White Man's Burden (film)

Last updated
White Man's Burden
White Mans Burden.jpg
Theatrical release poster
Directed by Desmond Nakano
Written byDesmond Nakano
Produced by Lawrence Bender
Starring
Cinematography Willy Kurant
Edited by Nancy Richardson
Music by Howard Shore
Production
companies
Distributed by Savoy Pictures
Release date
  • December 1, 1995 (1995-12-01)(U.S.)
Running time
89 minutes
CountryUnited States
LanguageEnglish
Budget$7 million
Box office$9 million [1]

White Man's Burden is a 1995 American drama film about racism, [2] set in an alternative America where the social and economic positions of black people and white people are reversed. The film was written and directed by Desmond Nakano. The film revolves around Louis Pinnock (John Travolta), a white factory worker, who kidnaps Thaddeus Thomas (Harry Belafonte), a black factory owner, for firing Pinnock over a perceived slight. [3]

Contents

The title is a well-known phrase inspired by the famous poem of the same title by Rudyard Kipling.

Plot

At dinner, wealthy black CEO Thaddeus Thomas discusses white people and claims they are "genetically inferior" because their children grow up without fathers.

Trying to improve himself, white candy factory worker Louis Pinnock offers to deliver a package to Thomas after his shift. Pinnock is let into the property by a white servant at the security gate point in front of the Thomas residence and accidentally views Thomas's wife naked through the window. Thomas notices and complains to the vice-president of the factory, during a dinner engagement at his house, that he would prefer a different delivery man instead of a "peeping Tom". Although Thomas does not suggest any form of punishment towards Pinnock, the VP "gets the message" and immediately fires Pinnock. Pinnock returns to the Thomas residence in an attempt to discuss the misunderstanding with Thomas, but because Thomas is in an important business meeting, he refuses and sends a message to Pinnock that he apologizes, but there is nothing that he can do to help him. Pinnock begs for two minutes of his time, but is turned away.

Without any education, connections or advanced skills, Pinnock finds difficulty getting a job and is unable to support his family. The Pinnock family are awakened one early morning by the police and the landlord to enforce eviction; the family struggles to gather their important belongings as they vacate the premises. Pinnock's mother-in-law scolds him for failing as a man; she says there is not enough room for him at her house where his wife and two children are going.

Pinnock's truck breaks down and he is forced to walk. At night, Pinnock is apprehended by the police who mistake him for a bank robber because "he fit the description". The people inside a bar come outside and shout at the police, demanding that they leave Pinnock alone. People gathering outside the bar begin throwing bottles at the police. Pinnock is beaten by the police but they are chased away by the angry mob.

In a quest for justice, Pinnock kidnaps Thomas at gunpoint and demands a large sum of money that he believes is owed him for losing his job. After multiple failed attempts to withdraw the money, Pinnock holds Thomas hostage for the weekend and takes him through the ghetto where he lives. Thomas, however, remains unsympathetic to Pinnock and calls him a failure who blames the world for his problems. But Pinnock takes Thomas through the ghetto anyway into an abandoned building. Thomas alternates between enjoying some of the staples of ghetto life and having his eyes open to this world's racism. Thomas has a heart attack, and Pinnock performs CPR on Thomas who does not respond. Pinnock shoots a store's windows to get the police's attention to aid Thomas but is mistakenly shot and killed because the police assume he is armed.

The chastened CEO visits Pinnock's grieving widow and offers her the money that Louis requested. She refuses it, and when Thomas awkwardly asks if she wants more, she bluntly says "And how much do you think would be enough?" and closes the door in his face.

