Vaishnavi Sundar

Last updated

Vaishnavi Sundar
Vaishnavisundar.png
Vaishnavi in Chennai
NationalityIndian
Occupation(s)Filmmaker, activist
Years active2008–present

Vaishnavi Sundar is an Indian independent filmmaker and activist.

Contents

Her films have faced protests against transphobia, and she said screenings had been cancelled as a result. [1]

Early life

Vaishnavi was born in Avadi, a suburb in the state of Tamil Nadu. She did her schooling there and went on to getting her bachelor's degree in commerce at Ethiraj College for Women, Chennai. She did her post-graduation in business administration from Anna University in Chennai.

Vaishnavi started out with acting under Theatre Nisha, a Chennai-based centre of drama. [2]

Career

As an actress

Vaishnavi initiated her acting career in association with Theatre Nisha. In the course of 7 years she has acted in a variety of plays viz., The Pregnant King, The Red Queens of the Black Night, Siri Sampige, The Particle Collider and Fire and the Rain etc. [3] In the later years, she directed four plays – To Write my Epitaph [4] , The Lilac Ticket, A Beautiful Mind and Chitrangada (A Monologue). Of the four, she wrote and produced A Beautiful Mind and Chitrangada, herself. Vaishnavi has also performed at the prestigious Soorya festival and at Rangashankara's Sampriti Festival. [5] [6]

As a voice artist, her work appeared in regionally hosted television series, including Nickelodeon cartoons Ninja Hattori , Perman and a Korean feature film Tidal Wave (2009) .

As a filmmaker

Vaishnavi began her filmmaking career in 2014 when she made her debut film Pava [7] , a story about the metamorphosis of the relationship between a young girl and a barber. Her second film, The Catalyst [8] came in 2015. [9] The film was inspired by the story 'Taxi Driver' written by the Indian writer Kartar Singh Duggal. [10] Vaishnavi has conducted many workshops [11] [12] on the topic and she has also written at length about the process of finishing the film by making all the resources available for free, in the film's website. [13] During August 2015, she directed a documentary on Palaeontology titled Unearthing The Treasures of Ariyalur. [14] This project focused on the fossils discovered in Ariyalur, a small village in Tamil Nadu. [15] During a short trip to Gangtok, Sikkim, Vaishnavi made a short documentary on the life of a female traffic cop by name Anju Chetri and called it Aage Jake Left. The film focuses on the Northeastern Indian women's admirable grit. [16]

Her film, But what was she wearing, is a documentary on workplace sexual harassment in India which examines the Sexual Harassment at Workplace Act of 2013, and "juxtaposes the expectations and realities of seeking redressal" for such crimes under this Act. [17] The film has received reviews from leading media outlets including The News Minute, [18] Scroll, [19] Newslaundry, [20] The Quint, [21] Silverscreen.in, [22] Vikatan, [23] Theekathir [24] and Indian Express [25] to name a few. The film has since been screened in five cities including Chennai, Hyderabad, Pune, Mumbai

In January 2021, she conceived, directed and edited a four-part documentary series during COVID lockdown called: Dysphoric: Fleeing Womanhood Like a House on Fire made entirely via video conferencing software.

As a writer

Vaishnavi is a published writer and has written on diverse topics themed under films, feminism and the epoch of social justice community in India. Starting from the intersection of feminist ideology and filmmaking, Vaishnavi has written articles that have been published on platforms like Women's Voices Now [26] and, The Hindu. [27] For other topics related to women's issues, she is a regular freelancing contributor to TheNewsminute, [28] Scroll, [29] The Ladies Finger, [30] Firstpost, [31] The Swaddle, [32] Provoke Magazine, [33] Worldpulse [34] Silverscree.in, [35] Ozy [36] etc.

