Sky Gate, New York

Last updated
Sky Gate, New York
Sky Gate, New York.jpg
Artist Louise Nevelson
Completion date1978
Dimensions520 cm× 980 cm(17 ft× 32 ft)
ConditionDestroyed in September 11 attacks in 2001
Coordinates 40°42′43″N74°00′47″W / 40.712°N 74.013°W / 40.712; -74.013

Sky Gate, New York was a sculpture by the artist Louise Nevelson, located in the mezzanine of the North Tower of the World Trade Center in New York, from 1978 until its 2001 destruction in the collapse of the buildings during the September 11 attacks. [1] [2]

Contents

Nevelson was inspired by a New York skyline view she had seen from a flight from New York to Washington, saying the work was a translation of the skyline, calling her sculpture a "night piece" representing the "windows of New York". [3]

History

The sculpture was commissioned by Saul Wenegrat, director of the art program for the Port Authority of New York and New Jersey, for the World Trade Center and its "Percent For Art" program. [4] The piece evolved through several redesigns before its dedication.

The largest work the sculptor had created to date, [4] the wall piece was 32 feet wide, 17 feet tall and a foot thick [4] and comprised more than 35 segments, each a dark painted wood relief. Completed in 1977 or 1978 (reported variously), Sky Gate' was dedicated at the mezzanine of One World Trade Center on December 12, 1978, overlooking Austin J. Tobin Plaza. [1] [5] Kitty Carlisle Hart, chair of the New York State Council on the Arts presided over the ceremony. [4]

The sculpture was destroyed during the September 11 attacks in 2001 and was not recovered.

See also

Related Research Articles

<span class="mw-page-title-main">Louise Nevelson</span> American sculptor

Louise Nevelson was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures. Born in the Poltava Governorate of the Russian Empire, she emigrated with her family to the United States in the early 20th century. Nevelson learned English at school, as she spoke Yiddish at home.

<span class="mw-page-title-main">Storm King Art Center</span> Outdoor museum of sculptures

Storm King Art Center, commonly referred to as Storm King and named after its proximity to Storm King Mountain, is an open-air museum located in New Windsor, New York. It contains what is perhaps the largest collection of contemporary outdoor sculptures in the United States. Founded in 1960 by Ralph E. Ogden as a museum for Hudson River School paintings, it soon evolved into a major sculpture venue with works from some of the most acclaimed artists of the 20th century. The site spans approximately 500 acres, and is located about a one-hour drive north of Manhattan.

<i>The Sphere</i> Fritz Koenig sculpture damaged in September 11 attacks

The Sphere is a monumental cast bronze sculpture by German artist Fritz Koenig (1924–2017).

<i>Cloud Gate</i> Sculpture in Chicago, United States

Cloud Gate is a public sculpture by Indian-born British artist Anish Kapoor, that is the centerpiece of AT&T Plaza at Millennium Park in the Loop community area of Chicago, Illinois. The sculpture and AT&T Plaza are located on top of Park Grill, between the Chase Promenade and McCormick Tribune Plaza & Ice Rink. Constructed between 2004 and 2006, the sculpture is nicknamed "The Bean" because of its shape, a name Kapoor initially disliked, but later grew fond of. Made up of 168 stainless steel plates welded together, its highly polished exterior has no visible seams. It measures 33 by 66 by 42 feet, and weighs 110 short tons.

<span class="mw-page-title-main">Olympic Sculpture Park</span>

The Olympic Sculpture Park, created and operated by the Seattle Art Museum (SAM), is a public park with modern and contemporary sculpture in downtown Seattle, Washington, United States. The park, which opened January 20, 2007, consists of a 9-acre (36,000 m2) outdoor sculpture museum, an indoor pavilion, and a beach on Puget Sound. It is situated in Belltown at the northern end of the Central Waterfront and the southern end of Myrtle Edwards Park.

Environmental sculpture is sculpture that creates or alters the environment for the viewer, as opposed to presenting itself figurally or monumentally before the viewer. A frequent trait of larger environmental sculptures is that one can actually enter or pass through the sculpture and be partially or completely surrounded by it. Also, in the same spirit, it may be designed to generate shadows or reflections, or to color the light in the surrounding area.

<span class="mw-page-title-main">World Trade Center in popular culture</span>

The original World Trade Center, which featured the landmark Twin Towers, was a building complex in the Financial District in Lower Manhattan, New York City. 1 and 2 World Trade Center – the North and South Tower – stood at 417 meters and 415 meters with 110-stories respectively, becoming the tallest buildings in the world from 1971 to 1973. The North Tower, with its antenna included, was the tallest building in the world by pinnacle height until the towers were destroyed in the September 11 attacks in 2001. An iconic feature of the New York City skyline for nearly three decades, the World Trade Center has been featured in cartoons, comic books, computer games, video games, television, films, photographs, artwork, and music videos.

<i>Bent Propeller</i> Former sculpture by Alexander Calder

Bent Propeller was a red stainless steel sculpture by Alexander Calder.

