The Violin Concerto No. 2 for violin and chamber orchestra is the second violin concerto by the Scottish composer James MacMillan. The work was composed in 2021 on a joint commission from the Dallas Symphony Orchestra, the Scottish Chamber Orchestra, the Swedish Chamber Orchestra, and the Adam Mickiewicz Institute. Its world premiere was given by the violinist Nicola Benedetti and the Scottish Chamber Orchestra conducted by Maxim Emelyanychev at the Perth Concert Hall on 28 September 2022. The piece is dedicated to Nicola Benedetti and in memoriam Krzysztof Penderecki. [1] [2]
The concerto is through-composed in a single movement lasting approximately 25 minutes. [1] MacMillan wrote the concerto while in lockdown from the COVID-19 pandemic, about which he remarked, "It seemed like a time when things tended to be more introverted. I suppose I turned inwards as well. Maybe that had an effect on the music." [3] The music was composed around three chords, from which MacMillan built a three-note theme that develops throughout the concerto. [1]
The work is scored for solo violin and a chamber orchestra consisting of two flutes (2nd doubling piccolo), two oboes, two clarinets (2nd doubling bass clarinet), bassoon, contrabassoon, two horns, two trumpets, timpani, and strings. [1]
The concerto has been generally praised by music critics. Reviewing the world premiere, Simon Thompson of The Sunday Times called the concerto "a radiant jewel of a piece that seemed to inhabit a multitude of human emotions while guiding the listener through them with luminous clarity." He added, "MacMillan builds his concerto from the three chords of its opening, chords that open up a universe of mysteriously infinite possibilities, and which launch 25 minutes of music that is by turns serene, adventurous and threatening." [4] Richard Sylvester Oliver of the Texas Classical Review similarly remarked, "MacMillan's eclectic musical language, marked by a firm emotional directness, is an elegant marriage of the modern and traditional, often spinning simple ideas into complex textures without sacrificing accessibility." [5]
Rowena Smith of The Guardian was slightly more critical, however, describing it as "an at times intensely discomfiting piece, the single-movement 25-minute span a journey through a dark landscape with the soloist cast in the role of traveller across an ever-shifting orchestral terrain." She concluded, "It is a work as intriguing and evocative as it is approachable, even if at first hearing the shift into the light in the closing bars doesn’t quite convince." [6]
Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s, she had shifted to a postmodernist, neoromantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich has served as the Francis Eppes Distinguished Professor at Florida State University.
Alban Berg's Violin Concerto was written in 1935. It is probably Berg's best-known and most frequently performed instrumental piece, in which the composer sought to reconcile diatonicism and dodecaphony. The work was commissioned by Louis Krasner, and dedicated by Berg to "the memory of an angel", Manon Gropius. It was the last work that Berg completed. Krasner performed the solo part in the premiere at the Palau de la Música Catalana, Barcelona, on 19 April 1936, after the composer's death.
Sir James Loy MacMillan, is a Scottish classical composer and conductor.
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Nicola Joy Nadia Benedetti is an Italian-Scottish classical solo violinist and festival director. Her ability was recognised when she was a child, including the award of BBC Young Musician of the Year when she was 16. She works with orchestras in Europe and America as well as with Alexei Grynyuk, her regular pianist. Since 2012, she has played the Gariel Stradivarius violin. She became the first woman to lead the Edinburgh International Festival when she was made Festival Director on 1 October 2022.
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The Percussion Concerto No. 2 is a concerto for solo percussion and orchestra by the Scottish composer James MacMillan. The work was jointly commissioned by the Netherlands Radio Philharmonic, the Philharmonia Orchestra, the Orchestre national du Capitole de Toulouse, the Cabrillo Festival of Contemporary Music, the Baltimore Symphony Orchestra, and the São Paulo State Symphony. It was first performed on November 7, 2014 at TivoliVredenburg in Utrecht, the Netherlands, by percussionist Colin Currie and the Netherlands Radio Philharmonic under conductor James Gaffigan. The composition is MacMillan's second percussion concerto after 1992's Veni, Veni, Emmanuel.
