Johnny's Greatest Hits is a compilation album by vocalist Johnny Mathis that was released by Columbia Records on March 17, 1958, and has been described as the "original greatest-hits package". The LP collected all but one of the songs from the first six singles he recorded, including eight A- and B-sides that made the singles charts in The Billboard as well as three B-sides that did not chart and one new track that was co-written by Mathis but not released as a single.
Faithfully is an album by American pop singer Johnny Mathis that was released on December 21, 1959, by Columbia Records and continues his trend toward covering ballads alongside an orchestra. While his previous LPs usually offered one or two songs that had not been previously recorded, that number on this project leaped to five, and although the other seven selections were established by other artists, even some of those were lesser-known, such as Jeri Southern's number 30 pop hit "You Better Go Now" and the title song from the 1953 film The Blue Gardenia.
Portrait of Johnny is a compilation album by Johnny Mathis that was released by Columbia Records on July 17, 1961, and described on the cover as "The Third in the Johnny Mathis Greatest Hits Series". Seven B-sides of chart hits are included along with four of the corresponding A-sides that made it onto the Billboard Hot 100 or "bubbled under" it and one song from a single that had neither side chart in Billboard magazine.
I'll Search My Heart and Other Great Hits is a compilation album by American pop singer Johnny Mathis that was released by Columbia Records in April 1964 and gathered up five A-sides that reached the Billboard Hot 100, a corresponding B-side, and six songs that had previously been unreleased.
Johnny Mathis Sings is an album by American pop singer Johnny Mathis that was released by Mercury Records on March 10, 1967 and was the last of his 11 studio projects for the label. Eight of the twelve tracks were recorded since the completion of his previous LP, So Nice, while four of the tracks were leftovers from the recording sessions for previous Mercury albums. The finished product included a number from Broadway's The Roar of the Greasepaint—the Smell of the Crowd, a cover of the Beatles hit "Eleanor Rigby", two offerings from songwriters Burt Bacharach and Hal David, and three cuts that originated in film scores but had lyrics added later: the melody for "Strangers in the Night" was written for A Man Could Get Killed; "Somewhere My Love" began as "Lara's Theme" from Doctor Zhivago; and "Lovers in New York" started out as the instrumental title track from Breakfast at Tiffany's.
Up, Up And Away is an album by American pop singer Johnny Mathis that was released on October 23, 1967, and was the first LP he recorded upon returning to his first record label, Columbia Records, where he then stayed for several decades after having just completed a four-year sojourn with Mercury Records. The title track starts the album on the contemporary end of the spectrum of material covered here, but Mathis also includes a standard from the 1940s, a hit that charted twice for the same artist in the 1950s, a trio of songs from Doctor Dolittle, and two songs that had lyrics added after originating as instrumentals: "Drifting" began as part of the score to the 1958 film Auntie Mame, and "Far Above Cayuga's Waters" was "a theme song of Cornell University before saxophonist Dave Pell retooled it and Sammy Cahn adapted the delightful fairytale-like lyrics."
Love Is Blue is an album by American pop singer Johnny Mathis that was released on March 6, 1968, by Columbia Records and adhered even more strictly to the concept of the "cover" album of recent hits than its predecessor in that five of the 10 songs selected for the project were chart hits for the original artists within the previous year and another three had charted within the previous decade. Even the two remaining selections that did not bring chart success to the original artists were by the hit songwriting teams of Burt Bacharach and Hal David and John Lennon and Paul McCartney and left no room for the usual inclusion of some original songs or material from Broadway.
The Impossible Dream is a compilation album by American pop singer Johnny Mathis that was released in the summer of 1969 by Columbia Records at the same time as another Mathis compilation, People. Both releases include ten tracks from albums that he recorded during his time with Mercury Records between 1963 and 1967.
Love Theme from "Romeo and Juliet" is an album by American pop singer Johnny Mathis that was released on July 30, 1969, by Columbia Records. Of its 11 tracks, eight had been hits for other performers earlier that year, and one of the remaining three, "I'll Never Fall in Love Again", would become a huge success for Dionne Warwick several months later.