<span class="mw-page-title-main">Liberty Park</span> Public park in Manhattan, New York

Liberty Park is a one-acre (0.40 ha) elevated public park at the World Trade Center in Manhattan, New York City, overlooking the National September 11 Memorial & Museum in Lower Manhattan. The park, which opened on June 29, 2016, is located above the World Trade Center's Vehicular Security Center. The St. Nicholas National Shrine is located within the park, as well as Fritz Koenig's The Sphere, the iconic sculpture salvaged from the World Trade Center site. Another statue, America's Response Monument, is also located in the park.

<i>The World Trade Center Tapestry</i> Tapestry by Joan Miro and Josep Royo

The World Trade Center Tapestry was a large tapestry by Joan Miró and Josep Royo. It was displayed in the lobby of 2 World Trade Center in New York City from 1974 until it was destroyed in 2001 by the collapse of the World Trade Center.

<span class="mw-page-title-main">World Trade Center (1973–2001)</span> Former skyscraper complex in Manhattan, New York

The original World Trade Center (WTC) was a large complex of seven buildings in the Financial District of Lower Manhattan in New York City. It opened on April 4, 1973, and was destroyed during the September 11 terrorist attacks in 2001. At the time of their completion, the Twin Towers—the original 1 World Trade Center at 1,368 feet (417 m); and 2 World Trade Center at 1,362 feet (415.1 m)—were the tallest buildings in the world. Other buildings in the complex included the Marriott World Trade Center, 4 WTC, 5 WTC, 6 WTC, and 7 WTC. The complex contained 13,400,000 square feet (1,240,000 m2) of office space and, prior to its completion, was projected to accommodate an estimated 130,000 people.

<span class="mw-page-title-main">Marja Vallila</span> American artist (1950–2018)

Marja Vallila was an American artist, painter, ceramicist and sculptor.

<i>World Trade Center Plaza Sculpture</i> Sculpture by Masayuki Nagare

The World Trade Center Plaza Sculpture, also called Cloud Fortress, was a sculpture created by Japanese artist Masayuki Nagare in 1972, located at the World Trade Center complex at the Church Street entrance to site's the primary internal 6-acre plaza.

<i>Ideogram</i> (sculpture)

Ideogram was a stainless steel sculpture in New York City by American sculptor James Rosati, completed in 1972. The work consisted of a number of intersecting beams with reflective surfaces.

<span class="mw-page-title-main">Artwork damaged or destroyed in the September 11 attacks</span>

An estimated $110 million of art was lost in the September 11 attacks: $100 million in private art and $10 million in public art. Much of the art was not insured for its full value.

<span class="mw-page-title-main">Artwork in the World Trade Center</span>

The new World Trade Center complex features public art by a variety of artists.

<i>Transparent Horizon</i> Sculpture in Cambridge, Massachusetts, U.S.

Transparent Horizon is a 1975 black Cor-ten steel sculpture by Louise Nevelson, installed on the Massachusetts Institute of Technology campus, in Cambridge, Massachusetts, United States. The artwork was among the first funded by MIT's "Percent-For-Art" program, which allocates $500,000 for art commissions for new architectural renovations on campus. The sculpture is an amalgam of two of Nevelson's previous works, Tropical Tree IV and Black Flower Series IV. The sculpture has been the target of vandalism.

<span class="mw-page-title-main">Louise Nevelson Plaza</span> Public art installation and park

Louise Nevelson Plaza, is a public art installation and park in Lower Manhattan which includes an arrangement of large abstract sculptures designed by the American 20th-century female artist Louise Nevelson. Described as an "outdoor environment", the triangle-shaped plaza is bounded by Maiden Lane, Liberty Street and William Street, adjacent to the building of the Federal Reserve Bank of New York.

<i>Chapel of the Good Shepherd</i> (Louise Nevelson) Sculptural environment by Louise Nevelson

Chapel of the Good Shepherd is a sculptural environment installation by the American 20th-century artist Louise Nevelson completed in 1977 and located at the St. Peter's Lutheran Church in New York City. The church and the chapel are part of the Citigroup Center at Lexington Avenue and 54th Street in Midtown Manhattan.

References

  1. 1 2 Wenegrat, Saul (28 February 2002). "September 11th: ART LOSS, DAMAGE, AND REPERCUSSIONS Proceedings of an IFAR Symposium on February 28, 2002". International Foundation For Art Research. Retrieved 3 December 2017.
  2. Nevelson, Louise; Coleman Danto, Arthur (January 1, 2007). The Sculpture of Louise Nevelson: Constructing a Legend. New Haven: Yale Univ Press. p. 185. ISBN   978-0300121728 via Google Books.
  3. "Louise Nevelson Dedicates Her Sculpture at Trade Center" . The New York Times . 13 December 1978. p. B3.
  4. 1 2 3 4 Wilson, Laurie (16 December 2016). Louise Nevelson: Light and Shadow. New York: Thames & Hudson. ISBN   978-0500773741 via Google Books.
  5. Scott, Andrea K. (9 May 2007). "A Life Made Out of Wood, Metal and Determination" . The New York Times. Retrieved 3 December 2017.