John Arthur Casken is an English composer, born in Barnsley, Yorkshire, England. Casken read music at the University of Birmingham, studying composition and contemporary music with John Joubert and Peter Dickinson. He then went on to study in Poland with Andrzej Dobrowolski on a Polish government scholarship at the Academy of Music in Warsaw, from 1971 to 1972. During this time he began to have regular consultations with Witold Lutosławski, with whom he formed a close association and friendship. Casken has since written articles on the music of Lutosławski, including the contribution of the chapter "The Visionary and Dramatic in the music of Lutosławski" to Zbigniew Skowron's Lutosławski Studies. Casken left Poland to return to Birmingham as a lecturer in 1973. After a Fellowship at Huddersfield Polytechnic in 1980, he was appointed as a lecturer at the University of Durham in 1981. He was Professor of Music at the University of Manchester from 1992 to 2008 and maintains strong links with The University of Manchester as Emeritus Professor of Music.
Tristan Murail is a French composer associated with the "spectral" technique of composition.
James Dillon is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition.
Haukur Tómasson is an Icelandic composer. He has a Master's degree from the University of California, San Diego. He has also attended the Reykjavík College of Music, the Cologne University for Music and the Sweelinck Conservatory of Amsterdam. See also haukurtomasson.com
Éric Gaudibert was a Swiss composer.
Insen is the second studio album in an ongoing collaboration between Japanese composer Ryuichi Sakamoto and German electronic artist Carsten Nicolai. It was released on 20 March 2005 via Raster-Noton label.
David Horne is a Scottish composer, pianist, and teacher.
Gary Kulesha is a Canadian composer, pianist, conductor, and educator. Since 1995, he has been Composer Advisor to the Toronto Symphony Orchestra. He has been Composer-in-Residence with the Kitchener-Waterloo Symphony (1988–1992) and the Canadian Opera Company (1993–1995). He was awarded the National Arts Centre Orchestra Composer Award in 2002. He currently teaches on the music faculty at the University of Toronto.
In music, a decet—sometimes dectet, decimette, or even tentet —is a composition which requires ten musicians for a performance, or a musical group that consists of ten people. The corresponding German word is Dezett, the French is dixtuor. Unlike some other musical ensembles such as the string quartet, there is no established or standard set of instruments in a decet.
Xerrox Vol. 2 is the sixth studio album by German electronic artist Alva Noto. On this record, the author turns to a list of contemporary musicians, including Michael Nyman, Stephen O’Malley, and Ryuichi Sakamoto. The record is the second part of his Xerrox quintet of albums.
Vrioon is the debut collaboration album between Ryuichi Sakamoto and Alva Noto, released in 2002. This is the first album in the Virus Series followed by four other records: Insen (2005), Revep (2006), utp_ (2008), and Summvs (2011). The initial letters of the five albums together form the word "Virus".
Marc-André Dalbavie is a French composer.
Gabriel Prokofiev is a Russian-British composer, producer, DJ, and Artistic Director of the Nonclassical record label and nightclub.
Summvs is the fifth collaboration album between Alva Noto and Ryuichi Sakamoto. The record was released on 9 May 2011 via Raster-Noton label.
Revep is the third collaboration record between Japanese composer Ryuichi Sakamoto and German electronic artist Carsten Nicolai. This EP continues the series titled the Virus Series. The EP was released on 23 May 2006 via Raster-Noton label.
"Glass" is an improvisational piece composed by Ryuichi Sakamoto and Carsten Nicolai, known by his stage name as Alva Noto, for Yayoi Kusama's installation Dots Obsession—Alive, Seeking for Eternal Hope, which ran in September 2016 at Philip Johnson's Glass House. A film of the performance was uploaded to the Glass House's official Vimeo account and website on November 11, 2016, and an audio recording of the 37-minute composition was released as an album on Nicolai's label NOTON on February 16, 2018. "Glass" is an unconventional ambient piece that uses sounds from a keyboard, glass-made singing bowls, and digital processing of the House's glass walls. The composition consists of developing layers of sounds performed over a single drone. It was praised by many professional reviewers as a display of Sakamoto and Nicolai's growing artistry.
