"We Are the Young" | ||||
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Single by Dan Hartman | ||||
from the album I Can Dream About You | ||||
B-side | "I'm Not a Rolling Stone" | |||
Released | September 6, 1984 (US) 14 January 1985 (UK) [1] | |||
Recorded | 1984 | |||
Genre | Pop, freestyle, dance-pop | |||
Length | 4:20 | |||
Label | MCA | |||
Songwriter(s) | Dan Hartman Charlie Midnight | |||
Producer(s) | Hartman | |||
Dan Hartman singles chronology | ||||
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"We Are the Young" is a 1984 crossover single by American musician Dan Hartman. The song was released on September 6, 1984 by MCA as the second single from his fifth studio album, I Can Dream About You . It was written by Hartman and Charlie Midnight, produced by Hartman. The single was his third and last to hit number one on the dance chart in the U.S. [2] The single also crossed over to the pop chart where it peaked at number twenty-five and on the soul singles chart, where it reached number fifty-eight. [3]
According to Hartman's frequent writing partner Charlie Midnight, “We Are the Young” was initially slated for the film Breakin’:
“…Dan was contacted by the music supervisor for a film called "Breakin'". He wanted Dan to write a song for the main dance sequence….Dan was wary of doing it because it was a fairly low budget film and he questioned its chances for success. I, however, was anxious to do it for the synchronization fee. It was almost noon and Dan said, "if you have a lyric by 5 today, I'll write the music." I completed a lyric before 5 for "We Are The Young," and the music supervisor loved it. The dance sequence was cut to the song with Dan as the artist and everyone was happy. Then Jimmy Iovine, who was producing Dan's solo album, heard the song and wanted it for Dan's album as the first single. Dan withdrew the song amidst much furor. The dance number had already been cut to the song and withdrawing it was a big problem. As a result, we wrote another song called "Heart Of The Beat." Dan did not want to be the artist on this song and so we created a faux group called '3V' which was, in fact, Dan and me…In the end, "Heart Of the Beat," was not used as the main song but instead a song sung by Ollie and Jerry called "There's No Stopping Us" replaced "We Are The Young," and, powered by the momentum of the film, hit the top of the charts… [4]
In a 2021 interview, Midnight elaborated and stated that the music supervisor gave the assignment to Ollie and Jerry and they wrote "There's No Stopping Us" "to the same exact beat and bass line of ['We Are the Young']". [5] A music video directed by Doug Dowdle was released in 1984. [6] [7] The fictional Sorels from the film Streets of Fire (played by Stoney Jackson, Grand L. Bush, Mykelti Williamson and Robert Townsend) appeared in the video. In a 2012 interview, Williamson claimed that the video was filmed right away to dispel the confusion surrounding who sang “I Can Dream About You”—as listeners typically confused Stoney Jackson as being Dan Hartman. Upon learning of this, Williamson requested that his manager negotiate that each of the actors be paid $5000.00 each to appear in the video. Williamson claimed that they were all paid the requested amount and, in the video, the Sorels (sans Townsend) dance on the stage with Hartman after he points at them enthusiastically in the audience near the video’s conclusion. [8]
Chart (1984) | Peak position |
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U.S. Billboard Hot 100 | 25 |
U.S. Billboard Hot Black Singles | 58 |
U.S. Billboard Hot Dance Club Play | 1 |
Daniel Earl Hartman was an American pop rock musician, multi-instrumentalist, singer, and songwriter and original frontman for several bands, including The Soploids, Mak and the Turnarounds, Our Wringer, Last Wing, and Orion. Among songs he wrote and recorded were "Free Ride" as a member of the Edgar Winter Group, and the solo hits "Relight My Fire", "Instant Replay", "I Can Dream About You", "We Are the Young" and "Second Nature". "I Can Dream About You", his most successful song, reached No. 6 on the Billboard Hot 100 in 1984 and No. 12 on the UK Singles Chart in 1985. The James Brown song "Living in America", which Hartman co-wrote and produced, reached No. 4 on March 1, 1986.
John Benitez, also known as Jellybean, is an American musician, songwriter, DJ, remixer, and music producer. He has produced and remixed artists such as Madonna, Whitney Houston, Michael Jackson, and the Pointer Sisters. He was later the executive producer of Studio 54 Radio. In December 2016, Billboard magazine ranked him as the 99th most successful dance artist of all-time.
Ollie & Jerry was an American dance-pop duo active in the 1980s, consisting of drummer Ollie E. Brown and R&B singer/bassist Jerry Knight.
"Our Lips Are Sealed" is a song co-written by Jane Wiedlin, guitarist of the Go-Go's, and Terry Hall, singer of the Specials and Fun Boy Three.
Carol Lynn Townes is an American soul singer from Warrenton, North Carolina.