As a curator, speaker and adjudicator

During March 2016, Vaishnavi spoke on progressive filmmaking, as a mentor in Vital Voices Global Mentoring Walk – Chennai Chapter [37] . Later, she was invited as a speaker at a major conference on alternative cinema: marketing, promotion & release organised by Indiearth Xchange. [38] She was also an adjudicator for Women's Voices Now- a US-based platform advocating for women's rights through films and has curated various International film festivals across the country, involving a special package of films made by women. The recent ones were in Madurai [39] and Chennai. [40] In November 2017, Vaishnavi was invited as a Springboard Sessions Speaker at Samagra 2017, an annual event organised by the Melton Foundation at the BMS College of Engineering. She periodically guest lectures at premier educational institutions like the IIT Madras on Cinema, Feminism and equality. In November 2018, Vaishnavi was invited by Gender at Work to speak as a panelist on "Bridging the Gender Gap at Workplace", [41] held at Goethe Zentrum, Hyderabad. The Rotract Club of Women's Christian College, Chennai invited Vaishnavi as a panelist for their event, Stree Suraksha where she opined on "Relationship between media culture and sexual harassment." The All India Democratic Women's Association frequently invites Vaishnavi to speak at various grassroots events across Tamil Nadu. She also serves as a speaker and adjudicator of a variety of online events, film festivals regularly.

As an activist

Vaishnavi's work as a feminist activist started from a campaign she initiated against a Tamil magazine which described women's leggings as "obscene", on social media with the trending hashtag #OurClothesOurChoice which eventually compelled them to take-down the online version of the magazine.[ citation needed ] Her next noticeable work involves a campaign against the glorification of crimes against women in Tamil cinema. Along with Iswarya, a Chennai-based researcher, Vaishnavi participated in discussions at various place and also produced a video stressing on its dangers, asking people to boycott films that glorify stalking and male violence against women. [42] [ failed verification ]

Reproductive rights in India draw in her most recent work, which includes advocating for emergency contraceptive pills to be available over-the-counter in the state of Tamil Nadu. The ban of over-the-counter ECP has been in place for 10 years[ as of? ] and her petition requesting the government to lift the ban went viral which so far has received more than 1500 signatures. [43] For this, she won a story award by World Pulse. [44]

In November 2017, Vaishnavi was invited by Al Jazeera to be in a panel discussing controversial Bollywood film Padmavati. Vaishnavi put forth her arguments about the need for a recourse that looks into real issues like poverty, rape and a dearth of safe space for women in India, rather than glorify fringe elements that vandalise and murder in the name of Indian culture. This was broadcast live from Washington DC by The Stream, a social media community with its own daily TV show on Al Jazeera English. [45]

Through her film, But What Was She Wearing? which touches upon the rampant sexual harassment of women in the unorganised sectors such as construction and farm labour, highlighting a lack of structure for redressal that one finds in larger corporate firms, she endeavoured to educate (through collaborations with organisations and NGO) women about their rights by screening the film in small towns of India. Through this film, Vaishnavi's team hopes to get the attention of policy-makers and force amendments in the Sexual Harassment of Women at Workplace (Prevention, Prohibition and Redressal) Act, 2013, in order to make the law more potent and practical, instead of the toothless paper-legislation that it is today. The film is already scheduled to screen in multiple colleges in India as part of the sensitisation program in these educational institutes.[ citation needed ] Since the first screening of the film in Chennai, many corporate heads[ who? ] have approached the team to screen the film at their workplace for their employees.

Transgender people

Vaishnavi is now[ when? ] advocating "sex-based rights"[ citation needed ] in collaboration with the Women's Declaration International (WDI), an anti-transgender group. [46]

Her 2021 film: Dysphoric: Fleeing Womanhood Like a House on Fire is a four-part documentary series on "gender identity ideology", [47] and she said screenings of the film have been cancelled following allegations of transphobia. [1] [48] [49]

Other activities

Women Making Films is a recently launched website founded by Vaishnavi. A product of her feminist activism and approach towards cinema and an attempt to condemn the blatant gender disparity in the film industry. It was established on the notion that there was no community in India empowering women filmmakers. [50] The forum is dedicated to establishing an appreciable connectivity among women filmmakers within India as well as the world. This not-for-profit community was built to create an online campus for the promotion of female filmmakers, their works etc. through blogs, workshops and mentorship programs and many more such avenues. [51] [52] [53]

In the course of one year since its launch, this website has gathered a vast number of popular and influential women working in Indian and world cinema in its members list including Debalina Majumdar, Annupamaa, Iram Parveen Bilal, Revathy S. Varmha and Beena Sarwar. Along with a group of ground-breaking articles on the subject of cinema and tabooed aspects of society, Vaishnavi has also interviewed artists like Tannishtha Chatterjee, Megha Ramaswamy, Rajshri Deshpande, Anuradha Menon and Nina Paley. Through the platform of Women Making Films Vaishnavi has collaborated with various educational and film organisations like Goethe Institut, LaGuardia Community College and Satyajit Ray Film and Television Institute and conducted film festivals and screenings. The community's most successful event, The First Festival was an attempt to screen films made by women all over India [54] and it is the only such event in which 15 films made by women from 7 countries were screened in 10 cities all over India. [55] The First Festival was also widely appreciated and talked about by the media. [56] [57] [58] It also generated discussions about sexism and sex-based discrimination with filmmaking, in all the places it was conducted. [59] The First Festival brought together a number of collaborators who offered to screen films in their premises and came on to become the initial developing ground for Vaishnavi's organisation. [60] Women Making Films has an ongoing event calendar with curated screenings, film festivals and focussed workshops throughout the year.

