The Tusculum portrait, also called the Tusculum bust, is the only extant portrait of Julius Caesar which may have been made during his lifetime. [1] It is also one of the two accepted portraits of Caesar (alongside the Chiaramonti Caesar) which were made before the beginning of the Roman Empire. [2] Being one of the copies of the bronze original, [3] the bust has been dated to 50–40 BC and is housed in the permanent collection of the Museum of Antiquities in Turin, Italy. [4] Made of fine-grained marble, the bust measures 33 cm (1ft 1in) in height.
The portrait's facial features are consistent with those found on coins struck shortly before Caesar's assassination, particularly on the denarii issued by Marcus Mettius. [3] The bust's head is prolonged, forming a saddle shape which could have been the result of a premature ossification of the sutures between the parietal bone and the temporal bone in Caesar's skull. [2] The portrait also exhibits dolichocephaly, [2] another type of cranial deformity which Caesar "may, or may not, have suffered" [5] from, according to Mary Beard. Like the Arles bust (which is also alleged to be a depiction of Caesar), the portrait includes a wrinkled neck, which could have been caused by years of campaigning in extreme weather conditions; this feature has been omitted from other posthumous busts, but can be seen on at least one coin issued during Caesar's lifetime. [6] According to Jiří Frel, this feature characterizes Caesar as a general rather than a ruler, unlike later busts. [7] The portrait's hair is present but thinning. These realistic features place the bust in the tradition of verism, as opposed to other surviving portraits which have been identified as Caesar. [8]
The Tusculum portrait was excavated by Lucien Bonaparte at the forum in Tusculum in 1825 and was later brought to Castello d'Aglie, though it was not recognised as a bust of Caesar until Maurizio Borda identified it in 1940. The portrait was exhibited in the Louvre alongside the Arles bust. There are three known copies of the Tusculum portrait, which reside in Woburn Abbey and in private collections in Florence and Rome. [4] [9]
Aulus Vitellius was Roman emperor for eight months, from 19 April to 20 December AD 69. Vitellius was proclaimed emperor following the quick succession of the previous emperors Galba and Otho, in a year of civil war known as the Year of the Four Emperors. Vitellius was the first to add the honorific cognomen Germanicus to his name instead of Caesar upon his accession. Like his predecessor, Otho, Vitellius attempted to rally public support to his cause by honoring and imitating Nero who remained popular in the empire.
Lucien Bonaparte, 1st Prince of Canino and Musignano, was a French politician and diplomat of the French Revolution and the Consulate. He served as Minister of the Interior from 1799 to 1800 and as the president of the Council of Five Hundred in 1799.
Gaius Cassius Longinus was a Roman senator and general best known as a leading instigator of the plot to assassinate Julius Caesar on 15 March 44 BC. He was the brother-in-law of Brutus, another leader of the conspiracy. He commanded troops with Brutus during the Battle of Philippi against the combined forces of Mark Antony and Octavian, Caesar's former supporters, and committed suicide after being defeated by Mark Antony.
Arles is a coastal city and commune in the South of France, a subprefecture in the Bouches-du-Rhône department of the Provence-Alpes-Côte d'Azur region, in the former province of Provence.
Lysippos was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him.
The Villa of the Papyri was an ancient Roman villa in Herculaneum, in what is now Ercolano, southern Italy. It is named after its unique library of papyri scrolls, discovered in 1750. The Villa was considered to be one of the most luxurious houses in all of Herculaneum and in the Roman world. Its luxury is shown by its exquisite architecture and by the large number of outstanding works of art discovered, including frescoes, bronzes and marble sculpture which constitute the largest collection of Greek and Roman sculptures ever discovered in a single context.
Tusculum is a ruined Roman city in the Alban Hills, in the Latium region of Italy. Tusculum was most famous in Roman times for the many great and luxurious patrician country villas sited close to the city, yet a comfortable distance from Rome.
The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa.
The year 1825 in archaeology involved some significant events.
Caesar Augustus, known as Octavian before he became emperor, was the first and among the most important of the Roman Emperors. As such, he has frequently been depicted in literature and art since ancient times.
