Transparent Horizon | |
---|---|
Artist | Louise Nevelson |
Year | 1975 |
Medium | Cor-ten steel sculpture |
Location | Cambridge, Massachusetts, U.S. |
42°21′39″N71°05′19″W / 42.360733°N 71.088695°W |
Transparent Horizon is a 1975 black Cor-ten steel sculpture by Louise Nevelson, installed on the Massachusetts Institute of Technology campus, in Cambridge, Massachusetts, United States. [1] [2] [3] [4] The artwork was among the first funded by MIT's "Percent-For-Art" program, which allocates $500,000 for art commissions for new architectural renovations on campus. [5] The sculpture is an amalgam of two of Nevelson's previous works, Tropical Tree IV and Black Flower Series IV. [6] The sculpture has been the target of vandalism. [7]
The Wiesner building houses the MIT Media Lab and the List Visual Arts Center and is named in honor of former MIT president Jerome Wiesner and his wife Laya. The building is very box-like, a motif that is consistently repeated in both the interior and exterior design evoking a sense of boxes packed within each other.
Louise Nevelson was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures. Born in the Poltava Governorate of the Russian Empire, she emigrated with her family to the United States in the early 20th century. Nevelson learned English at school, as she spoke Yiddish at home.
The MIT Program in Art, Culture and Technology (ACT) has its origins in the Center for Advanced Visual Studies (CAVS) at the Massachusetts Institute of Technology (MIT), an arts and research center founded in 1967 by artist and teacher György Kepes. In 2009, CAVS merged with the MIT Visual Arts Program, to become the MIT Program in Art, Culture and Technology (ACT). The Program is part of the MIT School of Architecture and Planning.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively. He lived and worked in Düsseldorf, Germany; Cambridge, Massachusetts; and Groton, Massachusetts.
Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area.
The MIT School of Architecture and Planning is one of the five schools of the Massachusetts Institute of Technology, located in Cambridge, Massachusetts. Founded in 1865 by William Robert Ware, the school offered the first formal architectural curriculum in the United States and the first architecture program in the world operating within the establishment of a university. MIT SAP is considered a global academic leader in the design field and one of the most accomplished schools in the world. MIT's department of architecture has consistently ranked among the top architecture/built environment schools in the world and from 2015 to 2018 was ranked highest in the world in QS World University Rankings. In 2019, it was ranked second to The Bartlett but regained the number one position later on in the 2020 rankings.
Established in 1950, the List Visual Arts Center (LVAC) is the contemporary art museum of the Massachusetts Institute of Technology. It is known for temporary exhibitions in its galleries located in the MIT Media Lab building, as well as its administration of the permanent art collection distributed throughout the university campus, faculty offices, and student housing.
Jacqueline S. Casey was a graphic designer best known for the posters and other graphic art she created for the Massachusetts Institute of Technology (MIT). While practicing a functional Modernism, Jacqueline S. Casey was a graphic designer in the Office of Publications from 1955 to 1989, and was appointed director in 1972. In discussing her design, Casey stated, "My work combines two cultures: The American interest in visual metaphor on the one hand, and the Swiss fascination with planning, fastidiousness, and control over technical execution on the other."
Eleanor Carroll Munro was an American art critic, art historian, writer, and editor. She was known for her work on women artists. Some of her published books included The Encyclopedia of Art (1961), Originals: American Women Artists (1979); Memoirs of a Modernist's Daughter (1988), Through the Vermilion Gates (1971), and On Glory Roads: a Pilgrim's Book about Pilgrimage (1988). Munro was also known for her published interviews with women artists of note including Louise Bourgeois, Helen Frankenthaler, Jennifer Bartlett, Julie Taymor, Louise Nevelson, Maya Lin, and Kiki Smith. Munro received the Cleveland Arts Prize for Literature in 1988.
Sky Gate, New York was a sculpture by the artist Louise Nevelson, located in the mezzanine of the North Tower of the World Trade Center in New York, from 1978 until its 2001 destruction in the collapse of the buildings during the September 11 attacks.
Elmo-MIT is a 1960s bronze sculpture by Dimitri Hadzi, installed on the Massachusetts Institute of Technology campus, in Cambridge, Massachusetts, United States.
Angola is a 1968 Cor-ten steel sculpture by Isaac Witkin, installed on the Massachusetts Institute of Technology (MIT) campus, in Cambridge, Massachusetts, United States.
La Grande Voile (The Big Sail) is a 1965 painted steel sculpture by Alexander Calder, installed in McDermott Court, on the Massachusetts Institute of Technology (MIT) campus, in Cambridge, Massachusetts, United States.
Night Wall I is a sculpture by Louise Nevelson, installed outside Hauser Hall at Harvard Law School, on the Harvard University campus in Cambridge, Massachusetts, United States. The 1972 painted steel sculpture was donated to Harvard University Art Museums by Mildred and Arnold Glimcher in 1985.
Figure découpée or L'oiseau is an abstract sculpture by Pablo Picasso: there are a total of three Figure découpée sculptures. There is one located in Vondelpark NL, another on the campus of Massachusetts Institute of Technology in the United States and another is in Helsingborg Sweden. The sculpture is a depiction of a bird, but it is commonly referred to as flat bird, flat fish or fish statue.
Chapel of the Good Shepherd is a sculptural environment installation by the American 20th-century artist Louise Nevelson located at the St. Peter's Lutheran Church in New York City. The chapel, commissioned in 1975 and dedicated in 1977, was donated by Erol Beker. Nevelson designed the five-sided sanctuary space by incorporating various abstract sculptural elements such as reliefs, columns, and an altarpiece made with materials that included found objects from New York City streets.
Joan Brigham is an American artist, art historian and former fellow at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology. She is best known for her steam sculptures.