Uqqurmiut Centre for Arts & Crafts | |
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Former names | Pangnirtung Tapestry Studio (1991) Craft Gallery (1991) Pangnirtung Print Shop (1994) |
General information | |
Type | Arts and crafts centre prints tapestry wallhangings |
Location | Pangnirtung, Nunavut |
Coordinates | 66°08′49″N065°42′31″W / 66.14694°N 65.70861°W |
Website | |
http://www.uqqurmiut.ca/ |
Uqqurmiut Centre for Arts & Crafts is an arts centre that was established by the Uqqurmiut Inuit Artists Association in 1990, in Pangnirtung, in the Qikiqtaaluk Region of Nunavut, Canada. The Centre includes a Tapestry Studio, a Craft Gallery, and a Print Shop. In spite of its remote location and small population, numerous Inuit from Pangnirtung have successfully marketed their prints, carvings, sculptures, and textile arts, such as woven wall hangings, to southern collectors. Starting in the 1970s, limited edition prints from the original Print Shop were published annually as the Pangnirtung Prints Collection through the then-Eskimo Co-operative. [1] [2] In 1970 a weaving studio was established and over time the tapestries attracted an international market.
The centre's architecture echos the circular shapes of igloos and skin tents from traditional Inuit settlements.
In 2002 a major exhibition entitled, Nuvisavik: the place where we weave [3] : 310–314 was shown at the Canadian Museum of Civilization (now known as the Canadian Museum of History) in Ottawa, Canada. The exhibition catalogue was edited by Maria Von Finckenstein, the curator of Inuit art at the museum. [4]
The fully Inuit-owned and run organization, The Uqqurmiut Inuit Artists Association, which was incorporated in 1988, is the major shareholder in The Uqqurmiut Centre for Arts & Craft. [5] [6] In 1999, Nunavut Development Corporation owned 51-per-cent interest in the Uqqurmiut Centre. [6] The development corporation, which invests in Nunavut's economy by creating jobs and opportunities for Nunavut residents in small hamlets, is a territorial corporation of the Government of Nunavut corporation, enabled by the Nunavut Development Corporation Act. [7]
Uqqurmiut means "the people of the leeside" in Inuktitut. Pangnirtung is at the edge of Pangnirtung Fjord, a fjord near Cumberland Sound on the lee side of a mountain. [8]
The newer buildings that replaced both the weave and print studios, are interconnected to echo the design of large igloos. They resemble "traditional circular tents of old Inuit settlements" and the interconnected nature of large igloos. [5]
The 2,300 sq ft (210 m2) print shop, which was completed in 1994, replaced the original print shop which burned to the ground in 1993. [5] Starting in the 1970s, limited edition prints from the original print shop were published annually as the Pangnirtung Prints Collection through the then-Eskimo Co-operative. [1] [2] When the Uqqurmiut Inuit Artists Association released their 1999 collection of 22 catalogued prints, displays were held in "23 galleries throughout North America". [9]
The 2,100 sq ft (200 m2) Pangnirtung Tapestry Studio was completed in 1990. [5] [4]
The 1,400 sq ft (130 m2) Craft Gallery [5] promotes Inuit art and culture.