The Violin Concerto No. 1 is a composition for solo violin and orchestra by the Scottish composer James MacMillan. The piece was first performed at the Barbican Centre on May 12, 2010 by the violinist Vadim Repin and the London Symphony Orchestra under the conductor Valery Gergiev. The work is dedicated to Vadim Repin and in memoriam of the composer's mother, Ellen MacMillan.
The Concerto No. 3 for Piano and Orchestra "The Mysteries of Light" is the third piano concerto by the Scottish composer James MacMillan. The work was commissioned by the Minnesota Orchestra and was first performed on April 14, 2011 in Orchestra Hall, Minneapolis, by the pianist Jean-Yves Thibaudet and the Minnesota Orchestra under the conductor Osmo Vänskä.
Scottish composer James MacMillan composed his Viola Concerto in 2013. The work was jointly commissioned by the London Philharmonic Orchestra, the Lucerne Symphony Orchestra, the Bergen Philharmonic Orchestra, and the Adelaide Symphony Orchestra. Its world premiere was given by the violist Lawrence Power and the London Philharmonic Orchestra under the direction of Vladimir Jurowski in the Royal Festival Hall, London, on 15 January 2014. The piece is dedicated to Lawrence Power.
The World's Ransoming is a concerto for cor anglais and orchestra by the Scottish composer James MacMillan. It was the first of three interrelated compositions in MacMillan's Easter triptych Triduum commissioned by the London Symphony Orchestra. Its world premiere was given by the soloist Christine Pendrill and the London Symphony Orchestra under the direction of Kent Nagano at the Barbican Centre on 11 July 1996.
Quickening is a cantata for countertenor, two tenors, two baritones, children's choir, chorus, and orchestra by the Scottish composer James MacMillan. The work was co-commissioned by The Proms and the Philadelphia Orchestra and was completed in 1998. Its world premiere was performed by the Hilliard Ensemble, the BBC Symphony Orchestra & Chorus, and the Westminster Cathedral Boys' Choir under the direction of Andrew Davis at Royal Albert Hall, London, on 5 September 1999. The journalist Damian Thompson of The Spectator described it as "one of MacMillan's masterpieces."
A Scotch Bestiary: Enigmatic Variations on a Zoological Carnival at a Caledonian Exhibition is an organ concerto by the Scottish composer James MacMillan. The work was commissioned by the BBC and the Los Angeles Philharmonic. It was composed from 2003 to 2004 and was first performed by the organist Wayne Marshall and the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen at the Walt Disney Concert Hall on October 7, 2004. Paul Jacobs (organist) gave the American East Coast premiere of this work in January 2018 in Philadelphia's Kimmel Center for the Performing Arts with the Philadelphia Orchestra and conductor Yannick Nézet-Séguin.
Symphony No. 5 Le grand Inconnu is a choral symphony by the Scottish composer James MacMillan. The work was commissioned by the Genesis Foundation. It was first performed by the U.K.-based choir The Sixteen, the Genesis Sixteen chamber choir, and Scottish Chamber Orchestra conducted by Harry Christophers in Usher Hall, Edinburgh, on 17 August 2019.
The Trombone Concerto is a composition for trombone and orchestra written by the Scottish composer James MacMillan. The work was commissioned by the Royal Concertgebouw Orchestra for their principal trombonist Jörgen van Rijen and co-commissioned by a consortium of orchestras comprising the Dallas Symphony Orchestra, Royal Flemish Philharmonic Orchestra, the Orchestre de la Suisse Romande, the Oulu Symphony Orchestra, and the Philharmonisches Orchester des Staatstheaters Cottbus. It was first performed by Jörgen van Rijen and the Royal Concertgebouw Orchestra under the direction of Iván Fischer at the Concertgebouw, Amsterdam, on 20 April 2017. The piece is dedicated to Jörgen van Rijen and in memory of Sara Maria MacMillan, the composer's granddaughter, who died shortly before its composition.
The Saxophone Concerto is a composition for soprano saxophone and string orchestra by the Scottish composer James MacMillan. The work was composed in 2017 on a commission from Perth Concert Hall, the Adelaide Symphony Orchestra, and the Aurora Orchestra. Its world premiere was given by the Australian saxophonist Amy Dickson and the Scottish Chamber Orchestra conducted by Joseph Swensen at Perth Concert Hall on 11 April 2018.