The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol's Exploding Plastic Inevitable tour. The album features experimental performance sensibilities and controversial lyrical topics, including drug abuse, prostitution, sadomasochism and sexual deviancy.
Gang of Four are an English post-punk band, formed in 1976 in Leeds. The original members were singer Jon King, guitarist Andy Gill, bass guitarist Dave Allen and drummer Hugo Burnham. There have been many different line-ups including, among other notable musicians, Sara Lee, Gail Ann Dorsey, and Mark Heaney. After a brief lull in the 1980s, different constellations of the band recorded two studio albums in the 1990s. Between 2004 and 2006 the original line-up was reunited; Gill toured using the name between 2012 and his death in 2020. In 2021, the band announced that King, Burnham, and Lee would be reuniting for a tour in 2022 with David Pajo on guitar.
Meddle is the sixth studio album by English rock band Pink Floyd, released by Harvest Records. The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios and Morgan Studios.
Gilbert O'Sullivan is an Irish singer-songwriter. O'Sullivan experienced success during the early 1970s with songs including "Alone Again (Naturally)", "Clair" and "Get Down". O'Sullivan's songs are often marked by his distinctive percussive piano playing style and observational lyrics using wordplay.
Bryter Layter is the second studio album by English folk singer-songwriter Nick Drake. Recorded in 1970 and released on 5 March 1971 by Island Records, it was his last album to feature backing musicians, as his next and final studio album, Pink Moon, had Drake perform all songs solo.
Live at the Witch Trials is the debut studio album by the Fall. It was released on 16 March 1979 through record label Step-Forward. It is not, despite its title, a live album and was recorded in a studio in a single day and mixed by producer Bob Sargeant.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
"Hong Kong Garden" is the debut single of English rock band Siouxsie and the Banshees. It was released as a single on 18 August 1978 by Polydor Records, reaching number 7 on the UK Singles Chart.
"Clair" is a song by Gilbert O'Sullivan, released in 1972 as the first single from his second album Back to Front. It was written by O'Sullivan and produced by Gordon Mills, and is one of O'Sullivan's biggest-selling singles.
"Alone Again (Naturally)" is a song by Irish singer-songwriter Gilbert O'Sullivan. Recorded in 1971, it became a worldwide hit featuring on his second studio album Back to Front.
Back to Front is the second studio album by Irish singer-songwriter Gilbert O'Sullivan, released in October 1972 by MAM Records. The album follows the success of his 1971 debut album Himself and singles such as "Alone Again (Naturally)". Coinciding with the album, O'Sullivan abandoned his distinctive dress sense, which included a short cap and trousers, and instead presented himself as a more masculine, hairy-chested singer with a perm, wearing sweaters with the letter "G" emblazoned on them, which helped establish him as a sex symbol. O'Sullivan wrote the album's songs at home during night-time writing sessions, and recorded the album with his manager and producer Gordon Mills in London.
Disc was a weekly British popular music magazine, published between 1958 and 1975, when it was incorporated into Record Mirror. It was also known for periods as Disc Weekly (1964–1966) and Disc and Music Echo (1966–1972).
Alone Again (Naturally) is the thirtieth studio album by American pop singer Andy Williams, released in September 1972 by Columbia Records and mainly consisting of songs originated by other artists. For its release in the UK, the album was titled The First Time Ever (I Saw Your Face), and three of the songs were replaced with the 7-inch single tracks "Who Was It?" and "Marmalade, Molasses & Honey" and a recording that was not released on vinyl in the U.S., "If You're Gonna Break Another Heart".
Himself is the debut album by Irish singer-songwriter Gilbert O'Sullivan, released in the United Kingdom by MAM Records in August 1971, following the top 10 success of its single "Nothing Rhymed". O'Sullivan originally intended the album to feature only his voice and piano playing, until his manager and the album's producer Gordon Mills persuaded him to use full instrumentation and arrangements by Johnnie Spence. Mills also aided O'Sullivan with his songwriting, which incorporates an observational style and word play, the usage of the latter being influenced by Spike Milligan.
I'm a Writer, Not a Fighter is the third studio album by Irish singer-songwriter Gilbert O'Sullivan, originally released by MAM Records in September 1973. After becoming one of the most successful performers worldwide in 1972, O'Sullivan pursued new directions with the album, taking influence from rock music and funk and incorporating an array of then-new electric keyboards, as well as emphasizing a new rhythmical focus. The album was recorded "on and off" with producer Gordon Mills at the latter's studio, and although several overdubs were recorded in the United States, O'Sullivan referred to the album as an ultimately "very ad hoc home-based" project.
A Stranger in My Own Back Yard is the fourth studio album by Irish singer-songwriter Gilbert O'Sullivan, originally released in October 1974 by MAM Records. Peaking at number 9 on the UK Albums Chart, it was O'Sullivan's fourth and, to date, final top ten album, although it received positive reviews from critics. After the funk-inflected I'm a Writer, Not a Fighter, A Stranger in My Own Back Yard marked a return to the style of O'Sullivan's first two albums. The album's only single, "A Woman's Place", was O'Sullivan's first since his breakthrough to miss the top 40 of the UK Singles Chart. Union Square Music reissued the album on the Salvo label in 2012 as part of the Gilbert O'Sullivan - A Singer & His Songs collection.
"Nothing Rhymed" is a song written and recorded by the Irish singer-songwriter Gilbert O'Sullivan. It was released in 1970.
Phillip Edwin Lionel Shutt, known professionally as Phil Curtis, was an English session musician and bass guitarist known for his work with Arthur Brown, Kiki Dee, Steve Gibbons, Larry Carlton, Chris Rea, Gilbert O'Sullivan, John Morgan, Denny Laine, Steve Marriott, The Bay City Rollers and many others.
Matthews Southern Comfort (MSC) was originally a British country rock/folk rock band, formed in 1970 by former Fairport Convention singer Ian (later Iain) Matthews. The original line-up consisted of Matthews, lead guitarist Mark Griffiths (who would later become the bass player with both The Shadows and The Everly Brothers), rhythm guitarist Carl Barnwell, bass player Pete Watkins, drummer Roger Swallow and pedal steel guitarist Gordon Huntley. Watkins and Swallow, however, left the band after just a few weeks and were replaced by bass player Andy Leigh and drummer Ray Duffy.
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.
