The Velvet Underground & Nico is the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.
Raymond Edward "Gilbert" O'Sullivan is an Irish singer-songwriter who achieved his most significant success during the early 1970s with hits including "Alone Again (Naturally)", "Clair" and "Get Down". His songs are often marked by his distinctive, percussive piano playing style and observational lyrics using word play.
The Foundations were a British soul band who were primarily active between 1967 and 1970. The group's background was West Indian, White British and Sri Lankan. Their 1967 debut single "Baby Now That I've Found You" reached number one in the UK and Canada, and number eleven in the US. Their 1968 single "Build Me Up Buttercup" reached number two in the UK and number three on the US Billboard Hot 100. The group was the first multi-racial group to have a number one hit in the UK in the 1960s.
Bryter Layter is the second studio album by English folk singer-songwriter Nick Drake. Recorded in 1970 and released on 5 March 1971 by Island Records, it was his last album to feature backing musicians, as his next and final studio album, Pink Moon, had Drake perform all songs solo.
Live at the Witch Trials is the debut studio album by the Fall. It was released on 16 March 1979 through record label Step-Forward. It is not, despite its title, a live album and was recorded in a studio in a single day and mixed by producer Bob Sargeant.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
Keith Anderson CD, better known by the stage name Bob Andy, was a Jamaican reggae vocalist and songwriter. He was widely regarded as one of reggae's most influential songwriters.
"Embryo" is a song by Pink Floyd. It was recorded in 1968 and regularly performed live in 1970–71, but never released on any regular Pink Floyd studio album.
"Alone Again (Naturally)" is a song by Irish singer-songwriter Gilbert O'Sullivan. Recorded in 1971, it became a worldwide hit. The song did not originally appear on his 1972 studio album Back to Front, but has been included in reissues (often replacing "Clair").
Back to Front is the second studio album by Irish singer-songwriter Gilbert O'Sullivan, released in October 1972 by MAM Records. The album follows the success of his 1971 debut album Himself and singles such as "Alone Again (Naturally)". Coinciding with the album, O'Sullivan abandoned his distinctive dress sense, which included a short cap and trousers, and instead presented himself as a more masculine, hairy-chested singer with a perm, wearing sweaters with the letter "G" emblazoned on them, which helped establish him as a sex symbol. O'Sullivan wrote the album's songs at home during night-time writing sessions, and recorded the album with his manager and producer Gordon Mills in London.
"Get Down" is a song by Irish singer-songwriter Gilbert O'Sullivan, from his 1973 album I'm a Writer, Not a Fighter. Released as a single, it spent two weeks at the top of the UK Singles Chart in April 1973, was also a number-one hit in Ireland for three weeks and was a top-ten hit in the United States and Canada. The song was originally used by O'Sullivan as a piano warm-up tune, but was eventually extended into a full song and released as a single; O'Sullivan recorded and released the song as a change from his more melancholy pieces. It became a Gold disc.
In the Arms of Love is the nineteenth studio album by American pop singer Andy Williams and was released on December 19, 1966, by Columbia Records and was the last of twelve consecutive Williams studio LPs produced by Robert Mersey.
Alone Again (Naturally) is the thirtieth studio album by American pop singer Andy Williams, released in September 1972 by Columbia Records and mainly consisting of songs originated by other artists. For its release in the UK, the album was titled The First Time Ever (I Saw Your Face), and three of the songs were replaced with the 7-inch single tracks "Who Was It?" and "Marmalade, Molasses & Honey" and a recording that was not released on vinyl in the U.S., "If You're Gonna Break Another Heart".
Himself is the debut album by Irish singer-songwriter Gilbert O'Sullivan, released in the United Kingdom by MAM Records in August 1971, following the top 10 success of its single "Nothing Rhymed". O'Sullivan originally intended the album to feature only his voice and piano playing, until his manager and the album's producer Gordon Mills persuaded him to use full instrumentation and arrangements by Johnnie Spence. Mills also aided O'Sullivan with his songwriting, which incorporates an observational style and word play, the usage of the latter being influenced by Spike Milligan.
I'm a Writer, Not a Fighter is the third studio album by Irish singer-songwriter Gilbert O'Sullivan, originally released by MAM Records in September 1973. After becoming one of the most successful performers worldwide in 1972, O'Sullivan pursued new directions with the album, taking influence from rock music and funk and incorporating an array of then-new electric keyboards, as well as emphasizing a new rhythmical focus. The album was recorded "on and off" with producer Gordon Mills at the latter's studio, and although several overdubs were recorded in the United States, O'Sullivan referred to the album as an ultimately "very ad hoc home-based" project.
A Stranger in My Own Back Yard is the fourth studio album by Irish singer-songwriter Gilbert O'Sullivan, originally released in October 1974 by MAM Records. Peaking at number 9 on the UK Albums Chart, it was O'Sullivan's fourth and, to date, final top ten album, although it received positive reviews from critics. After the funk-inflected I'm a Writer, Not a Fighter, A Stranger in My Own Back Yard marked a return to the style of O'Sullivan's first two albums. The album's only single, "A Woman's Place", was O'Sullivan's first since his breakthrough to miss the top 40 of the UK Singles Chart. Union Square Music reissued the album on the Salvo label in 2012 as part of the Gilbert O'Sullivan - A Singer & His Songs collection.
"Nothing Rhymed" is a song written and recorded by the Irish singer-songwriter Gilbert O'Sullivan. It was released in 1970.
Phillip Edwin Lionel Shutt, known professionally as Phil Curtis, was an English session musician and bass guitarist known for his work with Arthur Brown, Kiki Dee, Steve Gibbons, Larry Carlton, Chris Rea, Gilbert O'Sullivan, John Morgan, Denny Laine, Steve Marriott, The Bay City Rollers and many others.
Matthews Southern Comfort (MSC) is a British country rock/folk rock band, formed in 1970 by former Fairport Convention singer Ian (later Iain) Matthews. The original line-up consisted of Matthews, lead guitarist Mark Griffiths (who later become the bass player with the Shadows and the Everly Brothers), rhythm guitarist Carl Barnwell, bass player Pete Watkins, drummer Roger Swallow and pedal steel guitarist Gordon Huntley. Watkins and Swallow left the band after a few weeks and were replaced by bass player Andy Leigh and drummer Ray Duffy.
"Semi-Detached, Suburban Mr. James" is a song written by songwriters Geoff Stephens and John Carter, recorded by English pop group Manfred Mann in 1966. Previous to this, it was recorded by the band Herbie's People who were signed to CBS and had recorded other John Carter songs. The original title was "Semi-Detached, Suburban Mr. Jones" and was recorded that way by Herbie's People. Their version was pulled by CBS when Manfred Mann said they would record it. It was subsequently issued but only in the USA on the Okeh label. Stephens and Carter, who were writers for a publishing company on Denmark Street, London, wrote the song in a style different from their usual compositions, as love was not the prevalent theme. Introduced to the song by producer Shel Talmy, Manfred Mann recorded it at Philips Studio in August 1966. Released by Fontana Records on 21 October 1966, the song was backed by drummer Mike Hugg's composition "Morning After The Party" as the group's second single on the label. Keyboardist Manfred Mann plays the Mellotron on the recording; it was one of the earliest recordings featuring the instrument. Following a trend set by Bob Dylan, the song tackles the subject of life in British middle class suburbia from the perspective of a narrator, who laments the loss of a lover after her marriage to another man.
