Media
- The instrumental version of Nulla in mundo pax sincera is used as the song for the phonograph in the video game We Need to Go Deeper
Nulla in mundo pax sincera, RV 630, is a sacred motet composed by Antonio Vivaldi in 1735 to an anonymous Latin text[ citation needed ], the title of which may be translated as "In this world there is no honest peace" or "There is no true peace in this world without bitterness". Written in the key of E major and in the typical lyrical Italian Baroque style[ citation needed ], it is scored for solo soprano, two violins, viola and basso continuo, this would normally be a cello and keyboard instrument, in Vivaldi's case often the organ[ citation needed ]. The text dwells on the imperfections of a world full of evil and sin, and praises Jesus for the salvation he offers from it. It is considered[ by whom? ] to be one of Vivaldi's most beautiful solo motets.[ citation needed ]
The motet consists of three parts (Aria; Recitative; Aria), followed by a concluding Alleluia. A full performance of the piece takes approximately 13 minutes.
Nulla in mundo pax sincera Inter poenas et tormenta
Blando colore oculos mundus decepit
Spirat anguis
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In this world there is no honest peace Amidst punishment and torment
This world deceives the eye by surface charms,
The serpent's hiss conceals its venom,
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The first aria, sung by Jane Edwards, was featured in the 1996 film Shine .
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The Four Seasons is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. They were written around 1716–1717 and published in 1725 in Amsterdam, together with eight additional concerti, as Il cimento dell'armonia e dell'inventione.
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An introduzione is a motet for solo voice intended to be sung before certain choral settings of liturgical texts. Eight introduzioni by Antonio Vivaldi survive, each in three or four movements. The texts of introduzioni are non-liturgical, but sometimes paraphrases of liturgical texts. In the Ryom Verzeichnis, Vivaldi's introduzioni are numbered from RV 635–642.
Fürchte dich nicht, BWV 228, is a motet for a funeral by Johann Sebastian Bach, set for double chorus. The work in two movements draws its text from the Book of Isaiah and a hymn by Paul Gerhardt. Scholars disagree about the composition time and place which was traditionally believed to be 1726 in Leipzig, while more recent scholarship suggests for stylistic reasons that it was composed earlier during the years Bach lived in Weimar.
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Gott, wie dein Name, so ist auch dein Ruhm, BWV 171, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for New Year's Day and probably first performed it on 1 January 1729.
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George Frideric Handel's Gloria is a sacred solo cantata, a setting of the Gloria, the liturgical part of the Mass, for soprano and strings. Handel may have composed it in Germany before departing for Italy in 1706. The composition was lost for many years and was attributed to Handel again only in 2001.
Orlando furioso RV 819 is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso of 1727. It is a recomposition of an Orlando furioso written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's impresa in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli.
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Antonio Vivaldi made several versions of his G minor setting of the Magnificat canticle. He scored his best known version, RV 610, for vocal soloists, four-part choir, oboes and string orchestra, which also exists in a version for two groups of performers. He based these versions on an earlier setting for voices and strings only (RV 610b). His ultimate version, in which some choral and ensemble movements are replaced by five arias, to be sung a cappella by girls from the Ospedale della Pietà orphanage, was catalogued as RV 611. The concise work is well suited for use in vesper services.
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