Women Making Films continues to be the voice of female filmmakers from around the world, with members from more than 19 countries, and 32 unique departments that they are an expert in.

Theatre

YearNameLanguageRole
2010The Pregnant KingEnglishActress
2010Red Queens of the Dark NightEnglishActress
2011ShadjamEnglishActress
2011MathemagicianEnglishActress
2012ShadjamEnglishActress
2013The Brave Tin SoldierEnglishActress
2013The Little Match GirlEnglishActress
2013The Fire and the RainEnglishActress
2013The Lilac TicketEnglishDirector
2013The Particle ColliderEnglishActress
2013Romancing Guy Maupassant in IndiaEnglishActress
2013The fire and the rainEnglishActress
2014Siri SampigeEnglishActress
2014Late for schoolEnglishActress
2014To Write My EpitaphEnglishDirector
2014Solladi Siva saktiTamilActress
2016ChitrangadhaEnglishWriter, actress

Filmography

YearNameLanguageRole
2010Naanum oru penn (I'm a woman too)TamilActress
2010Home Sweet HomeTamilActress
2011UnsweetenedTamilActress
2013The impossibility of dialogueHindiActress
2014PAVATamil, MalayalamWriter, director
2014Vela TaaraluTeluguAssistant director
2014Objection over ruledTamilActress
2014Urban DisplacementEnglishActress
2014DwarakaHindiActress
2014SamyuktamTeeuguAssistant director
2014Dream A DreamKannadaAssistant director
2015The CatalystKannadaWriter, director
2016Unearthing the Treasures of AriyalurEnglishDirector
2016MarupadiMalayalamActress
2017Aage Jake LeftHindiDirector, cinematographer, editor
2018To what end?English/TamilDirector, executive producer
2018But What Was She Wearing?MultipleDirector, executive producer
2018Jackal's WombNADirector, executive producer
2019The SealEnglish/HindiProducer
2021Dysphoric: Fleeing Womanhood Like a House on Fire [61] [62] [63] EnglishDirector, producer, editor
2024Behind the Looking GlassEnglishDirector, producer, editor
TBAMuted WailsEnglishWriter, actor, producer

Festivals and screenings

Behind the Looking Glass

Dysphoric: Fleeing Womanhood Like a House on Fire

But What Was She Wearing?

To What End?

Aage Jake Left

Unearthing The Treasures Of Ariyalur

The Catalyst

Pava

See also

Related Research Articles

<i>Jeans</i> (film) 1998 film directed by S. Shankar

Jeans is a 1998 Indian Tamil-language romantic comedy film directed by S. Shankar, and produced by Ashok Amritraj and Murali Manohar. The film stars Prashanth and Aishwarya Rai, while Lakshmi, Radhika Sarathkumar, Nassar, Senthil and Raju Sundaram play supporting roles. The background score and soundtrack were composed by A. R. Rahman, while Ashok Kumar and the duo B. Lenin and V. T. Vijayan handled the cinematography and editing, respectively.

<span class="mw-page-title-main">Khushbu Sundar</span> Indian politician, actress and film producer (born 1970)

Khushbu Sundar is an Indian politician, actress, film producer and television personality. She is known for her work predominantly in Tamil language films and in a few Telugu, Malayalam, Kannada and Hindi films. She has appeared in over 185 films, and has won three Tamil Nadu State Film Awards, two Cinema Express Awards, a Kalaimamani Award and a Kerala State Film Award.

<span class="mw-page-title-main">Andrea Jeremiah</span> Indian actress

Andrea Maria Jeremiah, known professionally as Andrea Jeremiah, is an Indian actress and playback singer who works predominantly in Tamil and Malayalam films. She is a recipient of several awards including nominations for four Filmfare Awards South.