The Victorious Youth, Getty Bronze, also known as Atleta di Fano, or Lisippo di Fano, is a Greek bronze sculpture, made between 300 and 100 BC, in the collections of the J. Paul Getty Museum, Pacific Palisades, California. Many underwater bronzes have been discovered along the Aegean and Mediterranean coast; in 1900 sponge divers found the Antikythera Youth and the portrait head of a Stoic, at Antikythera, the standing Poseidon of Cape Artemision in 1926, the Croatian Apoxyomenos in 1996 and various bronzes until 1999. The Victorious Youth was found in the summer of 1964 in the sea off Fano on the Adriatic coast of Italy, snagged in the nets of an Italian fishing trawler. In the summer of 1977, The J. Paul Getty Museum purchased the bronze statue and it remains in the Getty Villa in Malibu, California. Bernard Ashmole, an archaeologist and art historian, was asked to inspect the sculpture by a Munich art dealer Heinz Herzer; he and other scholars attributed it to Lysippos, a prolific sculptor of Classical Greek art. The research and conservation of the Victorious Youth dates from the 1980s to the 1990s, and is based on studies in classical bronzes, and ancient Mediterranean specialists collaboration with the Getty Museum. The entire sculpture was cast in one piece; this casting technique is called the "lost wax" method; the sculpture was first created in clay with support to allow hot air to melt the wax creating a mold for molten bronze to be poured into, making a large bronze Victorious Youth. More recently, scholars have been more concerned with the original social context, such as where the sculpture was made, for what context and who he might be. Multiple interpretations of where the Youth was made and who the Youth is, are expressed in scholarly books by Jiri Frel, Paul Getty Museum curator, from 1973 to 1986, and Carol Mattusch, Professor of Art History at George Mason University specializing in Greek and Roman art with a focus in classical bronzes.
Pope Julius II, commissioned a series of highly influential art and architecture projects in the Vatican. The painting of the Sistine Chapel ceiling by Michelangelo and of various rooms by Raphael in the Apostolic Palace are considered among the masterworks that mark the High Renaissance in Rome. His decision to rebuild St Peter's led to the construction of the present basilica.
The Venus Genetrix is a sculptural type which shows the Roman goddess Venus in her aspect of Genetrix, as she was honoured by the Julio-Claudian dynasty of Rome, which claimed her as their ancestor. Contemporary references identify the sculptor as a Greek named Arcesilaus. The statue was set up in Julius Caesar's new forum, probably as the cult statue in the cella of his temple of Venus Genetrix. Through this historical chance, a Roman designation is applied to an iconological type of Aphrodite that originated among the Greeks.
The Arles bust is a life-sized marble bust of a man, possibly Julius Caesar, dating to around the 1st century BC. It is part of the collection of the Musée de l'Arles antique.
The Getty kouros is an over-life-sized statue in the form of a late archaic Greek kouros. The dolomitic marble sculpture was bought by the J. Paul Getty Museum, Los Angeles, California, in 1985 for ten million dollars and first exhibited there in October 1986.
Aristotle with a Bust of Homer, also known as Aristotle Contemplating a Bust of Homer, is an oil-on-canvas painting by Rembrandt that depicts Aristotle wearing a gold chain and contemplating a sculpted bust of Homer. It was created as a commission for Don Antonio Ruffo's collection. It was bought and sold by several collectors until it was eventually purchased by the Metropolitan Museum of Art. The mysterious tone in the painting has led several scholars to different interpretations of Rembrandt's theme.
The Lansdowne Heracles is a Roman marble sculpture of about 125 CE. Today it is in the collection of the J. Paul Getty Museum's Getty Villa on the Malibu Coast, Los Angeles. The statue represents the hero Heracles as a beardless Lysippic youth grasping the skin of the Nemean lion with his club upon his shoulder. The work was discovered in 1790 in Tivoli, Italy, on the site of Hadrian's Villa, where many fine Hadrianic copies and pastiches of Greek sculptures had been discovered since the 16th century. Today, the sculpture is considered to be an example of Roman-era improvisations on the Greek sculptural style of the fourth century BCE rather than a copy of a specific Greek original.
Jiří Frel was a Czech and American archaeologist. Between 1973 and 1986 he served as a curator for the J. Paul Getty Museum. He is credited with the expansion of the collection of antiquities of the museum, but he was also involved in a number of controversies, including a tax manipulation scheme to buy artifacts of dubious provenance and purchase of a number of artifacts widely considered to be fake.
The Chiaramonti Caesar is one of the two accepted portraits of Julius Caesar from before the age of the Roman Empire, alongside the Tusculum portrait. The bust has influenced the iconography of Caesar and given the name to the Chiaramonti-Pisa type, one of the two main types of facial portraits that can be seen of Caesar in modern days.
The Ides of March coin, also known as the Denarius of Brutus or EID MAR, is a rare version of the denarius coin issued by Marcus Junius Brutus from 43 to 42 BC. The coin was struck to celebrate the March 15, 44 BC, assassination of Julius Caesar. It features a bust of Brutus, who was one of the assassins, on the obverse while the reverse features a pileus cap between two daggers. The coin was minted in both silver and gold. Approximately 100 of the silver coins are known to exist, but only three of the gold examples have survived. The coin is considered one of the rarest ancient Roman coins.