William Scott Home (born January 2, 1940) is the pen name (and, later, legal name) of an American author, poet and biologist principally known for writing horror and dark fantasy. Best known for a short story that appeared in 1978 in The Year's Best Horror Stories (along with Stephen King's "Children of the Corn", which also made the cut that year), Home was most prolific during the 1970s and 80s when his poetry and fiction was published in a wide range of media. Part of a circle of Science Fiction, Fantasy and Horror writers that paid homage to M. P. Shiel and H. P. Lovecraft, Home is considered by many to be a unique talent in his own right. His range of styles and control of language and suspense is well-demonstrated in his published collection: Hollow Faces, Merciless Moons. While he has published little since the 1980s, Home is still writing and currently lives in the Dyea Valley, west of Skagway, Alaska.
Home was born in Windsor, Missouri, and grew up in a Protestant family of musicians and Bible scholars. He earned a BA in zoology in 1964 from the University of Minnesota and an MS in zoology in 1982 from the University of Alaska. [1] He taught biology, chemistry, and geography in Belize [2] and the Caribbean before taking a series of government jobs in Alaska.
At age 17, Home had his first work published in a national magazine. The fantasy piece, published in Sir! under the "True Stories" heading, centered on an imagined visit to a snake handler's ceremony. [3] While he had a number of mainstream poems printed in "little magazines" during high school years, it was not until the publication of his story, "The Fruits of Yebo's Sins", in Weirdbook in 1971 that he found his niche. [4] Home would publish repeatedly with Weirdbook and its editor/publisher W. Paul Ganley for the next decade.
Soon after his first publication in Weirdbook, other horror fiction-themed magazines began printing his stories as well. [5] In 1972, both his story "Dull Scavengers Wax Crafty" and an essay were published in Meade and Penny Frierson's epochal HPL, a tribute to H. P. Lovecraft . [6] His 1977 Weirdbook story "Deadlier at Hearth than Hunt" [7] was not only published several times in English, but also as an Italian translation (1995).
In 1977 Ganley published a collection of Home's short stories, Hollow Faces, Merciless Moons, [8] illustrated by fantasy art legend Steven E. Fabian. One story, "A Cobweb of Pulsing Veins", was chosen for The Year's Best Horror Stories, Series VI. [9] In 1986 Home was mentioned twice in The Penguin Encyclopedia of Horror and the Supernatural . [10]
Home's published short fiction includes:
Story Title | Publication: Pages | Year |
---|---|---|
The Fruits of Yebo's Sins | Weirdbook 4: 3-9 | 1971 |
Dull Scavengers Wax Crafty | HPL: 118-123 | 1972 |
Even the Sea Monster Offers the Breast | Weirdbook 6: 28-30 | 1973 |
Lineage of the Empty Dead | Spoor Anthology 2: 62-93 | 1974 |
The Dead Eyes | Weirdbook 8: 23-30 | 1974 |
The Black Footprints | Toadstool Wine (A Collection of Fantasy and Horror from Six Independent Magazines): 37-39 | 1975 |
Deadlier at Hearth than Hunt | Weirdbook 11: 16-19 | 1977 |
Deadlier at Hearth than Hunt | Alpha Gallery: 195-205 | 1990 |
The Utter Dark Where Blind White Sea Snakes Crawl | Hollow Faces, Merciless Moons[8b] | 1977 |
The Uncomfortable Words | Hollow Faces, Merciless Moons | |
The Silver Judgement, Echoing | Hollow Faces, Merciless Moons | |
Acid Soul and Sulphurous Sweat | Hollow Faces, Merciless Moons | |
The Last Golem | Hollow Faces, Merciless Moons | |
The Lamps are Lighted in the House of Hides | Hollow Faces, Merciless Moons | |
The Parasite | Hollow Faces, Merciless Moons | |
What Breeds About Her Heart | Hollow Faces, Merciless Moons | |
Ship of Ghouls | Hollow Faces, Merciless Moons | |
Chameleon That Blinks Barbed Stars | Hollow Faces, Merciless Moons | |
A Cobweb of Pulsing Veins | Hollow Faces, Merciless Moons | |
Cancerous Kisses of Crocodiles | Weirdbook 12: 24-27 | 1977 |
A Cobweb of Pulsing Veins | The Year's Best Horror Stories, Series VI: 113 | 1978 |
Black Silver, Gold, and Purple | Weirdbook 14: 26-28 | 1979 |
The Red Shift | Paragon, No. 1: 5-14 | 1980 |
Prisoner of the Omega | Weirdbook 15: 49 | 1981 |
The Hell of Black Lines | Weirdbook 16: 35-38 | 1982 |