<span class="mw-page-title-main">Sharmeen Obaid-Chinoy</span> Pakistani filmmaker and journalist (born 1978)

Sharmeen Obaid-Chinoy is a Canadian-Pakistani journalist, filmmaker and political activist known for her work in films that highlight gender inequality against women.

<span class="mw-page-title-main">Anjali Menon</span> Indian film director and screenwriter

Anjali Menon is an Indian film director and screenwriter who predominantly works in Malayalam cinema. Anjali has won international, national and state awards for her work and is best known for her feature films Manjadikuru,Kerala Cafe(Happy Journey),Ustad Hotel, Bangalore Days, Koode and Wonder Women. She is counted among the change agents in Indian cinema whose work gets attention from the audience and the critics.

Alarmel Valli is an Indian classical dancer and Bharatanatyam-Pandanallur choreographer.

<span class="mw-page-title-main">Leena Manimekalai</span> Film maker, poet, and actor

Leena Manimekalai is an Indian filmmaker, poet and an actor. Her works include five published poetry anthologies and several films in genres, documentary, fiction and experimental poem films. She has been recognised with participation, mentions and best film awards in many international and national film festivals.

Aarti Shrivastava is a national award-winning Indian documentary filmmaker and Asia 21 IPRYLI Fellow based in Mumbai.

Chennai has LGBTQIA cultures that are diverse concerning- socio-economic class, gender, and degree of visibility and politicisation. They have historically existed in the margins and surfaced primarily in contexts such as transgender activism and HIV prevention initiatives for men having sex with men (MSM) and trans women (TG).

<span class="mw-page-title-main">Biswanath Rath</span> Indian film director, screenwriter, editor and producer

Biswanath Rath is an Indian film director, screenwriter, editor and producer. His films have received a total of 530 recognition/awards in various International Film Festivals across the globe. He is the Odia filmmaker to achieve the milestone of winning 500 film festival accolades which includes 118 awards. He is the founder of production company BnR Films LLP.

<span class="mw-page-title-main">Cassie Jaye</span> American film director

Cassie Jaye is an American film director, best known for directing the 2016 documentary film The Red Pill about the men's rights movement.

Thulasi Ekanandam also known as Thulasi Helen, is an Indian amateur boxer from Chennai who won her first gold medal at the 23rd YMCA Boxing Championship in New Delhi in 2000 in the 42 kg-44 kg weight category. She is sometimes known as “The Lady Muhammad Ali of India” because of her rapid footwork and stinging punches.

<span class="mw-page-title-main">Nanfu Wang</span> Chinese-born American filmmaker (b. 1985)

Nanfu Wang is a Chinese-born American filmmaker. Her debut film Hooligan Sparrow premiered at the 2016 Sundance Film Festival and was shortlisted for the Academy Award for Best Documentary Feature in 2017. Her second film, I Am Another You, premiered at SXSW Film Festival in 2017 and won two special jury awards, and her third film, One Child Nation, won the Grand Jury Prize for Documentary Feature at the 2019 Sundance Film Festival. Wang is the recipient of a 2021 Vilcek Prize for Creative Promise in Filmmaking, from the Vilcek Foundation.

Bachelor Girls is a 2016 English-language Indian documentary, exposing the stigma faced by the single woman in the modern Indian city of Mumbai. . It is directed by filmmaker Shikha Makan. She is a psychology graduate from Delhi University, former radio jockey and theatre artist.

<i>Azmaish: A Journey Through the Subcontinent</i> 2017 Pakistani film

Azmaish: A Journey Through the Subcontinent, alternatively known as Azmaish: Trials of Life is a 2017 independent documentary film directed by Sabiha Sumar. A Pakistani-Indian co-production, it was produced by Sathananthan Sachithanandam of the Vidhi Films, and follows Sumar and Kalki Koechlin's journey through various parts of India and Pakistan, and their exploration of the relations between the two countries and their contemporary political and sociocultural scenarios.

<span class="mw-page-title-main">Vibha Bakshi</span> Indian filmmaker and journalist

Vibha Bakshi is an Indian filmmaker, journalist, and founder of Responsible Films. She is known for her films that highlight issues of gender inequality. Vibha's most notable films as both director and producer include Daughters of Mother India and Son Rise. Both films are winners of the National Film Awards from the President of India. She is the recipient of four National Film Awards from the President of India.

