Cremation is a method of final disposition of a dead body through burning.
Burial, also known as interment or inhumation, is a method of final disposition whereby a dead body is placed into the ground, sometimes with objects. This is usually accomplished by excavating a pit or trench, placing the deceased and objects in it, and covering it over. A funeral is a ceremony that accompanies the final disposition. Humans have been burying their dead since shortly after the origin of the species. Burial is often seen as indicating respect for the dead. It has been used to prevent the odor of decay, to give family members closure and prevent them from witnessing the decomposition of their loved ones, and in many cultures it has been seen as a necessary step for the deceased to enter the afterlife or to give back to the cycle of life.
A coffin is a funerary box used for viewing or keeping a corpse, either for burial or cremation.
The Urnfield culture was a late Bronze Age culture of Central Europe, often divided into several local cultures within a broader Urnfield tradition. The name comes from the custom of cremating the dead and placing their ashes in urns, which were then buried in fields. The first usage of the name occurred in publications over grave sites in southern Germany in the late 19th century. Over much of Europe, the Urnfield culture followed the Tumulus culture and was succeeded by the Hallstatt culture. Some linguists and archaeologists have associated this culture with the Proto-Celtic language, or a pre-Celtic language family.
A columbarium is a structure for the reverential and usually public storage of funerary urns, holding cremated remains of the deceased.
The majority of funerals in Japan include a wake, the cremation of the deceased, a burial in a family grave, and a periodic memorial service. According to 2007 statistics, 99.81% of deceased Japanese are cremated.
The hydria is a form of Greek pottery from between the late Geometric period and the Hellenistic period. The etymology of the word hydria was first noted when it was stamped on a hydria itself, its direct translation meaning ‘jug’.
Situla, from the Latin word for bucket or pail, is the term in archaeology and art history for a variety of elaborate bucket-shaped vessels from the Iron Age to the Middle Ages, usually with a handle at the top. All types may be highly decorated, most characteristically with reliefs in bands or friezes running round the vessel.
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, c. 900–700 BC. Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from c. 1100 to 750 BC and include two periods, the Protogeometric period and the Geometric period, in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases.
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic period. As Gisela Richter puts it, the forms of these vases find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The Bronze and Iron Age cultures in Poland are known mainly from archeological research. Early Bronze Age cultures in Poland began around 2400–2300 BCE, while the Iron Age commenced in approximately 750–700 BCE. The Iron Age archeological cultures no longer existed by the start of the Common Era. The subject of the ethnicity and linguistic affiliation of the groups living in Central Europe at that time is, given the absence of written records, speculative, and accordingly there is considerable disagreement. In Poland the Lusatian culture, spanning both the Bronze and Iron Ages, became particularly prominent. The most famous archeological finding from that period is the Biskupin fortified settlement (gord) on the lake from which it takes its name, representing the Lusatian culture of the early Iron Age.
The Latial culture ranged approximately over ancient Old Latium. The Iron Age Latial culture coincided with the arrival in the region of a people who spoke Old Latin. The culture was likely therefore to identify a phase of the socio-political self-consciousness of the Latin tribe, during the period of the kings of Alba Longa and the foundation of the Roman Kingdom.
Ancient Greek funerary practices are attested widely in literature, the archaeological record, and in ancient Greek art. Finds associated with burials are an important source for ancient Greek culture, though Greek funerals are not as well documented as those of the ancient Romans.
Roman funerary art changed throughout the course of the Roman Republic and the Empire and comprised many different forms. There were two main burial practices used by the Romans throughout history, one being cremation, another inhumation. The vessels used for these practices include sarcophagi, ash chests, urns, and altars. In addition to these, mausoleums, stele, and other monuments were also used to commemorate the dead. The method by which Romans were memorialized was determined by social class, religion, and other factors. While monuments to the dead were constructed within Roman cities, the remains themselves were interred outside the cities.
The Nagyrév culture was a Bronze-Age culture that existed in what is now Nagyrév, Hungary. It existed alongside the Vatya culture and Hatvan cultures and was eventually superseded by the latter. The main style of pottery was a one or two handed cup with a tall funnel neck that is made in a black burnished ware.
The theme of death within ancient Greek art has continued from the Early Bronze Age all the way through to the Hellenistic period. The Greeks used architecture, pottery, and funerary objects as different mediums through which to portray death. These depictions include mythical deaths, deaths of historical figures, and commemorations of those who died in war. This page includes various examples of the different types of mediums in which death is presented in Greek art.
Ancient Greek funerary vases are decorative grave markers made in ancient Greece that were designed to resemble liquid-holding vessels. These decorated vases were placed on grave sites as a mark of elite status. There are many types of funerary vases, such as amphorae, kraters, oinochoe, and kylix cups, among others. One famous example is the Dipylon amphora. Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens.
Thai royal funerals are elaborate events, organised as royal ceremonies akin to state funerals. They are held for deceased members of the Royal Family, and consist of numerous rituals which typically span several months to over a year. Featuring a mixture of Buddhist and animist beliefs, as well as Hindu symbolism, these rituals include the initial rites that take place after death, a lengthy period of lying-in-state, during which Buddhist ceremonies take place, and a final cremation ceremony. For the highest-ranking royalty, the cremation ceremonies are grand public spectacles, featuring the pageantry of large funeral processions and ornate purpose-built funeral pyres or temporary crematoria known as merumat or men. The practices date to at least the 17th century, during the time of the Ayutthaya Kingdom. Today, the cremation ceremonies are held in the royal field of Sanam Luang in the historic centre of Bangkok.
Freud Corner is the name used for the place within Golders Green Crematorium in North London, where the funerary urns of Sigmund Freud and many other members of the Freud family are deposited.