Johnny Mathis Sings the Music of Bacharach & Kaempfert is an album by American pop singer Johnny Mathis that was released in the fall of 1970 by Columbia Records. While one half of the two-record set was a compilation of tracks from his previous albums that were composed by Burt Bacharach, the other consisted of new recordings of songs composed by Bert Kaempfert, including a new version of "Strangers in the Night", which Mathis had already recorded in 1966 for his LP Johnny Mathis Sings. Although the Kaempfert tribute was similar to recent Mathis albums in that he was mainly covering songs made popular by other singers, it was absent of hits from the 12 months previous to its release that had become the pattern of his output at this point. The latest US chartings of any of the Kaempfert compositions as of this album's debut came from 1967 recordings of "Lady" by Jack Jones and "The Lady Smiles" by Matt Monro.
Johnny Mathis' All-Time Greatest Hits is a compilation album by American pop singer Johnny Mathis that was released in the spring of 1972 by Columbia Records and, despite its title, overlooks a good number of his Top 40 hits in favor of his singles that did not make the Billboard Hot 100 and album tracks that were not released as singles.
I'm Coming Home is an album by American pop singer Johnny Mathis that was released on September 21, 1973, by Columbia Records and was mainly composed of material written by the songwriting team of its producer, Thom Bell, and Linda Creed. Unlike several of the Mathis albums before it, I'm Coming Home relied primarily on new songs and included only two covers of established chart hits, both of which were by The Stylistics.
Hold Me, Thrill Me, Kiss Me is an album by American pop singer Johnny Mathis that was released on August 15, 1977, by Columbia Records and found him firmly planted in the cover album genre once again in that no original songs were included. Allmusic's Joe Viglione did feel, however, that "they seem to be trying to cover all the bases here," meaning that it had a variety of selections, including a standard from 1939, a hit that charted in both the 1950s and '60s, a country crossover, and recent offerings from stage and screen.
The Best Days of My Life is an album by American pop singer Johnny Mathis that was released on January 29, 1979, by Columbia Records and scaled back considerably on his more than decade-long practice of recording recent hit songs by other artists. He did, however, cover two standards: "As Time Goes By" and "Begin the Beguine", the latter of which is given a disco arrangement.
Mathis Magic is an album by American pop singer Johnny Mathis that was released on September 17, 1979, by Columbia Records and contained an equal balance of new material and songs associated with other artists.
Different Kinda Different is an album by American pop singer Johnny Mathis that was released on June 16, 1980, by Columbia Records and included covers of two standards and two recent hits. It also continued the trend of recording duets with a female singer; for this project Paulette McWilliams shared vocal duties on two of the six new songs.
The Best of Johnny Mathis 1975–1980 is a compilation album by American pop singer Johnny Mathis that was released in the fall of 1980 by Columbia Records. This collection is similar to his last major compilation, 1972's Johnny Mathis' All-Time Greatest Hits, in that it excludes many of his American radio hits of this period in favor of songs that made the UK singles chart or contemporary hits by other people.
The First 25 Years – The Silver Anniversary Album is a compilation album by American pop singer Johnny Mathis that was released in 1981 by Columbia Records. The back cover of the album notes that there are four new tracks. A cover of the Commodores hit "Three Times a Lady" had been released on the UK version of his 1980 album Different Kinda Different, which was retitled All for You, but the Mathis rendition of the song makes its US debut here.
Unforgettable – A Musical Tribute to Nat King Cole is a soundtrack album released in the UK in 1983 by the CBS Records division of Columbia in conjunction with the broadcast of American pop singer Johnny Mathis's BBC television concert special of the same name that featured Cole's daughter Natalie. The front of the original album jacket credits the concert performers as "Johnny Mathis and Natalie Cole", whereas the CD booklet reads, "Johnny Mathis with special guest Natalie Cole".
Johnny Mathis has recorded 73 studio albums, 18 of which achieved sales of 500,000 units and were awarded Gold certification by the Recording Industry Association of America. Five of his greatest hits albums also accomplished this, and of these 18 Gold albums, six eventually went Platinum by reaching sales of one million copies. In 1999, sales figures totaled five million for his first holiday LP, Merry Christmas, and three million for Johnny's Greatest Hits, a 1958 collection that has been described as the "original greatest-hits package" and once held the record for most weeks on Billboard magazine's album chart with a total of 490. His second longest album chart run was the 295 weeks belonging to his Platinum 1959 album Heavenly, which gave him five weeks in the top spot. In a ranking of the top album artists of the last half of the 1950s in terms of Billboard chart performance, he comes in at number two, for the 1960s, number 10, and for the period from 1955 to 2009 he is at number six.