<span class="mw-page-title-main">Alex Sangha</span> Canadian social worker and documentary film producer

Alex Sangha is a Canadian social worker and documentary film producer. He is the founder of Sher Vancouver which is a registered charity for lesbian, gay, bisexual, transgender, queer, and intersex (LGBTQI+) South Asians and their friends. Sangha was the first Sikh to become a Grand Marshal of the Vancouver Pride Parade. Sangha received the Meritorious Service Medal from Governor General Julie Payette in 2018 for his work founding Sher Vancouver. Sangha's first short documentary film, My Name Was January, won 14 awards and garnered 66 official selections at film festivals around the world. Sangha's debut feature documentary, Emergence: Out of the Shadows, was an official selection at Out on Film in Atlanta, Image+Nation in Montreal, and Reelworld in Toronto. The film was the closing night film at both the South Asian Film Festival of Montreal and the Vancouver International South Asian Film Festival where it picked up Best Documentary. Emergence: Out of the Shadows also had a double festival premiere at the KASHISH Mumbai International Queer Film Festival and the Mumbai International Film Festival during the same week, where it was in competition at both film festivals for Best Documentary. The film also had an in-person and online screening at the 46th annual Frameline: San Francisco International LGBTQ+ Film Festival which is "the longest-running, largest and most widely recognized LGBTQ+ film exhibition event in the world."

<span class="mw-page-title-main">Akanksha Damini Joshi</span> Indian filmmaker

Akanksha Damini Joshi is an Indian filmmaker, cinematographer, photographer and a meditation facilitator.

Bita Elahian (Alahyan) (Persian: بیتا الهیان), is an Iranian-American filmmaker and actress who lives in Los Angeles, California. She studied filmmaking at the New York Film Academy (NYFA). Elahian has received various awards for her directing in drama films. She is a member of Women in Film LA and New York Women in Film & Television.

Malini Jeevarathnam is an Indian documentary film director, who primarily works in Tamil Nadu. They are known for their acting and documentary work on LGBTQ+ issues.

