Triage | ||||
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Studio album by | ||||
Released | 1993 | |||
Genre | Rock, pop rock [1] | |||
Length | 51:57 | |||
Label | A&M | |||
Producer | Bill Bottrell, David Baerwald, Dan Schwartz | |||
David Baerwald chronology | ||||
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Triage is the second solo album by David Baerwald, formerly of the two-man group David & David. [2] [3] It was released in 1993 on A&M Records. [4] Baerwald had wanted the album to come out before the 1992 United States presidential election, but it was pushed back several months. [5]
Baerwald supported the album by participating in the "In Their Own Words" tour, along with Lisa Germano, Freedy Johnston, Johnny Clegg, and Michael Barabas. [6]
The album was produced by Bill Bottrell, Baerwald, and Dan Schwartz. [7] Baerwald was open to different musical styles and tried not to limit the music to any specific genre. [8] Many of its songs were influenced by politics and conspiracy theories. [9] The album is dedicated to politicians and government officials disliked by Baerwald. [5] The album cover is a photograph of bloody hands on top of the American flag; the liner notes contain photos of the FBI file on Baerwald's father. [10] [11]
Herb Alpert played trumpet on "A Secret Silken World"; due to its theme of sadism, Joni Mitchell allegedly counseled against recording the song. [12] [13] "Nobody" was written after Baerwald tagged along with members of the LAPD gang division. [14] "A Bitter Tree" addresses adultery. [1] The voices of Jim Jones and George Herbert Walker Bush are sampled on "The Postman". [15] The closing two songs incorporate more optimistic sentiments. [16]
Review scores | |
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Source | Rating |
Calgary Herald | B+ [17] |
Chicago Sun-Times | ![]() ![]() ![]() ![]() |
Chicago Tribune | ![]() ![]() ![]() ![]() |
Los Angeles Times | ![]() ![]() ![]() ![]() |
USA Today | ![]() ![]() ![]() ![]() |
The Virginian-Pilot | ![]() ![]() ![]() ![]() ![]() |
The New York Times wrote that the album "leavens its juicy dollops of depravity and paranoia with just enough humor to keep from being an apocalyptic bore." [21] The Calgary Herald noted that Baerwald's "voice—singing, mumbling and shouting those powerful lyrics—carries Triage, with the music pushed down to a subtle supporting role." [17]
The Chicago Tribune concluded that "it's an ambitious work, but heavy-handedness has often been Baerwald's bane." [18] The Los Angeles Times opined that, "like Roger Waters' recent work, Baerwald's well-crafted sonics fail to clothe his ambitious lyrical ideas in sufficient pop appeal." [19] The Philadelphia Inquirer considered Triage to be "ponderous, self-obsessed singer-songwriter indulgence." [22]
AllMusic rated Triage 4.5 out of 5 stars, deeming it "a bumpy ride." [23]
No. | Title | Writer(s) | Length |
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1. | "A Secret Silken World" | Baerwald, Ricketts | 7:42 |
2. | "The Got No Shotgun HydraHead Octopus Blues" | Baerwald | 4:27 |
3. | "Nobody" | Baerwald, Bottrell | 4:33 |
4. | "The Waiter" | Baerwald, Bottrell | 5:03 |
5. | "AIDS & Armageddon" | Baerwald | 5:33 |
6. | "The Postman" | Baerwald | 5:33 |
7. | "A Bitter Tree" | Baerwald | 3:28 |
8. | "China Lake" | Baerwald, Ricketts | 4:37 |
9. | "A Brand New Morning" | Baerwald | 4:39 |
10. | "Born For Love" | Baerwald | 6:22 |
Total length: | 51:57 |