The section beginning Credendum est, with its pejorative reference to the Jews, was deleted in the 1570 missal, which also replaced praecedet suos (his own) with praecedet vos (you), and added "Amen" and "Alleluia" to the end.
Text
Latin
Victimae paschali laudes immolent Christiani.
Agnus redemit oves: Christus innocens Patri reconciliavit peccatores.
Mors et vita duello conflixere mirando: dux vitae mortuus, regnat vivus.
Dic nobis Maria, quid vidisti in via?
Sepulcrum Christi viventis, et gloriam vidi resurgentis
Angelicos testes, sudarium, et vestes.
Surrexit Christus spes mea: praecedet suos [vos] in Galilaeam.
[Credendum est magis soli Mariae veraci Quam Judaeorum Turbae fallaci.]
Scimus Christum surrexisse a mortuis vere: tu nobis, victor Rex, miserere. [Amen.] [Alleluia.]
English (literal)
Let Christians offer sacrificial praises to the passover victim.
The lamb has redeemed the sheep: The Innocent Christ has reconciled the sinners to the Father.
Death and life contended in a spectacular battle: the dead leader of life reigns alive.
Tell us, Mary, what did you see on the way?
"I saw the tomb of the living Christ and the glory of his rising,
The angelic witnesses, the shroud, and the clothes."
"Christ my hope is arisen; he will go before his own [you] into Galilee."
[More to be believed is truthful Mary by herself than the deceitful crowd of the Jews.]
We know Christ is truly risen from the dead! On us, you conqueror, King, have mercy! Amen. [Alleluia.]
This metric paraphrase is commonly sung to various tunes, including VICTIMAE PASCHALI, ST GEORGE'S WINDSOR, or, with alleluias, to EASTER HYMN or LLANFAIR.[4][5]
Christ the Lord is risen today; Christians, haste your vows to pay; Offer ye your praises meet At the Paschal Victim's feet. For the sheep the Lamb hath bled, Sinless in the sinner's stead; "Christ is risen," today we cry; Now He lives no more to die.
Christ, the victim undefiled, Man to God hath reconciled; Whilst in strange and awful strife Met together Death and Life: Christians, on this happy day Haste with joy your vows to pay; "Christ is risen," today we cry; Now He lives no more to die.
Say, O wondering Mary, say, what thou sawest on thy way. 'I beheld, where Christ had lain, empty tomb and angels twain, I beheld the glory bright of the rising Lord of light; Christ my hope is risen again; now he lives, and lives to reign.'
Christ, who once for sinners bled, Now the first born from the dead, Throned in endless might and power, Lives and reigns forevermore. Hail, eternal Hope on high! Hail, Thou King of victory! Hail, Thou Prince of life adored! Help and save us, gracious Lord.
Musical settings
The French composer Jehan Revert[fr] composed a setting for four-part choir and organ.
The Tridentine Mass, also known as the Traditional Latin Mass or the Traditional Rite, is the liturgy in the Roman Missal of the Catholic Church codified in 1570 and published thereafter with amendments up to 1962. Celebrated almost exclusively in Ecclesiastical Latin, it was the most widely used Eucharistic liturgy in the world from its issuance in 1570 until the introduction of the Mass of Paul VI.
The Paschal Triduum or Easter Triduum, Holy Triduum, or the Three Days, is the period of three days that begins with the liturgy on the evening of Maundy Thursday, reaches its high point in the Easter Vigil, and closes with evening prayer on Easter Sunday. It is a moveable observance recalling the Passion, Crucifixion, Death, burial, and Resurrection of Jesus, as portrayed in the canonical Gospels.
The Octave of Easter is the eight-day period, or octave, that begins on Easter Sunday and ends with Second Sunday of Easter. It marks the beginning of Eastertide. The first seven of these eight days are also collectively known as Easter Week.
"Gloria in excelsis Deo" is a Christian hymn known also as the Greater Doxology and the Angelic Hymn/Hymn of the Angels. The name is often abbreviated to Gloria in Excelsis or simply Gloria.
Alleluia is a phrase in Christianity used to give praise to God. In Christian worship, Alleluia is used as a liturgical chant in which that word is combined with verses of scripture, usually from the Psalms. This chant is commonly used before the proclamation of the Gospel. In Western Christianity, congregations commonly cease using the word Alleluia during the period of Lent but restore it into their services at Easter. The form of praise "Alleluia" is used by Christians to thank and glorify God; it finds itself present in many prayers and hymns, especially those related to Eastertide, such as "Christ the Lord is Risen Today".