References

  1. 1 2 "Vaishnavi Sundar: Gecancelt vom Mainstream". Die Tagespost. Archived from the original on 19 December 2021. Retrieved 19 December 2021.
  2. ↑ Gopalakrishnan, Aswathy (14 March 2017). "Long Road To A Level Playing Field: Interview With Filmmaker Vaishnavi Sundar – Silverscreen.in". Silverscreen.in. Archived from the original on 6 August 2024. Retrieved 22 May 2017.
  3. ↑ "A spotlight for 10 minutes". Archived from the original on 3 December 2013. Retrieved 4 September 2016.
  4. ↑ "To Write my Epitaph". Alliance Française of Madras. Archived from the original on 18 April 2017. Retrieved 17 April 2017.
  5. ↑ "Above and beyond". The Hindu. 5 November 2013. ISSN   0971-751X. Archived from the original on 9 November 2013. Retrieved 5 September 2016.
  6. ↑ "Theatre Nisha". Theatre Nisha. Archived from the original on 4 September 2016. Retrieved 5 September 2016.
  7. ↑ "PAVA a short film by Vaishnavi Sundar" . Retrieved 5 September 2016– via Vimeo.
  8. ↑ "Video on The Catalyst". The Catalyst. Archived from the original on 6 August 2024. Retrieved 5 September 2016.
  9. ↑ "Auto Driver Focus of Experimental Film". Archived from the original on 1 December 2015. Retrieved 4 September 2016.
  10. ↑ "Art, against all odds". The Hindu. 31 July 2015. ISSN   0971-751X. Archived from the original on 26 March 2020. Retrieved 5 September 2016.
  11. ↑ "Two-day workshop for women filmmakers in city". The Times of India . 29 February 2016. Archived from the original on 16 September 2016. Retrieved 5 September 2016.
  12. ↑ "Crowd Funding Workshop for Budding Filmmakers – Eclectic Northeast". eclecticnortheast.in. Archived from the original on 15 September 2016. Retrieved 5 September 2016.
  13. ↑ "Blog". 26 February 2015. Archived from the original on 6 August 2024. Retrieved 5 September 2016.
  14. ↑ "Unearthing The Treasures Of Ariyalur – A Documentary". Nirmukta. 29 January 2016. Archived from the original on 10 July 2016. Retrieved 5 September 2016.
  15. ↑ "Documenting a tale from the paleo-age". DT Next . 21 February 2016. Archived from the original on 17 September 2016. Retrieved 5 September 2016.
  16. ↑ "Long Road To A Level Playing Field". Archived from the original on 6 August 2024. Retrieved 18 August 2019.
  17. ↑ "This Upcoming Film Will Help Us Understand What Happens After Cases of Workplace Sexual Harassment are Filed – The Ladies FingerThe Ladies Finger". theladiesfinger.com. 30 March 2017. Archived from the original on 8 February 2023. Retrieved 17 April 2017.
  18. ↑ "'But What Was She Wearing?': Must watch film on workplace sexual harassment". The News Minute. 9 October 2018. Archived from the original on 30 November 2018. Retrieved 30 November 2018.
  19. ↑ Nathan, Archana. "Documentary 'But What Was She Wearing' delves into the efficacy of sexual harassment laws in India". Scroll.in. Archived from the original on 4 November 2018. Retrieved 30 November 2018.
  20. ↑ "Sabki Dhulai". Newslaundry. Archived from the original on 26 March 2020. Retrieved 30 November 2018.
  21. ↑ "'But What Was She Wearing' Couldn't Have Come at a Better Time". The Quint. Archived from the original on 30 November 2018. Retrieved 30 November 2018.
  22. ↑ "Vaishnavi Sundar's 'But What Was She Wearing?' Is A Powerful Documentary On Workplace Harassment". Silverscreen.in. 15 October 2018. Archived from the original on 6 August 2024. Retrieved 30 November 2018.
  23. ↑ "'சாமானியப் பெண்களின் குரல் இந்தப் படத்தில் ஒலிக்கும்!' – ஆவணப்பட இயக்குநர் வைஷ்ணவி | but what was she wearing was the documentary directed by vaishnavi sundar speaks of workplace harassment". vikatan.com (in Tamil). 29 October 2018. Archived from the original on 30 November 2018. Retrieved 30 November 2018.
  24. ↑ "வேட்டை நாய் போல அவள் முன்னே ஓடிச் செல்லும் நிழல்… – ஜி.செல்வா". தீக்கதிர். 19 November 2018. Archived from the original on 30 November 2018. Retrieved 30 November 2018.
  25. ↑ "Building the Narrative". The Indian Express. 26 October 2018. Archived from the original on 30 November 2018. Retrieved 30 November 2018.
  26. ↑ "Community and Sisterhood". thewvoice.com. Archived from the original on 26 March 2020. Retrieved 17 April 2017.
  27. ↑ "Vaishnavi Sundar – thRead". The Hindu. Archived from the original on 26 March 2020. Retrieved 17 April 2017.
  28. ↑ "Articles by Vaishnavi Sundar". The News Minute. Archived from the original on 18 April 2017. Retrieved 17 April 2017.
  29. ↑ "Vaishnavi Sundar | Scroll.in". scroll.in. 26 September 2016. Archived from the original on 6 August 2024. Retrieved 17 April 2017.
  30. ↑ "You searched for vaishnavi sundar – The Ladies Finger". The Ladies Finger. Archived from the original on 18 April 2017. Retrieved 17 April 2017.
  31. ↑ "Commitment to feminism". Archived from the original on 18 August 2019. Retrieved 18 August 2019.
  32. ↑ "Reinventing Horror Cinema". Archived from the original on 18 August 2019. Retrieved 18 August 2019.
