"Misty" is a jazz standard written in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format and recorded it for the album Contrasts (1955). Lyrics were added later by Johnny Burke. It became the signature song of Johnny Mathis, appearing on his 1959 album Heavenly and reaching number 12 on the U.S. Pop Singles chart later that year. The song has been recorded many times, including versions by Ella Fitzgerald and Frank Sinatra.
Sounds of Christmas is the second holiday-themed album by vocalist Johnny Mathis and the first of his 11 studio projects for Mercury Records. His first yuletide effort, 1958's Merry Christmas, relied heavily on popular holiday carols and standards, but this 1963 release also included two new songs as well as covers of some lesser-known recordings by Andy Williams and Bing Crosby.
Love, Andy is the twenty-first studio album by American pop singer Andy Williams, released on October 16, 1967, by Columbia Records to coincide with the NBC special of the same name, which aired on November 6. The LP had a mix of covers of old and recent hits that included two songs from the 1940s that also had chart success in 1966 via Chris Montez: "The More I See You" and "There Will Never Be Another You".
Heavenly is an album by American pop singer Johnny Mathis that was released on August 10, 1959, by Columbia Records and marked his return to recording ballads with orchestral accompaniment. Along with the material that others had covered before are two new songs: the title track and "I'll Be Easy to Find".
I'll Search My Heart and Other Great Hits is a compilation album by American pop singer Johnny Mathis that was released by Columbia Records in April 1964 and gathered up five A-sides that reached the Billboard Hot 100, a corresponding B-side, and six songs that had previously been unreleased.
The Great Years is a compilation album by American pop singer Johnny Mathis that was released by Columbia Records in July 1964. Billboard magazine described the two-LP set, which included chart hits and album tracks, as "the best of Mathis".
The Sweetheart Tree is an album by American pop singer Johnny Mathis that was released by Mercury Records on September 30, 1965, and included songs associated with Italy, France, Ireland, and Scotland as well as several selections, such as "I'll Close My Eyes" and "The Very Thought of You", from English composers.
Johnny Mathis Sings is an album by American pop singer Johnny Mathis that was released by Mercury Records on March 10, 1967 and was the last of his 11 studio projects for the label. Eight of the twelve tracks were recorded since the completion of his previous LP, So Nice, while four of the tracks were leftovers from the recording sessions for previous Mercury albums. The finished product included a number from Broadway's The Roar of the Greasepaint—the Smell of the Crowd, a cover of the Beatles hit "Eleanor Rigby", two offerings from songwriters Burt Bacharach and Hal David, and three cuts that originated in film scores but had lyrics added later: the melody for "Strangers in the Night" was written for A Man Could Get Killed; "Somewhere My Love" began as "Lara's Theme" from Doctor Zhivago; and "Lovers in New York" started out as the instrumental title track from Breakfast at Tiffany's.
Love Is Blue is an album by American pop singer Johnny Mathis that was released on March 6, 1968, by Columbia Records and adhered even more strictly to the concept of the "cover" album of recent hits than its predecessor in that five of the 10 songs selected for the project were chart hits for the original artists within the previous year and another three had charted within the previous decade. Even the two remaining selections that did not bring chart success to the original artists were by the hit songwriting teams of Burt Bacharach and Hal David and John Lennon and Paul McCartney and left no room for the usual inclusion of some original songs or material from Broadway.
Those Were the Days is an album by American pop singer Johnny Mathis that was released on November 6, 1968, by Columbia Records. It followed the formula of including covers of recent hit songs, the oldest, in this case, being "The End of the World", which hadn't been on the charts since 1963. Two of the 10 tracks, however, had not been released as singles by other artists: "Every Time I Dream of You", which had appeared as an instrumental on Bert Kaempfert's 1967 album Love That Bert Kaempfert, and "You Make Me Think About You", which was first heard in the 1968 film With Six You Get Eggroll.
People is a compilation album by American pop singer Johnny Mathis that was released in the summer of 1969 by Columbia Records at the same time as another Mathis compilation, The Impossible Dream. Both releases include ten tracks from albums that he recorded during his time with Mercury Records between 1963 and 1967.
Love Story is an album by American pop singer Johnny Mathis that was released on February 10, 1971, by Columbia Records and included a recent Oscar nominee, a flashback to 1967 ("Traces"), a new song by Bacharach & David, a lesser-known one by Goffin & King, and two songs that originated in film scores from 1970 and had lyrics added later: the album closer, "Loss of Love", from Sunflower and the album opener from Love Story, which was subtitled "Where Do I Begin". The norm for Mathis projects from this era was to cover recent hits, and the title track of this one was so recent that the version by Andy Williams began a 13-week run to number nine on Billboard magazine's Hot 100 chart in February 1971, coinciding with the release of this LP.
Christmas Eve with Johnny Mathis is the fourth Christmas album by American pop singer Johnny Mathis that was released on September 23, 1986, by Columbia Records. This was Mathis's fourth holiday-themed LP and focused exclusively on secular material.
Johnny Mathis' All-Time Greatest Hits is a compilation album by American pop singer Johnny Mathis that was released in the spring of 1972 by Columbia Records and, despite its title, overlooks a good number of his Top 40 hits in favor of his singles that didn't make the Billboard Hot 100 and album tracks that weren't released as singles.
Different Kinda Different is an album by American pop singer Johnny Mathis that was released on June 16, 1980, by Columbia Records and included covers of two standards and two recent hits. It also continued the trend of recording duets with a female singer; for this project Paulette McWilliams shared vocal duties on two of the six new songs.
The Best of Johnny Mathis 1975–1980 is a compilation album by American pop singer Johnny Mathis that was released in the fall of 1980 by Columbia Records. This collection is similar to his last major compilation, 1972's Johnny Mathis' All-Time Greatest Hits, in that it excludes many of his American radio hits of this period in favor of songs that made the UK singles chart or contemporary hits by other people.
The First 25 Years – The Silver Anniversary Album is a compilation album by American pop singer Johnny Mathis that was released in 1981 by Columbia Records. The back cover of the album notes that there are four new tracks. A cover of the Commodores hit "Three Times a Lady" had been released on the UK version of his 1980 album Different Kinda Different, which was retitled All for You, but the Mathis rendition of the song makes its US debut here.
Live is a live album by American pop singer Johnny Mathis that was released in October 15, 1984, by Columbia Records and includes performances of some of his classics, songs from recent albums, and three selections that have never appeared on a Mathis studio album.
The Hollywood Musicals is an album by American pop singer Johnny Mathis and American composer/conductor Henry Mancini that was released on October 17, 1986, by Columbia Records. This project heralded Mathis's return to the genre of traditional pop, which he would revisit occasionally over the next few decades.
All About Love is an album by American pop singer Johnny Mathis that was released on May 7, 1996, by Columbia Records and pairs him with producer Phil Ramone for his first venture into contemporary material since 1985's Right from the Heart. The two albums share the fact that they do not include covers of songs associated with other artists, which makes them unique entries in the Mathis catalog.
