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The oldest known surviving film was shot in the United Kingdom as well as early colour films. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most critically acclaimed works. Many British actors have accrued critical success and worldwide recognition, such as Audrey Hepburn, Olivia de Havilland, Vivien Leigh, Glynis Johns, Maggie Smith, Laurence Olivier, Michael Caine, Sean Connery, Ian Mckellen, Joan Collins, Judi Dench, Julie Andrews, Daniel Day-Lewis, Gary Oldman, Emma Thompson, Anthony Hopkins and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the fourth and fifth highest-grossing film franchises.
Sir Carol Reed was an English film director and producer, best known for Odd Man Out (1947), The Fallen Idol (1948), The Third Man (1949), and Oliver! (1968), for which he was awarded the Academy Award for Best Director.
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Culture, Media and Sport, and partially funded under the British Film Institute Act 1949.
Frank Humphrey Sinkler Jennings was an English documentary filmmaker and one of the founders of the Mass Observation organisation. Jennings was described by film critic and director Lindsay Anderson in 1954 as "the only real poet that British cinema has yet produced".
John Louis Beddington (1893–1959) was a United Kingdom advertising executive, best known for his work as publicity director for Shell in the 1930s and as head of the Ministry of Information Films Division during World War II.
Mancunian Films was a British film production company first organised in 1933. From 1947 it was based in Rusholme, a suburb of Manchester, and produced a number of comedy films, mostly aimed at audiences in the North of England.
Gaslight is a 1940 British psychological thriller film directed by Thorold Dickinson which stars Anton Walbrook and Diana Wynyard, and features Frank Pettingell. The film adheres more closely to the original play upon which it is based – Patrick Hamilton's Gas Light (1938) – than does the 1944 MGM remake. The play had been performed on Broadway as Angel Street, so when the MGM remake was released in the United States, it was given the same title as the American production.
The Lion Has Wings is a 1939 British, black-and-white, documentary-style, propaganda war film that was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda and Michael Powell. The film was produced by London Film Productions and Alexander Korda Film Productions and 'was preparing the nation [for war] and shining a light on the power of the RAF'.
The Next of Kin, also known as Next of Kin, is a 1942 Second World War propaganda film produced by Ealing Studios. The film was originally commissioned by the British War Office as a training film to promote the government message that "Careless talk costs lives". After being taken on by Ealing Studios, the project was expanded and given a successful commercial release. After the war and up until at least the mid 1960s, services in British Commonwealth countries continued to use The Next of Kin as part of security training. The film's title is derived from the phrase "the next of kin have been informed" as used by radio announcers when reporting on the loss of personnel in action.
Free Cinema was a documentary film movement that emerged in the United Kingdom in the mid-1950s. The term referred to an absence of propagandised intent or deliberate box office appeal. Co-founded by Lindsay Anderson with Karel Reisz, Tony Richardson and Lorenza Mazzetti, the movement began with a programme of three short films at the National Film Theatre, London on 5 February 1956. The programme was such a success that five more programmes appeared under the ‘Free Cinema’ banner before the founders decided to end the series. The last event was held in March 1959. Three of the screenings consisted of work from overseas filmmakers.
The Queen of Spades is a 1949 British fantasy-horror film directed by Thorold Dickinson and starring Anton Walbrook, Edith Evans and Yvonne Mitchell. It is based on the 1834 short story of the same name by Alexander Pushkin.
Thorold Barron Dickinson was a British film director, screenwriter, film editor, film producer, and Britain's first university professor of film. Dickinson's work received much praise, with fellow director Martin Scorsese describing him as "a uniquely intelligent, passionate artist... They're not in endless supply."
Christmas Under Fire is a 1941 British short documentary film directed by Harry Watt for the Crown Film Unit of the Ministry of Information. It was conceived as propaganda primarily for an American audience, to raise support for the Allied cause during the Second World War. Produced in the context of German bombings of British cities, it depicts the resilience of British civilians despite the hardships they suffered during the 1940 Christmas, by showing the continuation of Christmas traditions in the face of the disruptions caused by war. The film is a sequel to London Can Take It!, with the same narrator, Quentin Reynolds. It was nominated for an Academy Award for Best Documentary Short, which was won by Churchill's Island.
Sidney Henry Cole was a British film and television producer. Earlier in his career he worked as a film editor.
Men of Two Worlds is a 1946 British Technicolor drama film directed by Thorold Dickinson and starring Phyllis Calvert, Eric Portman and Robert Adams. The screenplay concerns an African music student who returns home to battle a witch doctor for control over his tribe.
Words for Battle is a British propaganda film produced by the Ministry of Information's Crown Film Unit in 1941. It was written and directed by Humphrey Jennings, and features seven sequences, each containing images of rural and urban Britain at war overlaid with audio commentary by Laurence Olivier, reciting passages from different English literary works and speeches.
Stewart McAllister was a British documentary film editor who collaborated closely with Humphrey Jennings during the Second World War to produce films for the Crown Film Unit of the Ministry of Information. His contributions towards these films was largely neglected until Dai Vaughan's biography of him, Portrait of an Invisible Man, was published in 1983.
Dallas Bower was a British director and producer active during the early development of mass media communication. Throughout his career Bower's work spanned radio plays, television shows, propaganda shorts, animations and feature films, with his most notable projects consisting of Alfred Hitchcock’s first film in sound Blackmail (1929), the British Broadcasting Company's radio play Julius Caesar (1938), the Dunkirk evacuation propaganda short Channel Incident (1940), the feature film Henry V (1944), and an Anglo-French adaptation of Lewis Carroll's children's novel Alice's Adventures in Wonderland entitled Alice au pays des merveilles (1949). He later produced some of the earliest British television commercials.
Men of the Lightship is a short propaganda film produced by the Crown Film Unit for the British Ministry of Information in 1940, the year after the beginning of the Second World War. It dramatises the bombing of the East Dudgeon lightship by the Luftwaffe on 29 January 1940 and was designed to portray Germany as a barbaric enemy. An opening narration explains the traditional understanding of lightships as neutral vessels during war.
Britain at Bay is a 1940 British propaganda film produced by the General Post Office GPO Film Unit of the British Ministry of Information and distributed by the National Film Board of Canada. The film was written and narrated by noted author and political commentator J. B. Priestley.
References
- ↑ James Chapman (1998). The British at War: Cinema, State, and Propaganda, 1939–1945. I.B. Tauris Publishers. ISBN 9781860641589.
- 1 2 3 Richards, Jeffrey (1986). Thorold Dickinson: the Man and His Films. London: Croom Helm. p. 86. ISBN 9780709922933.
- 1 2 3 4 Jeffrey Richards; Dorothy Sheridan; Mass-Observation (1987). Mass-Observation at the Movies. Routledge & Kegan Paul. p. 424. ISBN 978-0-7102-0878-1.
- ↑ Nicholas Reeves (2004). The Power of Film Propaganda: Myth Or Reality?. Continuum International Publishing Group. p. 165. ISBN 978-0-8264-7390-5.
- ↑ "Westward Ho! (1940)". Screenonline. BFI . Retrieved 10 April 2012.