  33. ↑ "The Tree Of Abuse". Archived from the original on 18 August 2019. Retrieved 18 August 2019.
  34. ↑ "Lifting The Ban On Emergency Contraceptives". 14 February 2017. Archived from the original on 18 August 2019. Retrieved 18 August 2019.
  35. ↑ Sundar, Vaishnavi (8 September 2019). "Why Women Must Make Bad Films For The Next 50 Years". Silverscreen.in. Archived from the original on 11 October 2019. Retrieved 11 October 2019.
  36. ↑ "Only Let Women Direct Superhero Films". 6 February 2020. Archived from the original on 23 February 2020. Retrieved 23 February 2020.
  37. ↑ "Vital Voices Global Mentoring Walk". WMF. Archived from the original on 18 April 2017. Retrieved 17 April 2017.
  38. ↑ "Conference Day 1 – IndiEarth XChange 2016". xchange.indiearth.com. Retrieved 17 April 2017.[ permanent dead link ]
  39. ↑ RP, Amudhan (18 November 2016). "18th Madurai Film Festival 2016 : Women Making Films" . Retrieved 17 April 2017.
  40. ↑ "5th Chennai Film Festival 2017 : Special Package # 1 – Women Making Films" . Retrieved 17 April 2017.
  41. ↑ "Why gender gap at workplace?". The Hans India. 17 November 2018. Archived from the original on 6 August 2024. Retrieved 30 November 2018.
  42. ↑ "Activism is my Art: Vaishnavi Sundar". Deccan Chronicle. 4 November 2016. Archived from the original on 18 April 2017. Retrieved 17 April 2017.
  43. ↑ "Petition on 'ban' of emergency birth control in TN goes viral". dtNext.in. 9 October 2016. Archived from the original on 17 April 2017. Retrieved 17 April 2017.
  44. ↑ "INDIA: Lifting the Ban on Emergency Contraceptives | World Pulse". World Pulse. 14 February 2017. Archived from the original on 17 May 2017. Retrieved 17 April 2017.
  45. ↑ "Why is a Bollywood film sparking threats of violence?". The Stream – Al Jazeera English. 28 November 2017. Archived from the original on 4 December 2017. Retrieved 17 December 2017.
  46. ↑ "'Rights aren't a competition': Anti-trans hate is on the rise in Canada, activists and advocates say". CTV News. Archived from the original on 29 November 2021. Retrieved 4 December 2021.
  47. ↑ "Vaishnavi Sundar". Object Now. Archived from the original on 19 December 2021. Retrieved 19 December 2021.
  48. ↑ "Indian filmmaker Vaishnavi Sundar made a film about sexual harassment, then got cancelled by liberal feminists". Feminist Current. 25 March 2020. Archived from the original on 19 December 2021. Retrieved 19 December 2021.
  49. ↑ "I was cancelled for my tweets on transgenderism". Spiked-Online. Archived from the original on 19 December 2021. Retrieved 19 December 2021.
  50. ↑ "Women Making Films: A Platform Linking Indian Women Filmmakers". Archived from the original on 14 September 2016. Retrieved 5 September 2016.
  51. ↑ "Reel It In". 8 September 2015. Archived from the original on 19 September 2016. Retrieved 5 September 2016.
  52. ↑ "Muffled Voices Get a Mouthpiece". Archived from the original on 9 September 2015. Retrieved 4 September 2016.
  53. ↑ Prateek (25 February 2016). "Films and Feminism: The Melange of Progress". Nirmukta. Archived from the original on 14 September 2016. Retrieved 4 September 2016.
  54. ↑ "Women Filmmakers Only". Archived from the original on 6 October 2015. Retrieved 5 September 2016.
  55. ↑ "Fest of Films Made by Women from Tomorrow". Archived from the original on 18 November 2015. Retrieved 4 September 2016.
  56. ↑ "By women, for women". 2 September 2015. Archived from the original on 11 October 2016. Retrieved 5 September 2016.
  57. ↑ "Launched – 'Women Making Films', An Initiative To Promote Women Filmmakers! – Jamuura Blog". 18 September 2015. Archived from the original on 16 September 2016. Retrieved 4 September 2016.
  58. ↑ "Tvm to host fest of Women-madefilms". The Times of India . September 2015. Archived from the original on 28 September 2015. Retrieved 4 September 2016.
  59. ↑ "The reel life of women". The Hindu. 16 September 2015. ISSN   0971-751X . Retrieved 5 September 2016.
  60. ↑ "Departing From the Usual". Archived from the original on 19 November 2015. Retrieved 5 September 2016.
  61. ↑ "Dysphoric – A four part documentary on the rise of 'gender identity' ideology". Asiaville. 30 January 2021. Archived from the original on 6 August 2024. Retrieved 1 April 2021.
  62. ↑ "Vaishnavi Sundar Talks About Her Latest Film 'Dysphoric – Fleeing womanhood like a house on fire". Rumble . WHRC. 21 February 2021. Archived from the original on 1 April 2021. Retrieved 1 April 2021.
  63. ↑ "Dysphorique : fuir la féminité comme une maison en feu (par Vaishnavi Sundar)" [Dysphoric: fleeing from womanhood like a house on fire (by Vaishnavi Sundar)]. Le Partage (in French). 28 February 2021. Archived from the original on 1 April 2021. Retrieved 1 April 2021.
  64. ↑ "Behind the Looking Glass - World Premiere" . Retrieved 27 August 2024– via YouTube.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.