The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era.
Trevor David Pinnock is a British harpsichordist and conductor.
This is a list of notable events in music that took place in the year 1731.
The year 1717 in music involved some significant events.
The year 1716 in music involved some significant events.
F major is a major scale based on F, with the pitches F, G, A, B♭, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor.
Jean-Marie Leclair l'aîné was a French Baroque violinist and composer. He is considered to have founded the French violin school. His brothers, the lesser-known Jean-Marie Leclair the younger (1703–77) as well as Pierre Leclair (1709–84) and Jean-Benoît Leclair, were also musicians.
L'estro armonico, Op. 3, is a set of 12 concertos for stringed instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and continuo. The continuo part was printed as a figured bass for violone and harpsichord.
La stravaganza [literally 'Extravagance'], Op. 4, is a set of concertos written by Antonio Vivaldi in 1712–1713. The set was first published in 1716 in Amsterdam and was dedicated to Venetian nobleman Vettor Delfino, who had been a violin student of Vivaldi's. All of the concertos are scored for solo violin, strings, and basso continuo; however, some movements require extra soloists.
Il Cimento dell′ Armonia e dell′ Inventione is a set of twelve concertos written by Antonio Vivaldi and published in 1725 as Op. 8. All are for violin solo, strings and basso continuo. The first four, which date back to 1718–23, are called The Four Seasons. The set was published in the Amsterdam workshop of Michel-Charles Le Cène and dedicated to Wenceslas, Count of Morzin, an advisor to Charles VI, Holy Roman Emperor.
La cetra, Op. 9, is a set of twelve violin concertos by Antonio Vivaldi, published in 1727. All of them are for violin solo, strings, and basso continuo, except No. 9 in B flat, which features two solo violins. The set was named after the cetra, a lyre-like instrument, and was dedicated to Emperor Charles VI.
Pieter van Maldere, known also as Pierre van Maldere was a Flemish violinist and composer. He was a violinist of the Royal Chapel, the court orchestra in Brussels of the governor-general of the Austrian Netherlands, Prince Charles Alexander of Lorraine. After an international career which brought him to Dublin, Paris and Vienna, he returned to Brussels where he became a director of the Brussels opera house. He was the leading composer of the Austrian Netherlands in the mid-18th century. His symphonies, exemplary for the galant style, merged French stylistic elements with Viennese and Italian influences.
Homotonal (same-tonality) is a technical musical term pertaining to the tonal structure of multi-movement compositions. It was introduced into musicology by Hans Keller. According to Keller's definition and usage, a multi-movement composition is 'homotonal' if all of its movements have the same tonic (keynote).
Antonio Vivaldi wrote a set of twelve sonatas for violin and basso continuo, Op. 2, in 1709. First published by Antonio Bortoli in Venice in 1709, the collection was later reprinted by Estienne Roger in Amsterdam around 1712/13.
Antonio Vivaldi wrote a set of sonatas, Op. 5, in 1716.
- Preludio
- Corrente
- Sarabanda
- Giga
- Preludio
- Corrente
- Gavotta
- Preludio
- Alllemanda
- Corrente
- Gavotta
- Preludio
- Allemanda
- Corrente
- Preludio
- Allemanda
- Corrente
- Preludio
- Allemanda
- Air
- Minuetto
Antonio Vivaldi composed several sonatas for cello and continuo. A set of six cello sonatas, written between 1720 and 1730, was published in Paris in 1740. He wrote at least four other cello sonatas, with two manuscripts kept in Naples, another in Wiesentheid, and one known to be lost.
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. It is thought that most of the transcriptions were probably made in 1713–1714. Their publication by C.F. Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century.
The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. Composed during Bach's second period at the court in Weimar (1708–1717), the concertos can be dated more precisely to 1713–1714.