The Lockers was a dance group formed by Toni Basil and Don "Campbellock" Campbell in 1971. Active throughout the 1970s, they were pioneers of street dance. Don Campbell is the founder of the locking dance style, and originally, Locking was called The Campbellock—a style that was based on the dance and song that Don Campbell created. Toni Basil met Campbell at a club in 1971 and together they formed The Lockers as a dance group. Toni Basil, who became Campbell's girlfriend, also served as The Lockers' manager, and was responsible for staging the act. All the dancers contributed steps and choreography with their unique and individual styles. By 1975 they were "Dancing their way to stardom" on their own. Individual members' contributions to the dance style and group image coupled with their unique presentation in staging and concept broke down many barriers. It has been said on the reality dance competition So You Think You Can Dance that "The Lockers' emergence on the dance scene changed the face of dance not only for street dancers but for dance in general and has made street dance a true American art form."
Charlie Midnight is an American songwriter and record producer and the founder of Midnight Production House. He has been nominated for the 1987 Grammy Award for Best R&B Song, two Golden Globes, and has been a producer and/or writer on several Grammy-winning albums, including The Bodyguard: Original Soundtrack Album, Joni Mitchell's Turbulent Indigo, and Marlo Thomas & Friends: Thanks & Giving All Year Long. He also is a writer on the Barbra Streisand Grammy-nominated, Platinum-selling Partners album having co-written the Barbra Streisand and Andrea Bocelli duet "I Still Can See Your Face."
"Breakin'... There's No Stopping Us" is a song by American music duo Ollie & Jerry. The song was released on June 21, 1984, as the first single from the soundtrack to the 1984 film Breakin', the song reached number nine on the US Billboard Hot 100 and number five on the UK Singles Chart. It topped the US dance charts for one week. It is the theme song to the film Breakin'. The drums were created using the Roland TR-808 and Linn LM-1 drum machines.
"I Can Dream About You" is a song written and performed by American singer Dan Hartman on the soundtrack album of the film Streets of Fire. Released in 1984 as a single from the soundtrack, and included on Hartman's album I Can Dream About You, it reached number 6 on the Billboard Hot 100.
Ollie E. Brown is an American drummer, percussionist, record producer, and high-school basketball coach. A prolific session musician, Brown has performed on over a hundred albums in the 1970s, 1980s and 1990s. Brown was also half of the American dance-pop duo Ollie & Jerry, which had a Top 10 hit with "Breakin'... There's No Stopping Us" in 1984.
"Electric Boogaloo" is a dance-pop song by American music duo Ollie & Jerry. Released in late 1984 as the lead single from the soundtrack to the film Breakin' 2: Electric Boogaloo, the song reached number 45 on the R&B chart.
Gravity is the 53rd studio album by American musician James Brown. The album was released on September 15, 1986, by Scotti Bros. Records. It was largely written and produced by Dan Hartman and Charlie Midnight, the authors of the album's previously released hit single "Living in America", which had reached #4 on the Billboard Hot 100 and was prominently featured in the film Rocky IV. It was Brown's first album for the Scotti Brothers record label.
Keep the Fire Burnin' is a compilation album by American musician and singer-songwriter Dan Hartman, which was released posthumously on December 20, 1994 by Columbia. The album features remakes of Hartman's hits and previously unreleased material.
"Waiting to See You" is a song by American singer-songwriter and musician Dan Hartman, which was released in 1986 as a single from the film soundtrack of Ruthless People. It was written by Hartman and Charlie Midnight, and was produced by Hartman. The song was also to be included on Hartman's album White Boy, which was shelved by MCA in 1986.
Stonewall W. "Stoney" Jackson is an American actor. Jackson was born in Richmond, Virginia.
I Can Dream About You is the fifth studio album from American musician/singer/songwriter Dan Hartman, released on May 3, 1984, by MCA. The album was produced by Hartman and Jimmy Iovine.
White Boy is the sixth studio album from American musician/singer/songwriter Dan Hartman. It was recorded during 1985 and 1986 but remains unreleased.
"Second Nature" is a song by American singer-songwriter Dan Hartman, released in 1985 as the fourth and final single from his fifth studio album I Can Dream About You (1984). The song was written by Hartman and Charlie Midnight, and produced by Hartman and Jimmy Iovine. "Second Nature" reached No. 39 on the Billboard Hot 100 and remained in the charts for 12 weeks.
"Get Outta Town" is a song by American singer-songwriter and musician Dan Hartman, which was released in 1985 as a single from the soundtrack to the film Fletch. "Get Outta Town" was written by Hartman and Charlie Midnight, and produced by Hartman and Richard Landis.
"The Dream (Hold On to Your Dream)" is a song written by Giorgio Moroder, Pete Bellotte, and the song's performer, Irene Cara, for the 1983 film D.C. Cab. Although not included on initial pressings of Cara's What a Feelin' LP, the decision to release the film four months earlier than originally slated prompted an arrangement for her album to be reissued with the song. A slightly different version (more noticeable in the intro) was also included on the film's soundtrack album; an edited version was released on the 7-inch single, and the 12-inch single included a much longer dance remix.