Cast

Reception

Critical response

The film gained a negative reception from critics. [4] [5] [6] [7] It holds a 24% rating on Rotten Tomatoes based on 33 reviews. [8] Audiences surveyed by CinemaScore gave the film a grade of "C" on scale of A+ to F. [9]

A "D" score was awarded to the film by Owen Gleiberman of Entertainment Weekly . [10]

Stephen Holden of The New York Times wrote "Were it not for John Travolta's big-hearted portrayal of an unemployed white factory worker driven to commit a desperate act, the movie would be an emotionally frozen exercise in cautious high-mindedness". [11]

Rolling Stone 's Peter Travers accused the film of "spiral[ing] into tragedy but never into stirring drama". [12]

Box office

The film was not a box office success, though the very small budget meant its losses were also minimal; it was widely seen as a blip on the radar during John Travolta's massive comeback as a film star during the post- Pulp Fiction phase of his career. [13]

The film grossed $3.7 million in the US and Canada and an estimated $9 million worldwide. [1] [14]

Soundtrack

White Man's Burden
Soundtrack album by
Various artists
ReleasedNovember 7, 1995
Length33:59
Label Atlantic

A soundtrack album to the film was released on November 7, 1995. [15]

Track listing

  1. Blues Traveler - "Regarding Steven" (John Popper) - 4:44
  2. Hootie & the Blowfish - "Dream Baby" (Cindy Walker) - 2:59
  3. Changing Faces - "We Got It Goin' On" - 3:04
  4. Me'shell Ndegeocello - "Time Has Come Today" (Joseph Chambers/Willie Chambers) - 6:01
  5. Dave Matthews Band - "Tripping Billies" (Dave Matthews) - 4:14
  6. Cracker - "How Can I Live my Life Without You" (Johnny Hickman/David Lowery) - 3:34
  7. Bush - "Broken TV" (Gavin Rossdale) - 3:42
  8. Meat Puppets - "Animal" (Curt Kirkwood) - 4:31
  9. Howard Shore - "The Burden" - 4:11
  10. Howard Shore - "The Hymn" - 2:29

See also

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References

  1. 1 2 "Planet Hollywood". Screen International . August 30, 1996. pp. 14–15.
  2. Weinraub, Bernard (February 6, 1995). "Turning the Tables on Race Relations". The New York Times . p. 11.
  3. Willman, Chris (March 19, 1995). "Turnabout of Foul Play : In 'White Man's Burden', John Travolta and Harry Belafonte tilt racism on its head, in a universe where black culture dominates. Get ready to rock your world". Los Angeles Times . Archived from the original on August 5, 2021. Retrieved August 5, 2021.
  4. Mathews, Jack (December 1, 1995). "Movie Review: Racial Role Reversal in 'White Man's Burden'". Los Angeles Times. Archived from the original on August 5, 2021. Retrieved August 5, 2021.
  5. Hicks, Chris (December 5, 1995). "Film review: White Man's Burden". Deseret News. Archived from the original on June 10, 2015. Retrieved August 5, 2021.
  6. LaSalle, Mick (December 1, 1995). "Film Review - Blacks Have the Power In 'White Man's Burden'". SFGate.com. Archived from the original on August 5, 2021. Retrieved August 5, 2021.
  7. Ebert, Roger (December 1, 1995). "White Man's Burden". Archived from the original on September 19, 2021. Retrieved August 5, 2021.
  8. "White Man's Burden (1995)". Rotten Tomatoes . Fandango Media. Archived from the original on April 2, 2019. Retrieved August 5, 2021.
  9. "Cinemascore". Archived from the original on December 20, 2018.
  10. Gleiberman, Owen (May 3, 1996). "White Man's Burden". Entertainment Weekly . Archived from the original on August 5, 2021. Retrieved August 5, 2021.
  11. Holden, Stephen (December 1, 1995). "Film Review; Imagining Race Relations With Roles Reversed". The New York Times . p. 3.
  12. Travers, Peter (December 1, 1995). "White Man's Burden". Rolling Stone . Archived from the original on August 5, 2021. Retrieved August 5, 2021.
  13. Welkos, Robert W. (December 5, 1995). "Weekend Box Office: 'Toy Story' on a Roll". Los Angeles Times. Archived from the original on August 5, 2021. Retrieved August 5, 2021.
  14. White Man's Burden at Box Office Mojo
  15. White Man's Burden at AllMusic