Elisapee Ishulutaq, who was born at Kanirterjuak, on the east side of Cumberland Sound, Baffin Island in 1925, started her artistic career when she was in her forties. The stories that are referred to in her artwork originate from her childhood in the 1920s and early 1930s when she lived in small, remote hunting and fishing camps following the traditional semi-nomadic life of the Uqqurmiut Inuit. Ishulutaq moved to Pangnirtung at about the same time that the Print Shop had opened. She was gifted in carving and drawing and became part of the first wave of artists there who contributed to the annual Print Collection. [10] In 1973, the California College of Arts and Crafts for a print gave her an award of merit for one of her prints. By 2012, her tapestries and prints were in prominent public museums, such as the National Gallery of Canada, Ottawa, [11] : 68 Montreal Museum of Fine Arts, the Canadian Museum of Civilization, and the Art Gallery of Ontario. [12]
Andrew Qappik is known for the large tapestry entitled "Our ancestors' land is our land now", which is displayed at the Visitors' Centre in Iqaluit, the capital of Nunavut. He designed the flag of Nunavut. [4] : 168 [13] John Houston, who was the print shop's technical arts advisor in 1975, remembered how eleven-year-old Qappik used to watch his uncles Solomon and Imoona Karpik, who were printmakers, as they worked in their shop. [14] In 1978, a retired University of North Carolina history professor, H.G. Jones, noticed 14-year-old Qappik's work. As a historian, he became intrigued with Qappik's depictions of Inuit life in the past. [9] By 1999, Jones had collected all 69 limited edition prints produced by Qappik. Jones, who first visited Pangnirtung Fiord in 1972, was attracted to Pang's Arctic landscape. [9] By 2015, Jones had made almost 31 annual visits to Pangnirtung and had purchased every one of Andrews's prints—etchings, stone cuts, lithographs, and linocuts." [14] In 2006, Jones donated his collection of "140 of Qappik’s catalogued and uncatalogued prints" to the Winnipeg Art Gallery (WAG), which has the world's largest Inuit art collection. Qappik's first solo exhibition was held at the WAG in 2010 and featured these prints. [14] His 2003 drypoint print is a self-portrait of him working at the press in the Uqqurmiut Centre for Arts & Crafts Print Shop. [15]
Pangnirtung is an Inuit hamlet, in the Qikiqtaaluk Region of the Canadian territory of Nunavut, located on Baffin Island. The community is located about 45 km (28 mi) south of the Arctic Circle, and about 2,700 km (1,700 mi) from the North Pole. Pangnirtung is situated on a coastal plain at the coast of Pangnirtung Fjord, a fjord which eventually merges with Cumberland Sound. As of January 2022, the mayor is Lynn Mike.
Jessie Oonark, was a prolific and influential Inuk artist of the Utkuhiksalingmiut Utkuhiksalingmiut whose wall hangings, prints and drawings are in major collections including the National Gallery of Canada.
Kenojuak Ashevak,, is celebrated as a leading figure of modern Inuit art and one of Canada's preeminent artists and cultural icons. Part of a pioneering generation of Arctic creators, her career spanned more than five decades. She made graphic art, drawings and prints in stonecut, lithography and etching, beloved by the public, museums and collectors alike.
Andrew Qappik is a Canadian Inuk graphic artist currently residing in Pangnirtung, Nunavut. Qappik is known for his printmaking and his contribution to the Nunavut coat of arms. His uncles Solomon and Imoona Karpik were also artists, and encouraged him to start drawing.
Arctic Co-operatives Limited is a cooperative federation owned and controlled by 32 community-based cooperative business enterprises located in Nunavut, Northwest Territories, Yukon and northern Manitoba, Canada. Arctic Co-ops coordinates resources, consolidates the purchasing power and provides operational and technical support to the community-based co-operatives to enable them to provide a wide range of services to their local member-owners. Arctic Co-ops operates in both English and Inuktitut and provides patronage dividends to the local members.
Pudlo Pudlat, was a Canadian Inuit artist whose preferred medium was a combination of acrylic wash and coloured pencils. His works are in the collections of most Canadian museums. At his death in 1992, Pudlo left a body of work that included more than 4000 drawings and 200 prints.
Sheila Butler is an American-Canadian visual artist and retired professor, now based in Winnipeg, Manitoba. She is a founding member of Mentoring Artists for Women's Art in Winnipeg, Manitoba and the Sanavik Inuit Cooperative in Baker Lake, Nunavut. She is a fellow of the Royal Canadian Academy of Arts.
Napachie Pootoogook was a Canadian Inuit graphic artist.
Ruth Qaulluaryuk is a Canadian Inuk textile artist, also known for her drawings.
Ulayu Pingwartok was a Canadian Inuk artist known for drawings of domestic scenes and nature.
Alashua Aningmiuq (1914–1972) was an Inuk graphic artist and a carver in Nunavut, Canada working in the 1950s and 1960s.