Eastertide or Paschaltide is a festal season in the liturgical year of Christianity that focuses on celebrating the Resurrection of Jesus Christ. Preceded by Lent, it begins on Easter Sunday, which initiates Easter Week in Western Christianity, and Bright Week in Eastern Christianity.
"Regina caeli" is a musical antiphon addressed to the Blessed Virgin Mary that is used in the liturgy of the Roman Rite of the Catholic Church during the Easter season, from Easter Sunday until Pentecost. During this season, it is the Marian antiphon that ends Compline and it takes the place of the traditional thrice-daily Angelus prayer.
In the Latin liturgical rites of the Catholic Church, a commemoration is the recital, within the Liturgy of the Hours or the Mass of one celebration, of part of another celebration that is generally of lower rank and impeded because of a coincidence of date.
The Deutsche Singmesse is a form of (Tridentine) Low Mass that developed in German-speaking countries.
A sequence is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year.
An Easter Drama is a liturgical drama or religious theatrical performance in the Roman Catholic tradition, largely limited to the Middle Ages. These performances evolved from celebrations of the liturgy to incorporate later dramatic and secular elements, and came to be performed in local languages. They were succeeded by the Passion Plays.
The Mass is the central liturgical service of the Eucharist in the Catholic Church, in which bread and wine are consecrated and become the body and blood of Christ. As defined by the Church at the Council of Trent, in the Mass "the same Christ who offered himself once in a bloody manner on the altar of the cross, is present and offered in an unbloody manner". The Church describes the Mass as the "source and summit of the Christian life", and teaches that the Mass is a sacrifice, in which the sacramental bread and wine, through consecration by an ordained priest, become the sacrificial body, blood, soul, and divinity of Christ as the sacrifice on Calvary made truly present once again on the altar. The Catholic Church permits only baptised members in the state of grace to receive Christ in the Eucharist.
"Lauda Sion" is a sequence prescribed for the Roman Catholic Mass for the feast of Corpus Christi. It was written by St. Thomas Aquinas around 1264, at the request of Pope Urban IV for the new Mass of this feast, along with Pange lingua, Sacris solemniis, and Verbum supernum prodiens, which are used in the Divine Office.
In Eastern and Western Christian liturgical practice, the elevation is a ritual raising of the consecrated Sacred Body and Blood of Christ during the celebration of the Eucharist. The term is applied especially to that by which, in the Catholic Roman Rite of Mass, the Sacred Body of Christ (Host) and the chalice containing the Most Precious Blood of Christ are each lifted up and shown to the congregation immediately after each is consecrated. The term may also refer to a musical work played or sung at that time.
The Second Sunday of Easter is the day that occurs seven days after the Christian celebration of Easter. Those churches which give special significance to this day recognize it by various names. In the Catholic Church, this day is generally known as Divine Mercy Sunday. Across Western Christianity more broadly, this day is also known as the Octave Day of Easter, White Sunday, QuasimodoSunday, Bright Sunday, and Low Sunday. In Eastern Christianity, this day is known as Antipascha, New Sunday, and Thomas Sunday.
"Christ ist erstanden" is a German Easter hymn, and is possibly the oldest Christian liturgical German song. It has inspired the music of numerous composers, such as Ludwig Senfl and Heinrich Schütz, as well as modern composers such as Oskar Gottlieb Blarr and Enjott Schneider, and has appeared in 45 hymnals, including the current German Catholic and Protestant hymnals. Translations and paraphrases include a version by Catherine Winkworth which has appeared in 231 hymnals. "Christ ist erstanden" also inspired Martin Luther to write "Christ lag in Todes Banden", deriving the melody from it.
"Christ the Lord Is Risen Again!" is a German Christian hymn published by Michael Weiße in 1531 based on an earlier German hymn of a very similar name. It was translated into English in 1858 by Catherine Winkworth.
"Christus ist erstanden! O tönt" is a Catholic hymn for Easter. It was written as a paraphrase of the Easter sequence Victimae paschali laudes, and appeared in 1816 by Johann Weinzierl. A melody was composed by Paul Schniebel in 1826. The first of six stanzas begins: Christus ist erstanden! O tönt, ihr Jubellieder, tönt!. The hymn is similar to Schubert's Deutsche Messe in its idea to provide singable hymns in German for the congregational.
Christ ist erstanden is a German Easter hymn and is possibly the oldest Christian liturgical German song.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