In 1976, Home's essay "Eine Kleine Machen-Musik" was published in the Lovecraft fanzine Nyctalops,[ citation needed ] and in 1983 he contributed "The Rose Beyond the Thunders and the Whirlpools" to A. Reynolds Morse's massive volume Shiel in Diverse Hands: A Collection of Essays on M.P. Shiel . [11] His paper, "The Lovecraft 'Books': Some Addenda and Corrigenda" (originally published in 1966 in August Derleth's The Dark Brotherhood and Other Pieces ) [12] was translated into French and published in the prestigious Cahiers L'Herne [13] in 1969. In 1987, Thomas Ligotti included Home's essay "The Horror Theme after H. P. Lovecraft" (first published in HLP) in the Gale Research compilation Twentieth Century Literary Criticism. [14]
Home's poetry appeared regularly in Weirdbook and Ganley's Amanita Brandy (starting with issue No. 1). [15] In the early 1980s, John D. Squires made a photocopy booklet of his own favorites from among Homes's poems, including Onyx and Bloodstone and The Ransom of Enchanted Castles; copies of the informal collection still show up on the book market now and then. [16] In 1985, Randy Everts of The Strange Company published two collections of Home's original verse: Black Diamond Gates, [17] pieces reflecting the 1200-1600 AD era of magic and experimental science; and Stain of Moonlight, [18] which offers more general poems.
French was the first of several languages Home translated into English, beginning with Jose-Maria de Heredia's French sonnets "Fuite de Centaures" ("Flight of the Centaurs"), published in Flame.[ citation needed ] By the early 1980s, small magazines, such as Nightshade, [19] were publishing Home's translations from French, Spanish and Portuguese.
In addition to his fiction writing, through the 1970s and 1980s, Home produced a large number of biological and anthropological writings, some book-length. [20] His 50-page study, The Chilkoot and Chilkat: A Capsule History, encompassed forty years of research into the Tlinkit history of the Upper Lynn Canal and Glacier Bay in Alaska. [21]
In a 1997 article on what went into creating HPL, Meade Frierson specifically notes Home’s contributions and his "fine article displaying the breadth of his knowledge of the field of weird". [22] Commenting on his later inclusion of Home's article as part of the Lovecraft commentary in the monumental Twentieth Century Literary Criticism series, Ligotti praised it as "lucid and insightful". [15b] On choosing one of Home's stories for The Year's Best Horror Stories, Series VI, editor Gerald W. Page noted that, despite the limited circulation of the small magazines such as Weirdbook, where Home's stories were typically published, Home himself exercised a wide influence on the horror fantasy field.
Reviewers and critics, however, have often shown mixed feelings about Home's writing. Page, in his introduction to The Year's Best Horror Stories, calls Home "a writer who is sometimes difficult, but who is usually vivid and often original."[9b] In 2011, Ligotti named Hollow Faces, Merciless Moons the weirdest piece of fiction he had ever read: [23]
... so complex and recondite that it's all but unreadable, much like that of Clark Ashton Smith. Furthermore, Home's narratives are baffling and sometime barely comprehensible, somewhat in the manner of Robert Aickman. For a while I thought that Home was either an inexpert writer or a mental case. Then I found an essay by him ... [that] was lucid and insightful.
Home has also made a claim to the throne of the Kingdom of Redonda, taking the name Guillermo I and proclaiming his Thaumaturgical Reincarnate Legitimacy as Shiel's successor. In 1974, Ben Indick, responding to Home's pieces in Frierson's HPL, declared William Scott Home to be the stylistic reincarnation of the writer M. P. Shiel (first King of Redonda), an event recounted by John D. Squires in his essay on the Redonda Legend. [24]
August William Derleth was an American writer and anthologist. He was the first book publisher of the writings of H. P. Lovecraft. He made contributions to the Cthulhu Mythos and the cosmic horror genre and helped found the publisher Arkham House. Derleth was also a leading American regional writer of his day, as well as prolific in several other genres, including historical fiction, poetry, detective fiction, science fiction, and biography. Notably, he created the fictional detective Solar Pons, a pastiche of Arthur Conan Doyle's Sherlock Holmes.
