Montezuma or Moctezuma may refer to:
Federico Maria Sardelli is an Italian conductor, historicist, composer, musicologist, comic artist, and flautist. He founded the medieval ensemble Modo Antiquo in 1984. In 1987, Modo Antiquo also became a baroque orchestra, debuting with the performance of Jean-Baptiste Lully's Ballet des Saisons in front of an audience of about five thousand.
L'Olimpiade is an opera libretto in three acts by Metastasio originally written for an operatic setting by Antonio Caldara of 1733. Metastasio’s plot vaguely draws upon the narrative of "The Trial of the Suitors" provided from Book 6 of The Histories of Herodotus, which had previously been the base for Apostolo Zeno's libretto Gli inganni felici (1695). The story, set in Ancient Greece at the time of the Olympic Games, is about amorous rivalry and characters' taking places to gain the loved one. The story ends with the announcement of two marriages.
Farnace is an opera by Italian composer Antonio Vivaldi, set to a libretto by Antonio Maria Lucchini initially set by Leonardo Vinci during 1724. Vivaldi's setting received its first performance in 1727 at the Teatro Sant'Angelo in Venice. Popular at the time, and revived with great success at the Sporck theater in Prague in 1730, Vivaldi's Farnace slipped into oblivion until the last quarter of the 20th century when it emerged from obscurity.
The Opera Barga Festival is an annual opera festival held in July in the town of Barga, Italy, founded in 1967 by Peter Hunt and Gillian Armitage together with Peter Gellhorn as musical director and Lorenzo Malfatti, head of didactics. Its performances take place in the late 18th century theatre, Teatro dei Differenti which seats 289.
Max Emanuel Cenčić is a Croatian countertenor, as of 1994 based in Austria. He was a member of the Wiener Sängerknaben.
Argippo is an opera libretto by Domenico Lalli, which in Giovanni Porta's setting premiered in Venice in 1717. Claudio Nicola Stampa's reworked version of the libretto was set as L'Argippo by Andrea Stefano Fiorè. This opera was performed in Milan in 1722.
Joyce DiDonato is an American lyric-coloratura mezzo-soprano. She is notable for her interpretations of operas and concert works in the 19th-century romantic era in addition to works by Handel and Mozart.
Ercole su'l Termodonte is a baroque Italian opera in three acts. In 1723, it became the sixteenth opera set to music by Antonio Vivaldi. Its catalogue number is RV 710. The libretto was written by Antonio Salvi. The opera was premiered on 23 January 1723 in Rome's Teatro Capranica. Due to a papal edict preventing women from appearing onstage in Rome, it premiered with castrati singing all the female roles. Vivaldi was both conductor and violin soloist.
Tieteberga is a partially lost dramma per musica by Antonio Vivaldi. The Italian libretto was by Antonio Maria Lucchini.
Scanderbeg is an opera in three acts composed by Antonio Vivaldi to an Italian libretto by Antonio Salvi. It was first performed at the Teatro della Pergola in Florence on 22 June 1718 to mark the re-opening of the theatre to public performances. While the libretto has been preserved, only fragments of the original score remain.
L'Olimpiade is a dramma per musica in three acts that was composed by Antonio Vivaldi. The opera uses an Italian libretto by Pietro Metastasio that was originally written for Antonio Caldara's 1733 opera of the same name. Vivaldi's version premiered in Venice at the Teatro Sant'Angelo on 17 February 1734. The same libretto was to be later set to music by over 50 other composers, starting from Giovanni Battista Pergolesi in 1735.
Demofoonte is a dramma per musica or opera in 3 acts by composer Christoph Willibald Gluck. The work uses an Italian language libretto by Pietro Metastasio. The opera premiered on 6 January 1743 at the Teatro Regio Ducale in Milan.
Franziska Gottwald is a German mezzo-soprano singer in opera and concert.
Anna Girò, also known as l'Annina del Prete Rosso, la Nina del Prete Rosso, or l'Annina della Pietà, was the stage name of Anna Maria(?) Maddalena Tessieri, an Italian mezzo-soprano/contralto of the 18th century. She is best remembered for her numerous collaborations with composer Antonio Vivaldi who wrote operatic roles for her. She is the singer who performed the greatest number of Vivaldi's operas, the one who kept them in her repertoire the longest time and who made them known across the largest geographical area.
Orlando furioso RV 819 is a three-act opera surviving in manuscript in Antonio Vivaldi's personal library, only partly related to his better known Orlando furioso of 1727. It is a recomposition of an Orlando furioso written by Giovanni Alberto Ristori which had been very successfully staged by Vivaldi and his father's impresa in 1713, and whose music survives in a few fragments retained in the score of RV 819. Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84. The libretto was by Grazio Braccioli.
Modo Antiquo is an Italian instrumental ensemble dedicated to the performance of Baroque, Renaissance, and Medieval music. It was founded in 1984 by Federico Maria Sardelli. Twice nominated for a Grammy award, the ensemble has an extensive discography, primarily on the Naïve, Brilliant Classics, and Tactus labels and have given the first performances in modern times of several works by Vivaldi. Modo Antiquo's larger ensemble is its Baroque orchestra led by Sardelli. It also has a smaller ensemble devoted to Medieval and Renaissance music led by Bettina Hoffmann.
GiustinoRV 717 is a 1724 opera by Vivaldi to a libretto by Nicolò Beregan. The opera was composed for the 1724 carnival season in Rome and premiered at the Teatro Capranica.
Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.
Maria Caterina Negri was an Italian contralto who created numerous roles in 18th-century operas, including many by George Frideric Handel. She primarily portrayed male characters en travesti or female warriors such as Bradamante. Negri was born in Bologna and made her debut there at the age of 15. Her last known performance was in 1744. The date and place of her death are unknown. In its prime, her voice was known for its agility and wide vocal range.