Eleeshushe Parr was an Inuk graphic artist and sculptor, from the Kingnait area, who produced over 1,160 drawings. Her work has been exhibited in Canada, the United States, and Sweden.
Ikayukta Tunnillie was an Inuk artist in the fields of printmaking and drawing. Tunnillie was born in Cape Dorset, Northwest Territories, now Kinngait, Nunavut and travelled for much of her life. Tunnillie's work in drawing and printmaking focused on animals and life in the Arctic. She was one of the oldest printmakers to work with the West Baffin Eskimo Cooperative.
Malaya Akulukjuk was an Inuk artist who drew works inspired by her life as an angakkuq (shaman) and Inuit spirituality through depictions of human-animal transformations. Akulukjuk was born in 1915, and lived a traditional Inuit life in a camp at Qikiqtat, Northwest Territories, now Nunavut before moving to Pangnirtung on Baffin Island in 1962. Her career as an artist started later than most, at the age of 51.
Elisapee Ishulutaq was a self-taught Inuk artist, specialising in drawing and printmaking. Ishulutaq participated in the rise of print and tapestry making in Pangnirtung and was a co-founder of the Uqqurmiut Centre for Arts & Crafts, which is both an economic and cultural mainstay in Pangnirtung. Ishulutaq was also a community elder in the town of Pangnirtung. Ishulutaq's work has been shown in numerous institutions, including the Marion Scott Gallery in Vancouver, the Winnipeg Art Gallery and the National Gallery of Canada.
Mary Kapbak Okheena is an Inuvialuit graphic artist known for her stencil prints including "Musk-ox Waiting for the Tide to Cross Water" (1986) and "Shaman Dances to Northern Lights" (1991), drawings and embroidery. She is part of the third generation of organized graphic artists in the Canadian Arctic. Okheena has five children with her husband Eddie and she currently lives in Inuvik where she practices embroidery and makes wall hangings.
The West Baffin Eskimo Cooperative, also known as the Kinngait Co-operative is an Inuit co-operative in Kinngait, Nunavut best known for its activities in buying, producing and selling Inuit artworks. The co-operative is part of Arctic Co-operatives Limited, a group of locally owned businesses that provide fundamental services in the Canadian north. The co-operative sets prices for the sale of its member's works, pays the artists in advance and shares its profits with its members.
Kiakshuk was a Canadian Inuit artist who worked both in sculpture and printmaking. Kiakshuk began printmaking in his seventies and, is most commonly praised for creating “real Eskimo pictures” that relate traditional Inuit life and mythology.
Sharni Pootoogook (1922–2003) was an Inuit printmaker from Cape Dorset, Nunavut.
Charlotte Lindgren was a Canadian sculptor-weaver, installation artist, photographer and curator. Lindgren gained worldwide fame for innovative weaving due to the response to her distinctive installation Aedicule in the 1967 International Biennial of Tapestry in Lausanne, Switzerland. Her architectural textile works — usually large — are single woven planes that transform into three-dimensional forms. They explore the interplay between positive and negative spaces, allowing for dramatic shadows and movement.
A retired history professor from North Carolina has formed a deep bond with the work of printmaker Andrew Qappik.
Ishulutaq's deceptively simple but brilliant drawings capture with a few pencil lines narrative episodes out of her childhood. These pencil drawings have been used at the Pangnirtung Weave Shop as designs for stencil prints of extraodinary lyricism. Her designs charm us with their humor and immediacy. Through the use of multiple perspective using frontal, profile, and bird's eye view in the same image, she draws the viewer into the picture plane where usually everyday domestic happenings are depicted. Her carvings, using equally simplified forms, have the same appeal and charm as her drawings.
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ignored (help)The drawings I do are for the people who suffered and who struggled for their lives—for food and clothing. What strength was used by our great-grandfathers in their livelihood. That is what I show in my drawings. I put some feeling into them. I make an adventure and share my art with the people of any country who love my art. I make designs on paper.
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ignored (help)"Andrew would get off school and come straight to the print shop," says Houston. "He was just observing. He was the perfect fellow to have around — friendly, easygoing, and quiet." James Houston