Arkham House was an American publishing house specializing in weird fiction. It was founded in Sauk City, Wisconsin, in 1939 by August Derleth and Donald Wandrei to publish hardcover collections of H. P. Lovecraft's best works, which had previously been published only in pulp magazines. The company's name is derived from Lovecraft's fictional New England city, Arkham, Massachusetts. Arkham House editions are noted for the quality of their printing and binding. The colophon for Arkham House was designed by Frank Utpatel.
"Supernatural Horror in Literature" is a 28,000-word essay by American writer H. P. Lovecraft, surveying the development and achievements of horror fiction as the field stood in the 1920s and 30s. The essay was researched and written between November 1925 and May 1927, first published in August 1927, and then revised and expanded during 1933–1934.
Thomas Ligotti is an American horror writer. His writings are rooted in several literary genres – most prominently weird fiction – and have been described by critics as works of philosophical horror, often formed into short stories and novellas in the tradition of gothic fiction. The worldview espoused by Ligotti in his fiction and non-fiction has been described as pessimistic and nihilistic. The Washington Post called him "the best kept secret in contemporary horror fiction."
Weird fiction is a subgenre of speculative fiction originating in the late 19th and early 20th centuries. Weird fiction either eschews or radically reinterprets traditional antagonists of supernatural horror fiction, such as ghosts, vampires, and werewolves. Writers on the subject of weird fiction, such as China Miéville, sometimes use "the tentacle" to represent this type of writing. The tentacle is a limb-type absent from most of the monsters of European folklore and gothic fiction, but often attached to the monstrous creatures created by weird fiction writers, such as William Hope Hodgson, M. R. James, Clark Ashton Smith, and H. P. Lovecraft.
Frank Belknap Long Jr. was an American writer of horror fiction, fantasy, science fiction, poetry, gothic romance, comic books, and non-fiction. Though his writing career spanned seven decades, he is best known for his horror and science fiction short stories, including contributions to the Cthulhu Mythos alongside his friend, H. P. Lovecraft. During his life, Long received the World Fantasy Award for Life Achievement, the Bram Stoker Award for Lifetime Achievement, and the First Fandom Hall of Fame Award (1977).
"The Nameless City" is a short horror story written by American writer H. P. Lovecraft in January 1921 and first published in the November 1921 issue of the amateur press journal The Wolverine. It is often considered the first story set in the Cthulhu Mythos world. In the story, the protagonist travels to the middle of the Arabian Desert to explore an ancient underground city.
Hippocampus Press is an American publisher that specializes in "the works of H. P. Lovecraft and his literary circle". Founded in 1999 and based in New York City, Hippocampus is operated by founder Derrick Hussey.
Joseph Payne Brennan was an American writer of fantasy and horror fiction, and also a poet. Of Irish ancestry, he was born in Bridgeport, Connecticut and he lived most of his life in New Haven, Connecticut, and worked as an Acquisitions Assistant at the Sterling Memorial Library of Yale University for over 40 years. Brennan published several hundred short stories, two novellas and reputedly thousands of poems. His stories appeared in over 200 anthologies and have been translated into German, French, Dutch, Italian and Spanish. He was an early bibliographer of the work of H. P. Lovecraft.
Harold Warner Munn was an American writer of fantasy, horror and poetry, best remembered for his early stories in Weird Tales. He was an early friend and associate of authors H. P. Lovecraft and Seabury Quinn. He has been described by fellow author Jessica Amanda Salmonson, who interviewed him during 1978, as "the ultimate gentleman" and "a gentle, calm, warm, and good friend." He was known for his intricate plotting and the careful research that he did for his stories, a habit he traced back to two mistakes made when he wrote his early story "The City of Spiders".
