Ventana al Pacifico | |
---|---|
English: Window on the Pacific | |
Artist | Manuel Neri |
Year | 1989 |
Type | Sculpture |
Medium | Marble |
Condition | "Well maintained" (1993) |
Location | Portland, Oregon, United States |
45°30′59″N122°40′50″W / 45.516422°N 122.680497°W |
Ventana al Pacifico ("Window on the Pacific" in English) is an outdoor 1989 marble sculpture by Manuel Neri, located outside of the Gus J. Solomon United States Courthouse in downtown Portland, Oregon.
Ventana al Pacifico was designed by Manuel Neri and dedicated in April 1989, [1] having been commissioned by the General Services Administration in 1987. [2] [3] It was installed east of the main entrance to the Gus J. Solomon United States Courthouse, near the intersection of Southwest 6th and Southwest Main Street. [4]
The work was surveyed and considered "well maintained" by the Smithsonian's "Save Outdoor Sculpture!" program in October 1993. It was co-administered by General Services Administration departments in both Portland and Washington, D.C. at that time. [1]
The modern figurative sculpture is made from white Carrara marble and measures approximately 98 inches (2.5 m) x 74 inches (1.9 m) x 30 inches (0.76 m). [1] [4] The Smithsonian Institution categorizes the sculpture as an abstract relief and describes it as the following: "Vertical slab with figures in high-relief. On the east side there is a female figure emerging from the stone, on the west side there are two androgynous like figures facing each other." [1]
Accompanying the sculpture is a plaque which reads: MANUEL NERI / "Ventana al Pacifico" / 1989 / Commissioned Under the / Art-in-Architecture Program / General Services Administration / United States of America. [1]
Manuel John Neri Jr. was an American sculptor who is recognized for his life-size figurative sculptures in plaster, bronze, and marble. In Neri's work with the figure, he conveys an emotional inner state that is revealed through body language and gesture. Since 1965 his studio was in Benicia, California; in 1981 he purchased a studio in Carrara, Italy, for working in marble. Over four decades, beginning in the early 1970s, Neri worked primarily with the same model, Mary Julia Klimenko, creating drawings and sculptures that merge contemporary concerns with Modernist sculptural forms.
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