Peter H. Cannon is an H. P. Lovecraft scholar and an author of Cthulhu Mythos fiction. Cannon works as an editor for Publishers Weekly, specializing in thrillers and mystery. He lives in New York City and is married with three children.
Marginalia is a collection of Fantasy, Horror and Science fiction short stories, essays, biography and poetry by and about the American author H. P. Lovecraft. It was released in 1944 and was the third collection of Lovecraft's work published by Arkham House. 2,035 copies were printed.
The Survivor and Others is a collection of fantasy and horror short stories by American writer August Derleth. It was released in an edition of 2,096 copies. It was reissued in paperback by Ballantine Books in 1962 and 1971. The stories were based on and inspired by unused ideas of H. P. Lovecraft, and billed as "posthumous collaborations" with him. Derleth was in fact Lovecraft's literary executor after the latter's death in 1937.
Richard Louis Tierney was an American writer, poet and scholar of H. P. Lovecraft, probably best known for his heroic fantasy, including his series co-authored of Red Sonja novels, featuring cover art by Boris Vallejo. He lived the latter part of his life in Mason City in the great Corn Steppes of Iowa. Some of his standalone novels utilize the mythology of Lovecraft's Cthulhu Mythos. He is also known for his Simon of Gitta series and his Robert E. Howard completions and utilisation of such Howard-invented characters as Cormac Mac Art, Bran Mak Morn and Cormac Fitzgeoffrey.
Wilum Hopfrog Pugmire, was a writer of weird fiction and horror fiction based in Seattle, Washington. His works typically were published as W. H. Pugmire and his fiction often paid homage to the lore of Lovecraftian horror. Lovecraft scholar and biographer S. T. Joshi described Pugmire as "the prose-poet of the horror/fantasy field; he may be the best prose-poet we have" and as one of the genre's leading Lovecraftian authors.
Joseph Vernon Shea (1912–1981) was an American writer of horror, fantasy, poetry, and essays; and a correspondent of H. P. Lovecraft, Clark Ashton Smith, and August Derleth.
Joseph S. Pulver Sr. was an author and poet, much of whose work falls within the horror fiction, noir fiction / hardboiled, and dark fantasy genres. He lived in Germany, and died from COPD and other issues in a German hospital on April 24, 2020.
Cthulhu 2000: A Lovecraftian Anthology was edited by Jim Turner and published by Arkham House in 1995 in an edition of 4,927 copies. As in his earlier collection, Turner criticizes the "latter-day Mythos pastiche" as simply "a banal modern horror story, preceded by the inevitable Necronomicon epigraph and indiscriminately interspersed with sesquipedalian deities, ichor-oozing tentacles, sundry eldritch abominations, and then the whole sorry mess rounded off with a cachinnating chorus of "Iä! Iä!"-chanting frogs." He declares that "the works collected in the present volume are not great Lovecraft stories; they rather are great stories in some way inspired by Lovecraft."
Bibliography of dark fantasy, horror, science fiction and nonfiction writer Darrell Schweitzer:
Lovecraft studies is the body of research that has emerged surrounding the works of H. P. Lovecraft. It began with the dissemination of Lovecraft's works by Arkham House during the decades after his death. The scholars in the field sought to establish Lovecraft as a major author of American speculative fiction during its foundational period in the 1970s. After the death of August Derleth, the founder of Arkham House, the field shifted in a direction away from the one that he promoted. L. Sprague de Camp's biography of Lovecraft emerged during this time. While criticized by portions of the fans and scholarship, it played a significant role in his literary rise. During the late 1970s and early 1980s, the scholars were split between traditionalist who supported Derleth's positions on Lovecraft and those who did not. The 1980s and 1990s featured an expansion of the field, including the H. P. Lovecraft Centennial Conference. Memorials to Lovecraft began to appear in his home city of Providence, Rhode Island and his works began to be published by Penguin Classics. S. T. Joshi, a major figure in the field, wrote a biography of Lovecraft that superseded de Camp's work. In 2008, the Library of America, published a volume of Lovecraft's works that solidified the perception that H. P. Lovecraft was now part of the western canon. The NecronomiCon Providence, a biannual scholarly and fan conference managed by the Lovecraft Arts and Sciences organization, began to be held in 2013.